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The Roman Catholic St. Mary's Cathedral Basilica of the Assumption in Covington, Kentucky, is a minor basilica in the United States. Construction of the cathedral began under the Diocese of Covington's third bishop, Camillus Paul Maes, in 1895 to replace an 1834 frame church that was inadequate for the growing congregation. Pope Pius XII elevated the cathedral to the rank of minor basilica December 8, 1953.

The sanctuary was designed by Detroit architect Leon Coquard and is inspired by the Notre Dame Cathedral in Paris. Services were first held in 1901 with the Madison Avenue façade, designed by local architect David Davis, added between 1908 and 1910. The structure is constructed of Bedford stone and the roofs are covered with red ludovici tile. It measures 194 ft × 144 ft (59 m × 44 m) and the nave reaches a height of 81 ft (25 m). The cathedral project terminated in 1915, though it remains incomplete to this day with the planned 52 ft (16 m) towers unbuilt.

The restoration of the Cathedral earned a 2002 Preservation Award from the Cincinnati Preservation Association. For the interior restoration, Conrad Schmitt Studios cleaned the stone ribs, tracery and walls. Studio artists also restored plaster and select faux stone painting.

The interior was modeled after St. Denis in France. It contains murals by Covington native Frank Duveneck with the high altar carved from Carrara marble with floors of Rosata and Breche marble. The north transept is said to contain the world's largest handmade church stained glass window, at 67 ft × 24 ft (20.4 m × 7.3 m).[4] It depicts the Ecumenical Council of Ephesus in 431 AD that proclaimed Mary as the Mother of God.

The cathedral houses three pipe organs. The south transept gallery holds the pipe organ designed and built in 1933 for the cathedral by Henry Willis III during his tenure at the Wicks Organ Company of Highland, Illinois. Originally a three-manual console with 43 ranks of pipes, Aultz-Kersting Organ renovated and enlarged this instrument in 1982 to four-manuals with 65 ranks.

The west gallery, below the rose window, is occupied by the two-manual organ originally built for St. Joseph Roman Catholic Church in Covington, Kentucky, in 1858 by Mathais Schwab of Cincinnati, Ohio. When the St. Joseph building was razed in 1970, the Schwab organ was moved to St Mary's. The Schwab organ was altered to fit the new location, but retains most of its original components, including its mechanical key and stop actions, ivory keyboards and faux-grained casework. It contains 21 ranks. In 2002, the cathedral purchased a one-manual, 20-rank portable organ for use in various parts of the sanctuary.

Credit for the data above is given to the following website:

en.wikipedia.org/wiki/Cathedral_Basilica_of_the_Assumption_(Covington,_Kentucky)

The Roman Catholic St. Mary's Cathedral Basilica of the Assumption in Covington, Kentucky, is a minor basilica in the United States. Construction of the cathedral began under the Diocese of Covington's third bishop, Camillus Paul Maes, in 1895 to replace an 1834 frame church that was inadequate for the growing congregation. Pope Pius XII elevated the cathedral to the rank of minor basilica December 8, 1953.

The sanctuary was designed by Detroit architect Leon Coquard and is inspired by the Notre Dame Cathedral in Paris. Services were first held in 1901 with the Madison Avenue façade, designed by local architect David Davis, added between 1908 and 1910. The structure is constructed of Bedford stone and the roofs are covered with red ludovici tile. It measures 194 ft × 144 ft (59 m × 44 m) and the nave reaches a height of 81 ft (25 m). The cathedral project terminated in 1915, though it remains incomplete to this day with the planned 52 ft (16 m) towers unbuilt.

The restoration of the Cathedral earned a 2002 Preservation Award from the Cincinnati Preservation Association. For the interior restoration, Conrad Schmitt Studios cleaned the stone ribs, tracery and walls. Studio artists also restored plaster and select faux stone painting.

The interior was modeled after St. Denis in France. It contains murals by Covington native Frank Duveneck with the high altar carved from Carrara marble with floors of Rosata and Breche marble. The north transept is said to contain the world's largest handmade church stained glass window, at 67 ft × 24 ft (20.4 m × 7.3 m).[4] It depicts the Ecumenical Council of Ephesus in 431 AD that proclaimed Mary as the Mother of God.

The cathedral houses three pipe organs. The south transept gallery holds the pipe organ designed and built in 1933 for the cathedral by Henry Willis III during his tenure at the Wicks Organ Company of Highland, Illinois. Originally a three-manual console with 43 ranks of pipes, Aultz-Kersting Organ renovated and enlarged this instrument in 1982 to four-manuals with 65 ranks.

