View allAll Photos Tagged ACCESS
An equinox occurs twice a year (around 20th March and 22nd September), when the tilt of the Earth’s axis is inclined neither away from nor towards the Sun, the center of the Sun being in the same plane as the Earth’s equator. The exact time of the Equinox this year is March 20th at 16:57 GMT
The name “equinox” is derived from the Latin aequus (equal) and nox (night), because around the equinox, the night and day have approximately equal length.
‘Managed Open Access’ at Stonehenge for the Vernal (Spring) Equinox, was from 05.45 am until 08.30 on 20th March 2014. A good time was had by all,
The second Ruthin cover I have found, the other being a Brooklyns Ruthin stop cock cover in Chepstow.
My bathroom joke on the boys backfired when Caleb proclaimed himself the bouncer and restricted my access to the toilet.
Beyond Access Member teams representing twelve countries in Asia and Europe gathered in Indonesia to share their successes, challenges, and visions about the role of modern libraries in their communities. Participants came from vastly different countries in terms of culture, level of development, and political environment. Yet they shared many of the same challenges, and more importantly, they shared a commitment to the role libraries play in their communities.
Von On demand bis Open Access?
Science Content Digital
Podiumsdiskussion
Dr. Sven Fund (De Gruyter)
Dr. Angelika Lex (Elsevier)
Dr. Dirk Palm (Moderator)
Dr. Ulrich Hermann (Wolters Kluwer)
Dr. Christine Autenrieth (Akademie Verlag)
Bibliotheksdatenbanken, Netzwerklösungen und andere Contentplattformen - Einfacher und schneller Zugriff auf digitale Inhalte ist das A und O für die Kunden von Wissenschaftsverlagen.
Wie können Verlage Bibliotheken und Universitäten mit Contentplattformen echten Mehrwert bieten?
Wie können solche Lösungen aussehen?
Und welche Geschäftsmodelle funktionieren?
Moderation: Dr. Dirk Palm
Frankfurter Buchmesse 2011
Random Access by Nam June Paik, 1963/2000, strips of audiotape, open-reel audio deck, extended playback head, and speakers.
Solomon R. Guggenheim Museum, New York. Purchased with funds contributed by the
International Director’s Council and Executive Committee Members: Ann Ames, Edythe Broad,
Henry Buhl, Elaine Terner Cooper, Dimitris Daskalopoulos, Harry David, Gail May Engelberg,
Ronnie Heyman, Dakis Joannou, Cindy Johnson, Barbara Lane, Linda Macklowe, Peter Norton, Willem Peppler, Denise Rich, Simonetta Seragnoli, David Teiger, Ginny Williams and Elliot K. Wolk, 2001
Participants at the World Economic Forum on Africa 2015 in Cape Town. Copyright by World Economic Forum / Jakob Polacsek
Alec Finlay
Monday 4 - Thursday 7 November, 10:00am - 4:00pm
Various Locations
Across Dundee
NEoN is bringing the Travelling Gallery to town, Day of Access exhibition will pop up in various locations across the city.
Travelling Gallery is delighted to be working with Alec Finlay to support Day of Access, a powerful campaign which encourages estates to open their land to allow access for people affected by disability. By using hill tracks and four-wheel drives, people who have never been able to immerse themselves in wild nature are driven into the heart Scotland’s beautiful wild landscape.
The Day of Access campaign passionately believes that everyone should have the opportunity to experience wild nature. Travelling Gallery will act as the campaign bus touring Day of Access across Scotland; presenting information and artworks and allowing a space for discussions. Documentation from the pilot Day of Access, including work by young photographer Sam McDiarmid, will be exhibited in an art installation created by Finlay.
The themes of disability, access and ecological remediation are explored in Finlay’s poems and artwork. Pages from books exploring illness, pain, walking and healing, including A View from the Front Line by Maggie Keswick Jencks, are used as paper for thoughtful drawings and commanding words “THERE CAN NEVER BE AN EXCESS OF ACCESS”.
Alongside his own work Alec has invited other artists and poets to exhibit including Hannah Devereaux, Alison Lloyd, Ken Cockburn and Mhairi Law; each bringing their own creativity and experience to the project. The work is collaboratively displayed like a scrap book or diary pinned on a garden trellis, alongside other domestic apparatus and soft furnishings, such as blankets, a clothes horse, and hankies.
About the Artist:
Alec Finlay (Scotland, 1966) is an internationally-recognised artist and poet whose work crosses over a range of media and forms. Much of Finlay’s work considers how we as a culture, or cultures, relate to landscape and ecology. Through permanent and temporary interventions, integrative web-based projects, and publications, Finlay weaves together generous experiential works, often collaborative, sometimes mapped directly onto the landscape, embedded socially or accessed online. Recently Finlay’s work has focussed on place-awareness and ecopoetics.
Tour dates in Dundee:
Monday 4 November, 10:00am-4:00pm
Boomerang Community Centre, 10 Kemback St, Dundee DD4 6ET
Tuesday 5 November, 10:00am-4:00pm
Morrisons, 1 Afton Way, Dundee,DD4 8BR
Wednesday 6 November, 10:00am-4:00pm, please note the gallery will be closed to the public on this day.
