View allAll Photos Tagged 40404
40404 Shenyang J-6II [6-2-2032] (Ex Chinese Air Force / China Aviation Museum) Datangshan~B 06/11/2008
London United's Dennis Trident 2/Alexander Enviro 400 ADE40404 (YX12 FNK), which carries a plain red base livery following repaint, is pictured here at Thornton Brothers, Ashington, alongside similar ADE40401 (YX12 FNG), whilst undergoing repaint. 28/10/17
The contract for the 222 service transferred from London United to Metroline West from Saturday 16th September 2017. Metroline ordered a batch of brand new Volvo B5LH/Wright Eclipse Gemini 3 vehicles to operate the service.
The displaced London United ADL Enviro400s, meanwhile, will be used elsewhere:
- the contract for service 142 has been awarded to London Sovereign with 16 existing ADL Enviro400s in the fleet, from 6th January 2018.
- the contract for service 642 has been awarded to London Sovereign with 3 existing ADL Enviro400s in the fleet, from 6th January 2018.
Before the new contracts commence, London United are repainting the ADL Enviro400s, as depicted above.
Alhambra Theatre, Morecambe. The entrance to the balcony ran under the rear of the steppings, here the charred timbers are in evidence, Opened in 1901, built on the site of the West End Market (the stone sign was rescued during demolition and replaced on the rear wall of the theatre), to the design of Herbert Howarth. The theatre, which was at upper floor levels, was large, and like the Winter Gardens, dominated by a vast barrel-vaulted ceiling. It seated 1,400 in stalls and squared balcony, with side slips extending to boxes either side of the proscenium stage. There was extensive use of elaborate Edwardian plaster, including lions heads on the balcony front. Good shots of the interior can be found in the 190 film "The Entertainer". Converted and renamed Astoria Super Cinema in 1930, it reverted to live use until 1970 when a fire destroyed the auditorium and roof. It was repaired as a cabaret bar and disco, known as the Inn on the Bay, soon renamed The Carleton Club - this closed in 2016. Reopened the same year as the Alhambra, it is now a live music venue, and home to several festivals. The stage, was undamaged in the fire, but now has a false ceiling in use as a bar area. The former balcony level of the auditorium is derelict.
cinematreasures.org/theaters/40404
Morecambe, Lancashire, North West England - Alhambra Theatre, Marine Road West / Regent Road
September 2022
Noted currently listed on TradeMe.
Was also No. 50 with Lewis Hodgson Motor Services Ltd, Te Awamutu, before Runciman Transport Ltd., Waitara, No. 50. Must have been rebodied by Coachwork.
Description:
1981 Hino BG100 Repowered factory BG300 engine. 5 speed o/drive gearbox. Coachwork body. Tyres front t/less 90% & 1st rear axle 50% overall & trailing axle 40%.12mtrs long. 2.4mtrs wide. Aisle height 2.1-1.9mt & non aisle height 1.8mtr.
No COF. Rego on hold.. Good project material. 1 of 2 vehicles for sale. Also have 1985 MAN tour coach.
Vehicle is based in Taranaki.
Asking Price $15,000 ONO
Year: 1981
Make: HINO
Model: BG100
Colour: Cream
Plate: RO7760
Engine No: 62858
Chassis: 40404
Seats: 80?
CC rating: 10,178cc
Fuel Type: Diesel
Assembly Type: Unknown
Country of Origin: Not known
Gross Vehicle Mass: 21,000kg
Tare Weight: 11,140kg
Axle Type: 3-Axle Trailing (Tag) Axle
Axles: 3
Wheelbase: 6,300
Front Axle Group Rating: 6,000
Rear Axle Group Rating: 15,000
Vehicle Equipment Class: ME
Industry Class: COMMERCIAL ROAD TRANSPORT
Road Transport Code: BUS SERVICE - INTER URBAN
Plates History:
RO7760 - 16 September 1992
KW9199 - 22 July 1982
The first Hino vehicles purchased by New Zealand Railway Road Services were 30 Emslie bodied Hino BT51 coaches. These were followed by the Hino BG100, the first non-Bedford vehicle purchased by NZ Railways in large numbers since it standardised on Bedfords in the 1950s. 103 were purchased with a mix of NZMB and Emslie body work. The initial vehicles were 2 axled but a change in the road tax for high axle weights resulted in those delivered from 1979 onwards having three axles.