The west gallery, below the rose window, is occupied by the two-manual organ originally built for St. Joseph Roman Catholic Church in Covington, Kentucky, in 1858 by Mathais Schwab of Cincinnati, Ohio. When the St. Joseph building was razed in 1970, the Schwab organ was moved to St Mary's. The Schwab organ was altered to fit the new location, but retains most of its original components, including its mechanical key and stop actions, ivory keyboards and faux-grained casework. It contains 21 ranks. In 2002, the cathedral purchased a one-manual, 20-rank portable organ for use in various parts of the sanctuary.

Credit for the data above is given to the following website:

en.wikipedia.org/wiki/Cathedral_Basilica_of_the_Assumption_(Covington,_Kentucky)

The Roman Catholic St. Mary's Cathedral Basilica of the Assumption in Covington, Kentucky, is a minor basilica in the United States. Construction of the cathedral began under the Diocese of Covington's third bishop, Camillus Paul Maes, in 1895 to replace an 1834 frame church that was inadequate for the growing congregation. Pope Pius XII elevated the cathedral to the rank of minor basilica December 8, 1953.

The sanctuary was designed by Detroit architect Leon Coquard and is inspired by the Notre Dame Cathedral in Paris. Services were first held in 1901 with the Madison Avenue façade, designed by local architect David Davis, added between 1908 and 1910. The structure is constructed of Bedford stone and the roofs are covered with red ludovici tile. It measures 194 ft × 144 ft (59 m × 44 m) and the nave reaches a height of 81 ft (25 m). The cathedral project terminated in 1915, though it remains incomplete to this day with the planned 52 ft (16 m) towers unbuilt.

The restoration of the Cathedral earned a 2002 Preservation Award from the Cincinnati Preservation Association. For the interior restoration, Conrad Schmitt Studios cleaned the stone ribs, tracery and walls. Studio artists also restored plaster and select faux stone painting.

The interior was modeled after St. Denis in France. It contains murals by Covington native Frank Duveneck with the high altar carved from Carrara marble with floors of Rosata and Breche marble. The north transept is said to contain the world's largest handmade church stained glass window, at 67 ft × 24 ft (20.4 m × 7.3 m).[4] It depicts the Ecumenical Council of Ephesus in 431 AD that proclaimed Mary as the Mother of God.

The cathedral houses three pipe organs. The south transept gallery holds the pipe organ designed and built in 1933 for the cathedral by Henry Willis III during his tenure at the Wicks Organ Company of Highland, Illinois. Originally a three-manual console with 43 ranks of pipes, Aultz-Kersting Organ renovated and enlarged this instrument in 1982 to four-manuals with 65 ranks.

The west gallery, below the rose window, is occupied by the two-manual organ originally built for St. Joseph Roman Catholic Church in Covington, Kentucky, in 1858 by Mathais Schwab of Cincinnati, Ohio. When the St. Joseph building was razed in 1970, the Schwab organ was moved to St Mary's. The Schwab organ was altered to fit the new location, but retains most of its original components, including its mechanical key and stop actions, ivory keyboards and faux-grained casework. It contains 21 ranks. In 2002, the cathedral purchased a one-manual, 20-rank portable organ for use in various parts of the sanctuary.

Credit for the data above is given to the following website:

en.wikipedia.org/wiki/Cathedral_Basilica_of_the_Assumption_(Covington,_Kentucky)

The Roman Catholic St. Mary's Cathedral Basilica of the Assumption in Covington, Kentucky, is a minor basilica in the United States. Construction of the cathedral began under the Diocese of Covington's third bishop, Camillus Paul Maes, in 1895 to replace an 1834 frame church that was inadequate for the growing congregation. Pope Pius XII elevated the cathedral to the rank of minor basilica December 8, 1953.

The sanctuary was designed by Detroit architect Leon Coquard and is inspired by the Notre Dame Cathedral in Paris. Services were first held in 1901 with the Madison Avenue façade, designed by local architect David Davis, added between 1908 and 1910. The structure is constructed of Bedford stone and the roofs are covered with red ludovici tile. It measures 194 ft × 144 ft (59 m × 44 m) and the nave reaches a height of 81 ft (25 m). The cathedral project terminated in 1915, though it remains incomplete to this day with the planned 52 ft (16 m) towers unbuilt.

The restoration of the Cathedral earned a 2002 Preservation Award from the Cincinnati Preservation Association. For the interior restoration, Conrad Schmitt Studios cleaned the stone ribs, tracery and walls. Studio artists also restored plaster and select faux stone painting.

The interior was modeled after St. Denis in France. It contains murals by Covington native Frank Duveneck with the high altar carved from Carrara marble with floors of Rosata and Breche marble. The north transept is said to contain the world's largest handmade church stained glass window, at 67 ft × 24 ft (20.4 m × 7.3 m).[4] It depicts the Ecumenical Council of Ephesus in 431 AD that proclaimed Mary as the Mother of God.