Baldragon Academy, 69 Harestane Rd, Dundee DD3 0LF
Thursday 7 November, 11:00am-9:00pm
Wellgate Centre Main Entrance on Panmure Street
Access for visitors:
A maximum of 20 people can visit at one time
The doors are at the front left-hand side of the vehicle
An inbuilt manual ramp is available to aid access for wheelchair users* and pushchairs
Handrails are available at the doorway and by the short internal gradient at the entrance to the gallery (1:9)
The interior of the gallery is level
* Wheelchairs up to 120cm long and 70cm wide
Photography Kathryn Rattray
Lejos de los tumultos de la ciudad
había un pequeño lugar
dónde pocos entendían
dónde pocos encajaban...
This is a photograph from the Athlone 10KM and 5KM road races were held in Clonown Village, Co. Roscommon, Ireland on Sunday 27th of April 2013 at 14:00 and 14:30. Clonown is a small townland on the west bank of the River Shannon and is situated about 3 miles south of the town of Athlone. Whilst the townland is almost completely rural it is accessed easily from major routes and towns by the M6 motorway. The weather was perfect for today's race and participants enjoyed very warm spring sunshine. There was a slight breeze on certain parts of the course but overall it was a beautiful day for running. Over 200 people took part in both events.
We have an extensive set of photographs from today in the following Flickr Album: www.flickr.com/photos/peterm7/sets/72157644370027053/
Timing and event management was provided by Precision Timing. Results are available on their website at www.precisiontiming.net/result/racetimer with additional material available on their Facebook page (www.facebook.com/davidprecisiontiming?fref=ts) See their promotional video on YouTube: www.youtube.com/watch?v=c-7_TUVwJ6Q
Reading on a Smartphone or tablet? Don't forget to scroll down further to read more about this race and see important Internet links to other information about the race! You can also find out how to access and download these photographs.
This race completely defied the fact that it is only the third year of it's existence. Every aspect of the organisation was professional: from stewarting, registration, start of races exactly on time, car-parking, and post race refreshments. The 10KM route followed an anti-clockwise loop. The race started on the L2035 Togher Road (about 100m from Clonown Centre - see here on Google Streetview goo.gl/maps/xWj3i) and heads towards the old Ballinasloe Rd (emerging here - see on Google Streetview goo.gl/maps/P6rE8) and back via Creggan (turning off the main road at this point - see Google StreetView goo.gl/maps/wCHT0) with the finish at the Clonown Community Centre. The course turns at this point [goo.gl/maps/7sa6u] to return to the finish. The stretch from the exit off the Old Ballinasloe Road to the Creggan turn off brings the race through wide open bogland areas used in the peat extraction industry.
The 5KM run was added last year (2013) to provide a managable challenge for people who are following programmes such as Operation Transformation. The 5KM race route follows a different route around the townland. The race starts at the church in Clonown and head clockwise around the Ballinaculla townland which offers lovely views of the River Shannon. The route then goes to the Drumlosh road and runs for 1.5 km before the roundabout which is the 3km mark. The race then turns around and returns back to the village and finish at Clonown Community Centre. Both races share some of the race route for the Flatline Athlone Half held annually in September (www.athlonehalfmarathon.com/) which makes the race routes very fast and flat.
Location Map: This is the start/finish area on Google StreetView [goo.gl/maps/W0Hxc]
Some Useful Links
Pictures from 2013: www.flickr.com/photos/peterm7/sets/72157633350511183/
Garmin Connect GPS Trace of the 2013 10KM Route: connect.garmin.com/activity/306782605
The Clonown area on Google Streetview [goo.gl/maps/W0Hxc]
Facebook Page for the Athlone 10KM Race 2013 www.facebook.com/Athlone10krun?fref=ts
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us.
This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download the photographic image here direct to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. However - look for a symbol with three dots 'ooo' or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Creative Commons aims to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
"Klick Link For Read Online Or Download Survey of Historic Costume: Bundle Book + Studio Access Card Book : bit.ly/2eHxmSO
Feature
*
Now celebrating its 25th anniversary as the best-selling textbook for the study of fashion history, Survey of Historic Costume, 6th Edition is an introduction to dress from the ancient world through the 21st century. Each chapter presents social, cross-cultural, environmental, geographic, and artistic influences on clothing. As a part of our new platform, Bloomsbury Fashion Central, this edition will come bundled with a free STUDIO of digital ancillaries for learning. New to this edition~ More than 1,000 full-color images, including 20% new photographs and illustrations throughout~ New Global Connections boxes highlight dress and textiles from around the world, including China, India, Japan, Latin America, Africa, and more~ New Chapter 20 covering twenty-first century dress from 2000 to the present~ Expanded and redesigned chapter timelines"
Certain hybrid cars that qualify can wear four of these stickers (one on every side of the car), issued by the State of California, that allows them to drive in the carpool lane, even with a single driver. California has long allowed this for alternatively fueled vehicles, such as CNG and electric powered cars.