- Between 1979 and 1981 NZRRS received 18 composite Hino BG100 coaches with 20 passenger seats and a large rear freight compartment from Emslie.
- In 1980 and 1981 NZRRS received 14 Hino BG100 coaches with Emslie C41F bodies. 5906 and 5907 later received airconditining.
- In 1981 NZRRS received 19 composite Hino BG100 coaches with 20 passenger seats and a large rear freight compartment from NZMB
- In 1981 NZRRS received 15 Hino BG100 coaches with NZMB bodies. 10 of these had C41F bodies and 5 C45F bodies. A number later received airconditining including all the C45F vehicles.
- As well as the Hino BG100s acquired with Intercity, Tranzit have one BG100 3-axle coach with NZMB C45F body that they acquired new.
Former NZRRS 6121 details:
Walking down St Georges Lane, a back route, and a public footpath. It runs through farmers’ fields connecting Lincoln with Riseholme, in West Lindsey, Lincolnshire.
Shot at the World Bodypainting Festival 2009 in Seeboden, Austria.
Bodypainting Artists: Michelle Ward. More information on the WBF website: 193.171.119.147/us/wbpf/gallery2/main.php?g2_itemId=40404
Remarks: the title of the photo may not be the original title of the artwork (given by the artist).
Missing a number? You're right - R&R 068 hasn't been posted yet. It will be, but until then I'm continuing on with posting my other reviews.
Michael Gates Gill
How Starbucks Saved My Life
First published in: 2007
This edition: Gotham Books paperback, 2008
ISBN: 978-1-592-40404-9
Cover illustration by Simon Spillsbury
Mug in my R&R was purchased at Starbucks
I thought this book would be right up my alley. I love Starbucks, and for two reasons: their mugs (which I collect because I think they are pretty), and their Cinnamon Dolce syrup. But really, I just love coffee, and Chai lattes make my world go round. Whoever serves them has a loyal customer in the form of me.
Michael Gates Gill, a man born into wealth and privilege, is a Starbucks man through and through. He knows all the stores in New York City. Being over sixty years old, divorced, without a steady job but with a brain tumor, his one comfort in life is Starbucks. One day, he goes into one of NY's stores to have a latte, and walks out of the store with a job, offered to him by a young, female African-American store manager. Crystal is his polar opposite, but she gives Michael a chance, which Michael grabs eagerly - the health insurance will cover his brain surgery; Starbucks will literally save his life.
Finding a job below his usual standards humbles a 64-year old privileged man into appreciating what he has instead of what he has lost... That's a riches-to-rags formula with the potential for inspiration, while getting to know a favorite coffee place better. Yes, it could have been good.
It wasn't. So much is wrong with this book, I seriously couldn't keep this review shorter than it is now.
I'm just not buying it. Gill doesn't get the emotional impact behind his big life change across. In his book, the former advertising man is too busy namedropping and selling Starbucks to us, readers.
While sweeping floors and cleaning toilets of this GREAT (!) store, where dignity and respect come first and foremost and Guests are happy when Partners are happy (oh everyone just loves each other), he reminisces in length about Jackie Onassis and her adoring eyes and voice soft as a whisper (Jackie this, Jackie that, oh Jackie Jackie Jackie), or Muhammed Ali and how he made up a poem for Gill (how endearing) after Gill was not just at any of his matches, but the first professional match (and this is actually italicized in the book so as to make extra sure us readers understand that Gill is in fact bragging his ASS off).*
The namedropping is irritating right from the start, because these memories are irrelevant to the story or his 'change' and recalled at random times (he hears the word 'Master' being used. Enter his memory of Frank Lloyd Wright, dubbed 'Master' by his apprentices).
[sarcasm] Yes, all of this tells me you're definitely a changed man to whom his life of privilige is nothing compared to his life as a Starbucks barista. I'm wholly convinced, by your knowing 'Jackie' and 'Papa' and having been to Ali's first professional match, that you've moved on from your entitled past and your attitude of superiority. Comparing the opening of a store is so similar to running in front of the bulls in Pamplona to impress Ernest Hemingway. I can totally see the relevance and don't see this as another opportunity at all to impress me, the simpleton, with the people you know, the places you've been, the things you've accomplished. [/end sarcasm for now]
Why do this? What point is he making here? Does he want to show how important he is via all the people he's met? Wasn't he was supposed to be satisfied with his current life as a barista? Doesn't sound like it to me. (The man keeps contradicting himself.)