The cathedral houses three pipe organs. The south transept gallery holds the pipe organ designed and built in 1933 for the cathedral by Henry Willis III during his tenure at the Wicks Organ Company of Highland, Illinois. Originally a three-manual console with 43 ranks of pipes, Aultz-Kersting Organ renovated and enlarged this instrument in 1982 to four-manuals with 65 ranks.

The west gallery, below the rose window, is occupied by the two-manual organ originally built for St. Joseph Roman Catholic Church in Covington, Kentucky, in 1858 by Mathais Schwab of Cincinnati, Ohio. When the St. Joseph building was razed in 1970, the Schwab organ was moved to St Mary's. The Schwab organ was altered to fit the new location, but retains most of its original components, including its mechanical key and stop actions, ivory keyboards and faux-grained casework. It contains 21 ranks. In 2002, the cathedral purchased a one-manual, 20-rank portable organ for use in various parts of the sanctuary.

Credit for the data above is given to the following website:

en.wikipedia.org/wiki/Cathedral_Basilica_of_the_Assumption_(Covington,_Kentucky)

The Roman Catholic St. Mary's Cathedral Basilica of the Assumption in Covington, Kentucky, is a minor basilica in the United States. Construction of the cathedral began under the Diocese of Covington's third bishop, Camillus Paul Maes, in 1895 to replace an 1834 frame church that was inadequate for the growing congregation. Pope Pius XII elevated the cathedral to the rank of minor basilica December 8, 1953.

The sanctuary was designed by Detroit architect Leon Coquard and is inspired by the Notre Dame Cathedral in Paris. Services were first held in 1901 with the Madison Avenue façade, designed by local architect David Davis, added between 1908 and 1910. The structure is constructed of Bedford stone and the roofs are covered with red ludovici tile. It measures 194 ft × 144 ft (59 m × 44 m) and the nave reaches a height of 81 ft (25 m). The cathedral project terminated in 1915, though it remains incomplete to this day with the planned 52 ft (16 m) towers unbuilt.

The restoration of the Cathedral earned a 2002 Preservation Award from the Cincinnati Preservation Association. For the interior restoration, Conrad Schmitt Studios cleaned the stone ribs, tracery and walls. Studio artists also restored plaster and select faux stone painting.

The interior was modeled after St. Denis in France. It contains murals by Covington native Frank Duveneck with the high altar carved from Carrara marble with floors of Rosata and Breche marble. The north transept is said to contain the world's largest handmade church stained glass window, at 67 ft × 24 ft (20.4 m × 7.3 m).[4] It depicts the Ecumenical Council of Ephesus in 431 AD that proclaimed Mary as the Mother of God.

The cathedral houses three pipe organs. The south transept gallery holds the pipe organ designed and built in 1933 for the cathedral by Henry Willis III during his tenure at the Wicks Organ Company of Highland, Illinois. Originally a three-manual console with 43 ranks of pipes, Aultz-Kersting Organ renovated and enlarged this instrument in 1982 to four-manuals with 65 ranks.

The west gallery, below the rose window, is occupied by the two-manual organ originally built for St. Joseph Roman Catholic Church in Covington, Kentucky, in 1858 by Mathais Schwab of Cincinnati, Ohio. When the St. Joseph building was razed in 1970, the Schwab organ was moved to St Mary's. The Schwab organ was altered to fit the new location, but retains most of its original components, including its mechanical key and stop actions, ivory keyboards and faux-grained casework. It contains 21 ranks. In 2002, the cathedral purchased a one-manual, 20-rank portable organ for use in various parts of the sanctuary.

Credit for the data above is given to the following website:

en.wikipedia.org/wiki/Cathedral_Basilica_of_the_Assumption_(Covington,_Kentucky)

The Roman Catholic St. Mary's Cathedral Basilica of the Assumption in Covington, Kentucky, is a minor basilica in the United States. Construction of the cathedral began under the Diocese of Covington's third bishop, Camillus Paul Maes, in 1895 to replace an 1834 frame church that was inadequate for the growing congregation. Pope Pius XII elevated the cathedral to the rank of minor basilica December 8, 1953.

The sanctuary was designed by Detroit architect Leon Coquard and is inspired by the Notre Dame Cathedral in Paris. Services were first held in 1901 with the Madison Avenue façade, designed by local architect David Davis, added between 1908 and 1910. The structure is constructed of Bedford stone and the roofs are covered with red ludovici tile. It measures 194 ft × 144 ft (59 m × 44 m) and the nave reaches a height of 81 ft (25 m). The cathedral project terminated in 1915, though it remains incomplete to this day with the planned 52 ft (16 m) towers unbuilt.

