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NEW: I'm now making music, JOIN ME ON SOUNDCLOUD!
SHOP: www.icanvas.com/canvas-art-prints/artist/ben-heine
A new photo I took in Warsaw (Poland) to illustrate this new music composition that I just shared on Soundcloud: bit.ly/1Tu01bN
This music features saxophonist and friend Stephane Pigeon. The image and music are a tribute to Warsaw, a city I love. I recorded Stephane playing the saxophone in my studio, I played the other instruments then mixed everything.
The clip for this compo is also available on my YouTube: youtu.be/gvFFqKMTUDY
Join me on Facebook: www.facebook.com/ben.heine.artist
Before/After of the day! I will soon post on my Youtube a giant before/after compilation to celebrate the 10 year anniversary of my series "Pencil vs Camera". Join my Youtube Channel here: www.youtube.com/user/BenHeineChannel
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Avant/Après du jour ! Je vais bientôt poster sur mon Youtube un diaporama géant avant/après pour célébrer les 10 ans de ma série "Pencil vs Camera". Rejoignez ma chaîne Youtube ici : www.youtube.com/user/BenHeineChannel
Listen to Simple Innocence on SoundCloud
Here is a photo I captured in the Belgian countryside to illustrate my new music compo Simple Innocence.
You can also find a small video clip I made to illustrate this song here: youtu.be/1KaWHGuXPWs
Join me on Facebook: www.facebook.com/ben.heine.artist
Listen to It's Just a Play on SoundCloud
Here is a photo I captured in a small village in the Belgian countryside to illustrate my new song about nature, colors, peace, positiveness and harmony. You can listen to it on SoundCloud. You can find the lyrics here below (half in English, the other half in French).
You can also find a small video clip I made to illustrate this song here: youtu.be/k1Z_2Cvr-o4
Join me on Facebook: www.facebook.com/ben.heine.artist
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It's Just a Play
By Ben Heine
Just let it go
Feel the tempo
Enjoy your day
It's just a play
The sun will glow
In the shadow
The light will stay
Like yesterday
See that rainbow
Through the window
It's the best way
To fly away
Tant de beauté
Bleu azuré
Ayons la foi
Suivons cette voie
Si on dansait
Si on s'aimait
Juste toi et moi
Comme autrefois
Rêve éveillé
Ensoleillé
Doux comme la soie
Le cœur en joie
Song, composition, lyrics, clip and cover photo: © 2015 Ben Heine
Today I've got call for my internship from one music studio, this inspire me to finish my new track.
There's only a little thinks to do and it will be done.
Mooged out in Asheville, NC, not far from the wonderful Moog factory. In this photo are a Voyager RME, Little Phatty, Multipedal, VX-352, CP-251, FreqBox and Ring Mod and electronics from Korg, Akai, M-Audio, Novation, Lexicon, Yamaha and E-Mu. A MacPro servers as the home for Ableton Live and a host of soft synths, editors and effects.
Listen to I Am a Clown on SoundCloud
This is a song about a sad clown. It's actually a metaphor of the connection some people can have with the world in general.
Join me on Facebook: www.facebook.com/ben.heine.artist
Lyrics:
I'm A Clown
I gave you everything
We spent so long together
You used to be my darling
We drank the same water
Where have you been?
Why do you hide?
You were a queen
Stay by my side
I'm a clown
A needy clown
In the jungle
of your heart
Why don't you understand
We could relieve the pain
Just give me your 2 hands
We've got to try again
Where have you been?
Why do you hide?
You were a queen
Stay by my side
I believed in you so much
Why did we change like that?
Do you remember us?
So young and beautiful.
I'm a clown
A needy clown
In the jungle
of your heart
Lyrics, Music and Photo © 2016 Ben Heine
Screenshot of The ECC's overloaded Ableton Live setup for performing our Wheel Of Mashup show. Yes, nearly all on-screen cells are filled with samples -- and you can scroll down to a few hundred more. It's used with our video mashup screen, a four-foot rear-projected faux touch-screen, which solved the problem of not being able to mouse fast enough to trigger multiple loops. Here's a demo: www.youtube.com/watch?v=Y7uLuYG62sY
www.logic-templates.com/product-category/pro-templates/ab... - We are offering the highest qualitive produced ableton live templates by DAW Templates. Visit our site to get more information and by your favourite template today!
Agata Olek (Flickr) talks about her 100% Acrylic Art Guards public installation (wearable sculpture / performance art) during the annual Art Under the Bridge Festival in 2009.
SML Simulcast (720p HD video)
+ www.facebook.com/video/video.php?v=169626383034
+ www.flickr.com/photos/seeminglee/3978552638
+ www.youtube.com/watch?v=IHq-ciqfWaw
Agata Olek Biography. The SPLAT! of colors hits you in the face, often clashing so ostentatiously that it instantly tunes you into the presence of severely cheeky humor. A moment later the fatigue of labor creeps into your fingers as a coal miner's work ethic becomes apparent. Hundreds of miles of crocheted, weaved, and often recycled materials are the fabric from which the wild and occasionally wearable structures of her fantasylands are born.