[sarcasm returns] Your skills as a Yale Art History major are just so helpful in placing the pastries in their trays correctly, what a challenge you are facing once again! We should be so, so proud of you for overcoming your next obstacle - for managing, all by yourself, with all your knowledge and connections, to open up the bagel packaging. I'm moved to tears by the inspiration. [/sarcasm overload - warning - evacuate!]
This book just seems so contrived in more ways than one. He conveniently knows juuuuuust how to read people, making instant successful conversation with his Guests. The dialogue made me cringe. Also, right after he's done sweeping that floor or cleaning that toilet (thinking back of the maid his parents used to have, or his African American nanny), he's overcome with a sudden life-changing epiphany, like how a young African American woman from a poor background (his boss Crystal) can actually REALLY be successful. Who would have thunk it? Because the idea of successful African Americans, or women, or other people from other minorities is so... outlandish!
I also resented that he considered himself part of a minority now that he is working at Starbucks. Oh so he "suddenly understands in this moment" what it's like to struggle because with this job he might as well also be from a different class or race... even though he's a white guy from a wealthy background who screwed up a huge chunk of his own privileged life.
Crystal, his 'mentor', sounds more like a human Starbucks ad than an actual warm human being. [Play tape] "Here at Starbucks, we have dignity and respect for our other partners!" [/stop tape] This was so disappointing! I thought Crystal would be tough, a no-nonsense woman with attitude - the highlight of the book! But she was just a robotic instruction manual on tape.
His petty stabs at his former employer JWT (advertising agency; he was sacked) while sharing his abiding affection for Starbucks (where nothing goes wrong EVER) are both endless. He's being repetitive here and with lots of other things too, sometimes literally, i.e. "Jay Laughlin, Pound's publisher, owned the camp next door" (p.48) followed by "...an invitation to Jay Laughlin, who owned the camp next door" (p66). There are countless examples, but if I mention them all here I will have half the book quoted in my already way too long review.
He could be a really nice guy and truly changed for all I know, but this book sure didn't convince me of it. Maybe it's the (bad) writing or... maybe he hasn't changed as much or as deeply as he'd like us to believe. No, truthfully, I hated this book. Riches-to-rags, my ass. Michael Gates Gill has just managed to adapt to a new situation (which he fell into in despair), making the most of it. Doesn't make him an inspiration to me.
If Michael Gates Gill were truly happy in his job as a barista, if he had learned his lesson, this book just wouldn't exist, or would be 50% thinner (leaving out flashbacks, namedropping and hating on his former employer). He still feels the need to be Somebody Important, instead of just being happy with being somebody.
This book has left me with a really bad taste in my mouth. I will need lots of coffee to wash it away... served in my Starbucks mugs. Because at the end of the day, I still love those mugs. And Starbucks, too.
*) An actual list I kept of celebs / influential people Gill is connected to directly or 'via via': Skull & Bones, poet Ezra Pound as well as Robert Frost, W.H. Auden and T.S. Eliot - all of whom he'd met over drinks or something. There's E.B. White (author of Stuart Little), Andy Warhol, Jackie Onassis, Ernest Hemingway, Queen Elizabeth (!), Muhammed Ali, Frank Lloyd Wright, Frank Sinatra and... 50 Cent. I probably missed a few.
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Copyright © Karin Elizabeth. All rights reserved.
R&R series © Karin Elizabeth. Do NOT copy and repost or reproduce the review or photo anywhere without my permission.
