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El Teatro Victoria Eugenia (en euskera Victoria Eugenia Antzokia) es un teatro situado en la ciudad de San Sebastián (España). Obra del arquitecto Francisco de Urcola, fue inaugurado en 1912. Ha sido escenario de importantes estrenos de zarzuela y de todas las ediciones del Festival Internacional de Cine de San Sebastián hasta 1999, en las que el teatro fue escenario de acontecimientos como los estrenos mundiales de las películas Vértigo y Con la muerte en los talones de Alfred Hitchcock. Entre los años 2001 y 2007 se llevó a cabo el más profundo proceso de reforma del teatro. A lo largo de su siglo de historia ha sido el epicentro de la vida cultural de la ciudad y se ha erigido en uno de los más activos e importantes teatros de España.

El Teatro Victoria Eugenia, de estilo neorrenacentista español y neoplateresco y cuya entrada principal está situada en el Paseo de la República Argentina, ocupa una superficie total de 2.400 m². Mientras que un gran número de edificios del siglo XIX en San Sebastián son de clara influencia francesa, el exterior del edificio está inspirado en el palacio de Monterrey de Salamanca. En la fachada principal hay cuatro bustos, correspondientes al Conde de Peñaflorida, Arriaga, Eslava, Gayarre, Gaztambide y Santesteban. Las fachadas del edificio son de piedra arenisca, material típico de las construcciones de la época en la ciudad.

The Victoria Eugenia Theater (in Euskera Victoria Eugenia Antzokia) is a theater located in the city of San Sebastián (Spain). Work of the architect Francisco de Urcola, was inaugurated in 1912. It has been the scene of important releases of zarzuela and of all the editions of the San Sebastian International Film Festival until 1999, in which the theater was the scene of events such as the world premieres of the films Vertigo and With death on the heels of Alfred Hitchcock. Between 2001 and 2007 the deepest process of theater reform was carried out. Throughout its century of history it has been the epicenter of the cultural life of the city and has become one of the most active and important theaters in Spain.

The Victoria Eugenia Theater, of Neo-Renaissance Spanish and Neoplateresque style and whose main entrance is located on the Paseo de la República Argentina, occupies a total area of 2,400 m². While a large number of nineteenth-century buildings in San Sebastian are clearly influenced by France, the exterior of the building is inspired by the Monterrey Palace in Salamanca.On the main facade there are four busts, corresponding to the Count of Peñaflorida, Arriaga, Eslava, Gayarre, Gaztambide and Santesteban. The facades of the building are sandstone, typical material of the buildings of the time in the city.

SSIFF 24 0047. by Joan

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Zurriola, San Sebastián, Guipúzcoa, País Vasco, España.

La Playa de Zurriola es una de las tres playas de la ciudad de San Sebastián (España). Está situada entre la desembocadura del río Urumea y el monte Ulía, y tiene una longitud aproximada de 800 metros.

En 1994 se llevaron a cabo unas obras de reforma de la playa, anteriormente prácticamente inutilizable dada la virulencia de las aguas. Gracias a dichas reformas, que incluyeron la construcción de un espigón, la playa aumentó su longitud, sus aguas se hicieron aptas para el baño y su uso se multiplicó.

Frente al perfil elegante y tranquilo de las playas de Ondarreta y La Concha, la playa de Zurriola se ha consolidado como una playa de perfil más joven y apropiada para la práctica del surfismo (se trata de la playa más abierta y con más fuerte oleaje de la ciudad) y como escenario de algunos conciertos del Festival de Jazz de San Sebastián y de competiciones de Bodyboarding, surf, skateboarding y eventos similares.

The Zurriola Beach is one of the three beaches in the city of San Sebastián (Spain). It is located between the mouth of the Urumea River and Mount Ulía, and it has an approximate length of 800 meters.

In 1994, some works were carried out to reform the beach, which was previously practically unusable given the virulence of the waters. Thanks to these reforms, which included the construction of a jetty, the beach increased its length, its waters became suitable for bathing and its use multiplied.