Olek was born Agata Oleksiak in Poland and graduated from Adam Mickiewicz University in Poland with a degree in cultural studies. In New York, she rediscovered her ability to crochet and since then she has started her crocheted journey/madness.
Resume sniffers may be pleased to know Olek's work has been presented in galleries from Brooklyn to Istanbul to Venice and Brazil, featured in "The New York Times", "Fiberarts Magazine", "The Village Voice", and "Washington Post" and drags a tail of dance performance sets and costumes too numerous to mention.
Olek received the Ruth Mellon Award for Sculpture, was selected for 2005 residency program at Sculpture Space, 2009 residency in Instituto Sacatar in Brazil, and is a winner of apex art gallery commercial competition. Olek was an artist in an independent collective exhibition, "Waterways," during the 49th Venice Biennale. She was also a featured artist in "Two Continents Beyond," at the 9th International Istanbul Biennale.
Olek herself however can be found in her Greenpoint studio with a bottle of spiced Polish vodka and a hand rolled cigarette aggressively re-weaving the world as she sees.
13th annual D.U.M.B.O. Art Under the Bridge Festival® (Sept 25 to Sept 27, 2009)
www.dumboartfestival.org/press_release.html
The three-day multi-site neighborhood-wide event is a one-of-a-kind art happening: where serendipity meets the haphazard and where the unpredictable, spontaneous and downright weird thrive. The now teenage D.U.M.B.O. Art Under the Bridge Festival® presents touchable, accessible, and interactive art, on a scale that makes it the nation's largest urban forum for experimental art.
Art Under the Bridge is an opportunity for young artists to use any medium imaginable to create temporary projects on-the-spot everywhere and anywhere, completely transforming the Dumbo section of Brooklyn, New York, into a vibrant platform for self-expression. In addition to the 80+ projects throughout the historical post-industrial waterfront span, visitors can tour local artists' studios or check out the indoor video_dumbo, a non-stop program of cutting-edge video art from New York City and around the world.
The Dumbo Arts Center (DAC) has been the exclusive producer of the D.U.M.B.O Art Under the Bridge Festival® since 1997. DAC is a big impact, small non-profit, that in addition to its year-round gallery exhibitions, is committed to preserving Dumbo as a site in New York City where emerging visual artists can experiment in the public domain, while having unprecedented freedom and access to normally off-limit locations.
Colophon
Original soundtrack written by SML Music using Ableton Live. Still photography by SML Photography captured handheld with the Canon 10D body with the Canon EF 24-70 f2.8L lens and the Canon 580EX flash. Interview video taken with the Canon SD850 IS. Photo editing done in Lightroom and Photoshop. Video production done in Sony Vegas Pro.
Still photography utilized
+ www.flickr.com/photos/seeminglee/3960375556/
+ www.flickr.com/photos/seeminglee/3976287643/
+ www.flickr.com/photos/seeminglee/3977093736/
+ www.flickr.com/photos/seeminglee/3976342837/
+ www.flickr.com/photos/seeminglee/3976363405/
+ www.flickr.com/photos/seeminglee/3977155062/
+ www.flickr.com/photos/seeminglee/3977211894/
+ www.flickr.com/photos/seeminglee/3976525467/
+ www.flickr.com/photos/seeminglee/3977316586/
+ www.flickr.com/photos/seeminglee/3976656111/
Related SML
+ SML Flickr Collections: Events
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
People walking at Festival Walk, a shopping mall in Kowloon Tong in Hong Kong—like clockwork. Photographed using the Canon EOS M with the 17-40 f/4L. Original soundtrack written using NodeBeat HD, a fun interactive music composition iPad app. Mastered in Ableton Live 8 using iZotope Ozone 5.
Series: Human Logistics 人流
Camera: Canon EOS M
Lens:Canon EF 17-40 f/4L USM
Video: H264 MP4, 1920x1080, 25fps, Progressive, 10 Mbps
Audio: AAC, 320 kbps, 48 kHz, Stereo
Length: 1 min 30 sec
Color: Color
Language:Cantonese, Mandarin, English
Location: Festival Walk, Kowloon Tong, Kowloon, Hong Kong SAR, China
License: Creative Commons Attribution 3.0 Unported (CCBY)
Date: 2013-01-09 (recorded) 2012-01-21 (processed)
Photographer: See-ming Lee 李思明, SML Photography
Soundtrack: SML Music
Media Production: SML Universe
Copyright: 2013 See-ming Lee 李思明, SML Universe Limited
Serial: SML.20130109.EOSM.01537
/ Festival Walk Escalator Dance 又一城電梯的舞 / Human Logistics 人流 / SML.20130109.EOSM.01537
+ SML Facebook: www.facebook.com/photo.php?v=10151440107343035
+ SML Flickr: www.flickr.com/photos/seeminglee/8402882370/
+ SML Vimeo: vimeo.com/57904391
+ SML YouTube: www.youtube.com/watch?v=9SIChJ3rFpg&;
