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Pic taken with Black Dragon Viewer @ Sunny's Photo Studio using 116 Bento Friends pose&backdrop
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Polwica-Śnieciska 28.05.2022 | Świeżo przywrócony do ruchu "Donald" wykonuje najazd między Polwicą a Śnieciskami z towosem dla fotografów z Zaniemyśla do Środy Miasta zorganizowanym w ramach imprezy "Popołudnie z Donaldem".
Playing again, this has had nothing done but resize for flickr.
My thanks to all of you who stop, look and comment. I will be sure to check out your photostream
Knocking off mile my mile and cruising at every bit of track speed train 107 with a LNG set up front splits the 63 signals in the middle of Dorena siding. The entire 20 hours or so on the FEC were irritating, frustrating and just rather interesting. From wild hogs going nuts in the woods next to me here, the homeless life in Saint Augustine coming out of the thicket and almost getting hit to just getting plan ole cloud fucked, and trains running way off schedule on a fairly scheduled railroad. FEC was not my friend this trip but I did still get a few decent trains.
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No 63
Foxton Locks by numbers
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Photo by: Iain Merchant Photography (www.iainmerchant.com)
Ventura Nationals.
I was only going to post the previous version but I like this one also, hope you guys like it :))
Gelli Plate Lasertransfer mit Acrylfarbe,
gedruckt auf Zeichenpapier
Minolta XD7
Obj. Minolta 28-70 mm
HP5 400
Rodinal 1+50 11min
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The choices we make.
"Contemporary artists are experimenting with photography in diverse ways other than through focus. This book considers a whole litany of what might be called 'photographic errors'. When Taryn Simon made a portrait, she chose to underexpose, and therefore erase her subject. In direct contrast, Paul Graham's landscapes are so intentionally overexposed that a number of readers returned his book to the publishers convinced that there had been a printing problem. Ed Ruscha's series, taken from a moving car, features skewed horizons and cropped subjects, whereas Daido Moriyama, whose aesthetic has been labelled 'blurry, grainy and out of focus", barely stops walking to capture a frame. Portraits are equally mishandled: Lee Friedlander obscures his face with a light bulb, Anne Collier fractures hers in a mirrored disco ball, John Baldessan is portrayed with a palm tree sprouting from his head and Philip-Lorca diCorcia catches his subjects unaware, showing slack, adrift expressions...
...Photography is not simply an art form but is one of such shape-shifting variety that it is possibly the most important art form of our time."
- Jackie Higgins, Why It Does Not Have To Be In Focus: Modern Photography Explained (Thames & Hudson, 2014).