Facing the elegant and tranquil profile of the beaches of Ondarreta and La Concha, Zurriola beach has established itself as a beach with a younger profile and suitable for surfing (it is the most open beach with the strongest waves in the the city) and as a stage for some concerts of the San Sebastian Jazz Festival and competitions of Bodyboarding, surfing, skateboarding and similar events.

24 euro by Marian Kloon

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Macro Mondays: "Two"

HMM

24 ajar by Nespyxel / Stefano

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Inail - Eur - Roma

Doll 24 by Enfer Sombre

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SSIFF 24 0027 by Joan

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Plaza de la Constitución, Donostia, Guipúzcoa, España.

La plaza de la Constitución es una plaza situada en la Parte Vieja de la ciudad de San Sebastián, en el País Vasco, España. En esta plaza, con sus soportales como característica principal, se suelen celebrar las grandes fiestas y eventos de la ciudad, como la tamborrada de San Sebastián o la feria del día de Santo Tomás. Su edificio central fue, hasta 1947, casa consistorial de la ciudad, siendo ocupado por las instalaciones de la Biblioteca Municipal (1951-2000) y, posteriormente, por dependencias administrativas del área de cultura del Ayuntamiento.

Sobre el espacio que ocupa la actual plaza de la Constitución ya existía una plaza realizada según el proyecto de Hércules Torrelli de 1723. La nueva plaza de estilo neoclásico se levantó tras el incendio de la ciudad en el contexto del asedio de San Sebastián de 1813. Sus dimensiones se encuentran moduladas en 20 arcos iguales en cada uno de los lados mayores y 9 arcos, iguales a los primeros, en el lado menor.

Los balcones de la plaza están numerados, puesto que sirvieron como palcos para las fiestas taurinas celebradas en la plaza.

The Plaza de la Constitución is a square located in the Old Part of the city of San Sebastián, in the Basque Country, Spain. In this square, with its arcades as its main characteristic, the city's big parties and events are usually celebrated, such as the tamborrada de San Sebastián or the Santo Tomás day fair. Its central building was, until 1947, consistorial house of the city, being occupied by the facilities of the Municipal Library (1951-2000) and, later, by administrative dependencies of the area of culture of the City council.

Over the space that occupies the current Plaza de la Constitución there was already a square made according to the project of Hercules Torrelli in 1723. The new neoclassical square was built after the fire of the city in the context of the siege of San Sebastian in 1813. Its dimensions are modulated in 20 equal arcs in each one of the greater sides and 9 arcs, equal to the first ones, in the smaller side.

The balconies of the square are numbered, since they served as boxes for bullfighting celebrations held in the square.

Maze JULY 24 by Luccy Sands

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24 Hour Job by Joan

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=24 by Foveonyc ️

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See my story about this journey youtu.be/i78WmTna4xA

#24 by Dʀᴇᴇᴡᴢʏ ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ

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Credits:

Scene

Snowmen: [Bad Unicorn] Silly Snowmen Gacha At The Arcade

Left (On me)

Pose:Navajo - Breathing ao stand pack 6

Mushroom #24 by Claudia Künkel

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A little mushroom on the forest floor doesn't have any control over what happens to it. Can't even shake off a leaf that lands on it. Yet, fungi are powerful players in the world!

ZJ518 by Mark Holt

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24th October 2008 - BAE Systems Nimrod MRA4 'ZJ518' comes in on final approach to the Bae facility at Warton.

he BAE Systems Nimrod MRA4 was a planned maritime patrol and attack aircraft intended to replace the Hawker Siddeley Nimrod MR2. The rebuilt aircraft would have extended the operating life of the Nimrod fleet by several decades and significantly improved the aircraft by installing more efficient Rolls-Royce BR700 turbofan jet engines to almost double the flight range. The conversion of the flight deck to a digital glass cockpit would have simplified control operations and reduced crew requirements. New detection systems were to be installed, as well as additional weapons for anti-submarine warfare.

However, the project was subject to significant delays due to cost overruns and contract re-negotiations. This was partly due to difficulties combining refurbished Nimrod MR2 fuselages, which had not been built to a common standard, with newly built wings. The numbers of aircraft to be procured fell from 21 to nine over a course of years, while costs continued to climb and was eventually cancelled in 2010

2K4A0226 Jardin du Palais Royal by kadely

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