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title: df
artist: df
tool: mouse
country: zh-CN
date: 7-14-2010
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size: 1920 x 1047
action: drips.nalindesign.com
artist: df
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透明底牆壁裝飾1入-溫暖壁爐(670229)
38*40cm立體圓球-聖誕球紅(40404)
38*40cm立體圓球-聖誕球綠(40406)
38*40cm立體圓球-聖誕球金(40407)
台北南京店Line: @lds7553v
台中文心店Line: @446rqbcn
竹北福興店Line: @675xsfoo
title: sonhos
artist: lucca
tool: mouse
country: pt
date: 7-12-2010
colors: 195
hex color palette: #d11ff #f5ff04 #ff1b04 #bfff06 #25fc18 #fb1cdb #3fbcb5 #fdfdfd #6b2e6c #fee10f #3c7130 #96e438 #a33d67 #da6c3c #e4cf38 #929292 #3b347e #6437e7 #314874 #5a983b #82d03e #3c1c2b #6627f6 #4e3b98 #b83f93 #3fba58 #323232 #3cadda #3bcadd #150f0a #3fb8c8 #be3f97 #224b38 #c8893f #f42a87 #6ff12e #a03c5a #3ed24f #30507 #3da56e #c190d #a0a0a0 #d64b3d #a1c33f #beda3c #3fbac3 #40404 #6c2e4b #853674 #fd17cc #c1019 #17b1fd #1d2a3f #434343 #b5853f #ff160b #3c1c22 #ae3bdd #543991 #cf3faa #4ffd2 #be3f8f #162f1e #59c53f #5f2f2a #cecece #b13f81 #23f92f #fe114d #f42a5d #9d813c #dc3cba #b5f921 #44983b #692d64 #3dd6a4 #9ccf3f #46d63d #4ae13a #e53746 #1cfb56 #533071 #36f921 #f12e7f #7e3462 #241f44 #2a5f46 #969a3b #6526f7 #3e70d0 #503fb8 #3fc14e #255331 #3f9dcc #d4443d #41224b #ff066d #ff0610 #31edd7 #a93e88 #3fb866 #d43d43 #314b74 #fc2d18 #ff6100 #bc3f87 #dfff0 #31743e #2a2f16 #3ae13a #463a94 #6d9d3c #46c53f #53f22d #315e74 #947a3a #30103 #35ff04 #917c39 #201833 #8d3b98 #4fb83f
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background: #ff2906
size: 1351 x 543
action: drips.nalindesign.com
artist: lucca
2d #315e74 #947a3a #30103 #35ff04 #917c39 #201833 #8d3b98 #4fb83f #6eb33f #f8f8f8 #a9a9a9 #815e35 #7525f8 #251a38 #6a2ff0 #dc433c #cacaca #9f35e8 #325b28 #b53f5d #f529c0 #38e493 #f12e48 #6ffbc #ff5206 #b17d3f #21f921 #358168 #c1f529 #25f888 #30706 #18fcb1 #f62765 #38d8e4 #372ef1 #fec511 #2b1614 #c13f7b #6c8536 #3cdc5c #e75c37 #bc3f6d #110808 #513a94 #2d91f2 #ff0d71 #61983b #c2fb1c #d8d8d8 #d83dc9 #7713fe #3a9494 #730bff #e930ee #bb3cda #3e71d2 #c33f6f #5b283b #150a12 #2de4f2 #3d4fa3 #ec326a #b1963f #68fa20 #7b3fbe #317470 #272727 #3a27f6 #572ef1 #396a91 #4afe13 #1731fd #acacac #1c2210 #97fa20 #572745 #10101 #39488f #3b45dd #3f47c3 #27573d NaN min #ff2906 1351 x 543 drips.nalindesign.com #drips #webcam #microphone #painting #application #generator #art #random drips.nalindesign.com
title: pollock feelings
artist: glauco @glaucoguima
tool: mouse
country: pt
date: 7-11-2010
colors: 151
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background: #f1f1f1
size: 1103 x 640
action: drips.nalindesign.com
artist: glauco @glaucoguima
22ef1 #66382c #3fbcbc #ab3e5f #2bf37d #643cda #17ff09 #666666 #ed31a7 #3ead44 #2b2148 #1cfb92 #66337b #f0811 #3dd65c #943a8c #5f2a5a #672af4 #e13a9b #aa3fc3 #695e2d #c7c7c7 #b53f6a #fbfbfb #3dd6cd #ffffff #378872 #b93fbc #f7265b #33f627 #17142b #b58a3f #40404 #e5375b #fdfdfd #4dab3e #d0d0d #f6f6f6 #3ae143 #5d5f2a #f92363 NaN min #f1f1f1 1103 x 640 drips.nalindesign.com #drips #webcam #microphone #painting #application #generator #art #random drips.nalindesign.com