Elly, a Project Access staff helps the golfers navigate the amazing selection of silent auction items up for bid
Common mergansers swim on the Susquehanna River near Fort Hunter Park in Harrisburg, Pa., on March 13, 2017. In 2016, the Pennsylvania Fish and Boat Commission partnered with the National Park Service to add handicap accessible river access at two sites at the park, along the Susquehanna River and nearby Fishing Creek. (Photo by Will Parson/Chesapeake Bay Program)
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge. To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
**Adivinen DONDE en Buenos Aires**
Residencia Estrugamou
Autores: Sauze Eduardo, Huguier A., Arquitectos.
Ubicación: Esmeralda 1319.
Año Inauguración: 1929.
Acceso vehicular sobre calle Juncal. La estatua es una reproducción de la Victoria alada de Samotracia.
Alec Finlay
Monday 4 - Thursday 7 November, 10:00am - 4:00pm
Various Locations
Across Dundee
NEoN is bringing the Travelling Gallery to town, Day of Access exhibition will pop up in various locations across the city.
Travelling Gallery is delighted to be working with Alec Finlay to support Day of Access, a powerful campaign which encourages estates to open their land to allow access for people affected by disability. By using hill tracks and four-wheel drives, people who have never been able to immerse themselves in wild nature are driven into the heart Scotland’s beautiful wild landscape.
The Day of Access campaign passionately believes that everyone should have the opportunity to experience wild nature. Travelling Gallery will act as the campaign bus touring Day of Access across Scotland; presenting information and artworks and allowing a space for discussions. Documentation from the pilot Day of Access, including work by young photographer Sam McDiarmid, will be exhibited in an art installation created by Finlay.
The themes of disability, access and ecological remediation are explored in Finlay’s poems and artwork. Pages from books exploring illness, pain, walking and healing, including A View from the Front Line by Maggie Keswick Jencks, are used as paper for thoughtful drawings and commanding words “THERE CAN NEVER BE AN EXCESS OF ACCESS”.
Alongside his own work Alec has invited other artists and poets to exhibit including Hannah Devereaux, Alison Lloyd, Ken Cockburn and Mhairi Law; each bringing their own creativity and experience to the project. The work is collaboratively displayed like a scrap book or diary pinned on a garden trellis, alongside other domestic apparatus and soft furnishings, such as blankets, a clothes horse, and hankies.
About the Artist:
Alec Finlay (Scotland, 1966) is an internationally-recognised artist and poet whose work crosses over a range of media and forms. Much of Finlay’s work considers how we as a culture, or cultures, relate to landscape and ecology. Through permanent and temporary interventions, integrative web-based projects, and publications, Finlay weaves together generous experiential works, often collaborative, sometimes mapped directly onto the landscape, embedded socially or accessed online. Recently Finlay’s work has focussed on place-awareness and ecopoetics.
Tour dates in Dundee:
Monday 4 November, 10:00am-4:00pm
Boomerang Community Centre, 10 Kemback St, Dundee DD4 6ET
Tuesday 5 November, 10:00am-4:00pm
Morrisons, 1 Afton Way, Dundee,DD4 8BR
Wednesday 6 November, 10:00am-4:00pm, please note the gallery will be closed to the public on this day.
Baldragon Academy, 69 Harestane Rd, Dundee DD3 0LF
Thursday 7 November, 11:00am-9:00pm
Wellgate Centre Main Entrance on Panmure Street
Access for visitors:
A maximum of 20 people can visit at one time
The doors are at the front left-hand side of the vehicle
An inbuilt manual ramp is available to aid access for wheelchair users* and pushchairs
Handrails are available at the doorway and by the short internal gradient at the entrance to the gallery (1:9)
The interior of the gallery is level
* Wheelchairs up to 120cm long and 70cm wide
Photography Kathryn Rattray
Rope Access Fan inspections Lane Cove Tunnel for Transfield Services. For more information visit www.rigcomaccess.com/ropeaccess/ogmp/it.html?RopeAccess
Our July 2014 Holiday incl. DUB-LGW-DXB-BKK-DXB-LGW-DUB || Hilton London Gatwick x2|| Banyan Tree Bangkok || Four Seasons Hotel Bangkok || Novotel Suvarnabhumi Hotel BKK || Our fourth visit to Thailand, our third visit to Bangkok || From culture, architecture, food and drinks to hospitality and urban beauty, Bangkok is the City of Life || Highly recommended || JULY 2014
Participants at the World Economic Forum on Africa 2015 in Cape Town. Copyright by World Economic Forum / Jakob Polacsek
I was born in Athens... In the 50+ years I have lived in this city I do not remember the access to the most official site, the "Unknown Soldier's Tomb", ever having been absolutely blocked... No... not under normal political circumstances, anyway...
”Inclusion Counts” shows that when people with disabilities can access health services, education or work, everyone benefits.
CBM UK Chief Executive Kirsty Smith explained, “Men, women and children living with disabilities in low-income countries are among the poorest people in the world, and yet development programmes often exclude them because the perception is that it’s just too difficult, or too expensive to include them. This publication is a vital tool in showing that including people with disabilities isn’t just the right thing to do, it makes economic sense as well”.
Read more: www.cbmuk.org.uk/news/inclusion-counts-economic-case-leav...