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OLYMPUS DIGITAL CAMERA

Calle de Assis. Italia

Made from several Fujifilm X-S10 shots with Hugin. HDR from RAW files and postprocessing colors done in Luminar AI.

 

Check out the original file (6377 x 6690 px = 42 MPx) here: pan.musicaloris.de/DSCF0426-pan-2.jpg

Moscow City Government Building.

Moscow, Russia.

(Testing of my new lens.

This is a gift for my anniversary. :-)... )

 

Les couleurs de l'hiver

Photos and workshops on my website: www.harrycollinsphoto.com

  

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Torenvalk Kestrel Falco tinnunculus

I spent the morning in a canoe hoping for some osprey to photograph. Instead I witnessed a kid having the time of his life surfing behind a boat.

SUNSET STATION STRAWBERRY MOON

A rare occasion for the moon during summer. Last one was in 1948 and next one will be in 2046.

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My Hobby : to visit museums

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En 1886, le professeur Édouard Van Beneden, fondateur de l’Institut zoologique, commande 77 modèles Blaschka pour illustrer les leçons de zoologie. Quelques années plus tard, il commande des modèles en cire, afin d’illustrer les enseignements du développement embryonnaire et des parasites. Autrefois objets didactiques, les Blaschka et les modèles en cire sont aujourd’hui considérés comme de véritables œuvres d’art, alliant sensibilité artistique et rigueur scientifique. Un patrimoine irremplaçable !

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In 1886, Professor Edouard Van Beneden, founder of the Zoological Institute, commissioned 77 Blaschka models to illustrate zoology lessons. A few years later, he commissioned wax models to illustrate the lessons of embryonic development and parasites. Once didactic objects, Blaschka and wax models are now considered true works of art, combining artistic sensitivity and scientific rigour. An irreplaceable heritage!

 

Translated with www.DeepL.com/Translator

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hauteur 3 cm

UP 6377 East rolls through the early morning fog at Pump House on the UP Kansas Sub.

 

It was completely socked in where I was standing, it was not where the drone was.

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鶯歌加掛5平+1敞+2蓬+1敞+1蓬

(2025.03.31 鳳鳴站)

Tapestry I

A double exposure ICM in woodland dappled light. When making images in this way I am often consciously wanting to create an impressionistic, painted brushstroke effect. The effect in itself is not enough though and I still look to make an image with enough structure to entice the viewer's eye into and through. The play of light, the subtle colour and just the suggestion of some place real play an important part.

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