+ SML Universe YouTube: www.youtube.com/watch?v=OyFitNM1lxM
# Soundtrack
1. Soundtrack for videography series “Human Logistics 人流”.
2. Written completely in NodeBeat HD, an interactive iPad app.
3. Mastered with Ozone 5 in Ableton Live.
Download 24-bit 48 kHz AIFF on SML SoundCloud:
soundcloud.com/seeminglee/festival-walk-escalator-dance
/ SML.20130122.Music.HumanLogistics.FestivalWalkEscalatorDance.Soundtrack
# Media Licensing
All media: soundtrack / videography / photography licensed via Creative Commons (CCBY) See-ming Lee 李思明 / SML Universe Limited
A photo I shot in the fall of 2009 with a Canon 85L I had for about a day. Revisiting the photo, I denoised it using Topaz DeNoise AI, using the "low light" setting. Then I loaded it into Luminar 4, made a bunch of tweaks and applied a lookup table. Next I RE-ran the image though Topaz DeNoise again using the "low light" setting. Finally I resaved it in Photoshop to drop the file size.
Turning the click-clack of an old wind up motor into MIDI time code to control the playback of a recording.
Next I'll try controlling the speed of a video!
(Inside the box, the wind up motor has a flapping arm that interrupts a light beam. Each clack of the motor generates a MIDI SPP command which tells the computer how far / fast to move through the recording.)
Are you ready to get down to some filth bass music? If so check out my tracks, you can find all my streaming links here: www.linktr.ee/sinaesthetic
Available on Spotify, SoundCloud, Amazon Music, Apple Music, Itunes, YouTube, Pandora, and more
Keep up to date and connect with me on Instagram, TikTok, Twitter and more, all links available here: www.sin-aesthetic.com
Download all my music FREE here:
www.sinaestheticmusic.bandcamp.com
If you are a music producer and use Ableton Live, check out the tutorials on my YouTube channel
Are you ready to get down to some filth bass music? If so check out my tracks, you can find all my streaming links here: www.linktr.ee/sinaesthetic
Available on Spotify, SoundCloud, Amazon Music, Apple Music, Itunes, YouTube, Pandora, and more
Keep up to date and connect with me on Instagram, TikTok, Twitter and more, all links available here: www.sin-aesthetic.com
Download all my music FREE here:
www.sinaestheticmusic.bandcamp.com
If you are a music producer and use Ableton Live, check out the tutorials on my YouTube channel
This performance traces the dimension of “eternity” as a state and in doing so also questions a current sense of time in post-Covid times. Together with the audience, Johannes Hiemetsberger and Hanne Pilgrim from the University of Music and Performing Arts Vienna create an audio-visual collective space that begins with Ligeti’s Lux Aeterna. The translation between voices, traces of movement and sound takes place like a mirror in a mirror … Festival visitors can try out their skills in conducting and performing or composing music at once in an experimental Open Lab.
Credit: Nathan Gallagher
NON HUMAN DEVICE #02", second part of a series of installations based on alien objects/devices found by Boris Chimp 504 during his missions through the deep space).
In every version it is presented a new interface and the audience is invited to explore and interact with sound and visuals in real time.
Video: vimeo.com/81994347
Check the first version here:
www.borischimp504.com/nonhumandevice/index.html
Rodrigo Carvalho - Visuals and interactive system
Miguel Neto - Sound
Keep track of BorisChimp504's voyages into the deepspace : facebook.com/borischimp504 // borischimp504.com
CNTRL:R is a contemporary MIDI performance instrument for creative music production. Housed in a lightweight aluminum body, this controller is ideal for live performance and studio production.
My audio samples are stored in a FireWire external drive for use with the MacBookPro. I am migrating everything over to the MacBookAir and Apple told me that there is no way to use FW drives natively. WTF?!
So now I am copying everything over to the new drive. Now there are many ways you can do that. You can use OSX’s native copy and paste. But OSX copy and paste is slow and would go do file counting. It also had issues if you terminate file transfers in the middle of it.
But rsync does all these—and better at it. It is already built in inside OSX. Shell tools are better and more efficient. You can buy apps which do these kinds of things but why buy crappy apps when you have the best tool for it?
Syntax:
$ rsync -av [source] [target]
or what I did in my shell:
$ rsync -av /Volumes/Ra/Audio/ /Volumes/LaCie/Audio/
where:
-a is a flag to tell rsync to turn on archive mode, where “accessed date” and “modified date” will not be modified as a result of copying.
-v is the flag for verbose mode, which shows the files being copied as the process continues.
For the rest of what rsync can do, look no further than its built-in manual, of course:
$ man rsync
I know, it's a no brainer. But I continue to be surprised at what most people didn't know is readily available in OSX
# SML Workflow
Taken with the iPad 3, processed in Snapseed.
/ SML.20130130.IP3
/ #SMLOpinions #CCBY #SMLMusic #SMLUniverse #SMLPhotography #SMLEDU
/ #Mac #Apple OSX opinions #rsync #shell #AbletonLive #MacBookPro #MacBookAir #WTF #copy #file #transfer #howto #shell #man #edu #apps #commandline #Firewire #nerds #technology