COLOUR by KARLA MAYERS | en | 8-2-2014 | mouse | 1680 x 1050
title: colour
artist: karla mayers
tool: mouse
country: en
date: 8-2-2014
colors: 145
hex color palette: ff230d f02f88 2a2450 ab3e7d 535353 3da349 252612 54622b c1319 848484 f51cfb ddc93b 57f627 763685 b1493f ffffff 255351 d85d3d 6b3ed2 3fc5a1 13190c 6b3dd4 4c4c4c 311c3c 10103 572738 59b13f bc5ff ca3f7f 2b622e f627ec 2782f6 fa4e20 f529e1 2a3f5f fe690f bde239 7bd43d efefef 263f1d 282450 326c77 d43d4a 24441f 2da4f2 ea6c35 dc3c64 c0ff0b 6c2e5c 533325 c0f19 385f2a 20bcfa 3f59cf 3b285b ac3fcf 3556e8 484721 202efa 3adfcb 90909 253318 fe11e7 909090 2e2e2e c5bb3f 622b3f 14242b 376488 715630 313d74 59c83f 6c3b2e 3e7ed0 fc1be6 f529c0 74316e 70303 fb281e 3a60e1 2c162f 8ddc3c 20202 f3bfe bff22d 5ad03e 27f67c cf3f8c 443277 f58929 3b983b b7b7b7 ab20fa d5d5d5 3fb3c3 26f726 fc182c fe0fa5 a3463d 9fff0 150a0b 362df2 3fa6ba 519a3b 4d983b 3fc89b 3f37e7 dfd33a de25f8 3f73c5 261712 23b2f9 a7ab3e 612b62 2f161c a8c53f 10303 5ded31 3fc1c1 ff4809 40404 a12ef1 e1d43a 2b2914 d015fd eb8a34 13fe42 23f967 212ff be3f8f 713630 2e656c 33f627 18c6fc 3c331c fe134e bfff0 9d11fe cfa63f 7cb83f 7e3e34 2
2101e ff068a f35e2b 1e22fb
background: f1f1f1
size: 1680 x 1050
action: http://drips.nalindesign.com
artist: karla mayers
First Manchester
Dennis Dart SLF
Fleet number 40404
R 278 SBA
Service 12
Seen in Manchester
27th October 2008
Promovido pelo cantor e candidato a deputado estadual (40404) Geronimo Santana dia 12 de setembro de 2010 em Salvador na Bahia.
Going to start dropping my CH-124 Sea King Retirement photos. Figured I'd start with this one - just amazed how calm this child was while all the adults around were abuzz with excitement seeing living history take some of its final operational flights. I really like to photograph a human element with aviation when I can...
PHOTO CREDIT: Joe A. Kunzler Photo, AvgeekJoe Productions, growlernoise-AT-gmail-DOT-com
Promovido pelo cantor e candidato a deputado estadual (40404) Geronimo Santana dia 12 de setembro de 2010 em Salvador na Bahia.
Promovido pelo cantor e candidato a deputado estadual (40404) Geronimo Santana dia 12 de setembro de 2010 em Salvador na Bahia.
Thought I'd go black & white here. Hope folks approve, especially as the Sea King was in modern dark grey.
You can see more photos from the 2018-12-01 RCAF Sea King retirement ceremony up at flic.kr/s/aHsmCPLrca . Please enjoy the photos responsibly...
PHOTO CREDIT: Joe A. Kunzler Photo, AvgeekJoe Productions, growlernoise-AT-gmail-DOT-com
Equipamento industrial, depósitos.
Fotógrafo: Horácio Novais (1910-1988)
Fotografia sem data. Produzida durante a actividade do Estúdio Horácio Novais, 1927-1988.
[CFT164.40404]
Huis 'In Den Biekorf' staat op de hoek van de Kerkstraat en de Rozemarijnstraat in Aalst. De bak- en natuurstenen trapgevel wordt op twee cartouches gedateerd in 1657, maar de gevel onderging later nog aanpassingen. Een derde gevelsteen draagt de afbeelding van een bijenkorf. Bovenop de hoogste trap van de gevel bevindt zich een siervaas. In 1997 werd het pand beschermd als monument. In het pand was het oudste café van Aalst gevestigd, maar dat sloot in 2013 zijn deuren.
Foto: Tijl Vereenooghe
PORTRAIT by DOTTIE COLEMAN | en | 4-14-2015 | mouse | 1280 x 893
title: portrait
artist: dottie coleman
tool: mouse
country: en
date: 4-14-2015
colors: 104
hex color palette: 13fe73 3ca7dc fa2094 913985 c5e438 3f1d21 62422b 3eab8e 4f02ff 3b7732 8b6d38 303030 e7f825 973dd6 d05d3e 26f769 af3fbe c7c7c7 1efba6 3c281c 7fe737 fe13c1 817835 65cc3f bef02f 909090 3f48ca 4809ff aadd3b 101122 7df529 402b62 a0c15 e5d837 d6bff d0d63d 2a5f4e 5a35e8 b73adf 4ee537 fb3b1c 69622d 255338 bffe2 dc3c91 6c37e7 e4cf38 cbec32 3fbec8 40404 3f4dbe 3a58df 8fe438 3fa7b5 8110e 30301 67e438 59e438 2a91f4 475f2a 70ec32 32d6ec 262148 30703 71943a e76c37 93ca3f ff09a3 80b05 5cff0b 9c0dff fd9f17 381a28 317470 686868 b53fc5 763fb3 312553 ab3e59 a0403c 22344b 963c9d 3bddb2 9a933b 572729 763dd4 2a5f5f 983b84 7b3336 f420fa 6a3277 35e87e 35e859 ffa300 423a94 668536 454545 dc3c4a 31eda4 3ed08b 8f6239 1f142b ff093c be3f50
background: f1f1f1
size: 1280 x 893
action: http://drips.nalindesign.com
artist: dottie coleman
Shenyang J-6II serial 40404 seen preserved at the China Aviation Museum in Xiaotangshanzhen, October 2018
COLORED EYE by ALEXANDRE ICE | pt | 2-17-2014 | mouse | 1366 x 613
title: colored eye
artist: alexandre ice
tool: mouse
country: pt
date: 2-17-2014
colors: 75
hex color palette: c84b3f 38e4d0 d83d52 ff1106 ee3038 ae3fb1 3eada0 ca983f 3ead3e 2e5bf1 fea913 662c44 a53ead 776a32 6ea53d 63fd17 c1912 37e55a 9d653c c06140 101022 3adfa9 f0f0f 39e27e 62302b f6ba27 474747 99ad3e 378fe5 323677 211a38 e43887 fc1be6 292929 4a3174 aaec32 3fc390 dff923 10103 7b5533 325dec 3f90b8 502436 3f47c1 40404 33181b 212612 3fc8c0 ecf42a 3f88c3 303030 f5ff04 a93e6a da3cb1 f02fb5 331f18 61f42a 3d66a5 2fb0f0 3dfa20 6c3cda 40c04f 29f552 f61fe 43388b 201226 423a94 c33f85 617e34 33182c 2a3f5f 2a4b22 3fb53f 150a15 121212
background: f1f1f1
size: 1366 x 613
action: http://drips.nalindesign.com
artist: alexandre ice
Premier Danielle Smith and Minister of Indigenous Relations Rick Wilson joined performers at Edmonton’s City Centre on Monday, June 20, 2023, in honouring National Indigenous Peoples Day in Alberta.
One day before National Indigenous Peoples Day, the province is recognizing the cultures and contributions of Indigenous Peoples in Alberta at a special event. Attendees can watch performances from award-winning performers, learn the Métis jig and enjoy bannock and jam. (photography by Chris Schwarz/Government of Alberta)
Source: livinghistories.newcastle.edu.au/nodes/view/40404
Appearing in this photo: Father James Bromley, Vice-Chancellor, Professor Keith Morgan, Brian Gilligan (Newton-John Award recipient) and Cliff Ellyett.
This image was scanned from a photograph in the University's historical photographic collection held by Cultural Collections at the University of Newcastle, NSW, Australia.
If you have any information about this photograph, or would like a higher resolution copy, please contact us.
Promovido pelo cantor e candidato a deputado estadual (40404) Geronimo Santana dia 12 de setembro de 2010 em Salvador na Bahia.
title: a royal mess
artist: mo
tool: mouse
country: en
date: 7-5-2010
colors: 47
hex color palette: #5b3fc5 #d2ce3e #261cfb #34deeb #40404 #3fb2c1 #91d63d #30507 #97fa20 #86f921 #ff7900 #35cae8 #b1963f #746731 #322148 #2e71f1 #cafe11 #fa7220 #a53d7e #3455eb #35bee8 #e6e6e6 #303030 #130a15 #513adf #df3ad7 #ed6a31 #e13a9b #c5c5c5 #a1215 #a0ff0d #d6b83d #ff0478 #913953 #9a933b #22244b #f35e2b #35692d #fb1c3a #5f3eab #4b3f22 #78ea35 #3556e8 #f5ff06 #122126 #60703 #9b9b9b
background: #f1f1f1
size: 1280 x 582
action: drips.nalindesign.com
artist: mo