The restoration of the Cathedral earned a 2002 Preservation Award from the Cincinnati Preservation Association. For the interior restoration, Conrad Schmitt Studios cleaned the stone ribs, tracery and walls. Studio artists also restored plaster and select faux stone painting.

The interior was modeled after St. Denis in France. It contains murals by Covington native Frank Duveneck with the high altar carved from Carrara marble with floors of Rosata and Breche marble. The north transept is said to contain the world's largest handmade church stained glass window, at 67 ft × 24 ft (20.4 m × 7.3 m).[4] It depicts the Ecumenical Council of Ephesus in 431 AD that proclaimed Mary as the Mother of God.

The cathedral houses three pipe organs. The south transept gallery holds the pipe organ designed and built in 1933 for the cathedral by Henry Willis III during his tenure at the Wicks Organ Company of Highland, Illinois. Originally a three-manual console with 43 ranks of pipes, Aultz-Kersting Organ renovated and enlarged this instrument in 1982 to four-manuals with 65 ranks.

The west gallery, below the rose window, is occupied by the two-manual organ originally built for St. Joseph Roman Catholic Church in Covington, Kentucky, in 1858 by Mathais Schwab of Cincinnati, Ohio. When the St. Joseph building was razed in 1970, the Schwab organ was moved to St Mary's. The Schwab organ was altered to fit the new location, but retains most of its original components, including its mechanical key and stop actions, ivory keyboards and faux-grained casework. It contains 21 ranks. In 2002, the cathedral purchased a one-manual, 20-rank portable organ for use in various parts of the sanctuary.

Credit for the data above is given to the following website:

en.wikipedia.org/wiki/Cathedral_Basilica_of_the_Assumption_(Covington,_Kentucky)

The Roman Catholic St. Mary's Cathedral Basilica of the Assumption in Covington, Kentucky, is a minor basilica in the United States. Construction of the cathedral began under the Diocese of Covington's third bishop, Camillus Paul Maes, in 1895 to replace an 1834 frame church that was inadequate for the growing congregation. Pope Pius XII elevated the cathedral to the rank of minor basilica December 8, 1953.

The sanctuary was designed by Detroit architect Leon Coquard and is inspired by the Notre Dame Cathedral in Paris. Services were first held in 1901 with the Madison Avenue façade, designed by local architect David Davis, added between 1908 and 1910. The structure is constructed of Bedford stone and the roofs are covered with red ludovici tile. It measures 194 ft × 144 ft (59 m × 44 m) and the nave reaches a height of 81 ft (25 m). The cathedral project terminated in 1915, though it remains incomplete to this day with the planned 52 ft (16 m) towers unbuilt.

The restoration of the Cathedral earned a 2002 Preservation Award from the Cincinnati Preservation Association. For the interior restoration, Conrad Schmitt Studios cleaned the stone ribs, tracery and walls. Studio artists also restored plaster and select faux stone painting.

The interior was modeled after St. Denis in France. It contains murals by Covington native Frank Duveneck with the high altar carved from Carrara marble with floors of Rosata and Breche marble. The north transept is said to contain the world's largest handmade church stained glass window, at 67 ft × 24 ft (20.4 m × 7.3 m).[4] It depicts the Ecumenical Council of Ephesus in 431 AD that proclaimed Mary as the Mother of God.

The cathedral houses three pipe organs. The south transept gallery holds the pipe organ designed and built in 1933 for the cathedral by Henry Willis III during his tenure at the Wicks Organ Company of Highland, Illinois. Originally a three-manual console with 43 ranks of pipes, Aultz-Kersting Organ renovated and enlarged this instrument in 1982 to four-manuals with 65 ranks.

The west gallery, below the rose window, is occupied by the two-manual organ originally built for St. Joseph Roman Catholic Church in Covington, Kentucky, in 1858 by Mathais Schwab of Cincinnati, Ohio. When the St. Joseph building was razed in 1970, the Schwab organ was moved to St Mary's. The Schwab organ was altered to fit the new location, but retains most of its original components, including its mechanical key and stop actions, ivory keyboards and faux-grained casework. It contains 21 ranks. In 2002, the cathedral purchased a one-manual, 20-rank portable organ for use in various parts of the sanctuary.

Credit for the data above is given to the following website:

en.wikipedia.org/wiki/Cathedral_Basilica_of_the_Assumption_(Covington,_Kentucky)

The Roman Catholic St. Mary's Cathedral Basilica of the Assumption in Covington, Kentucky, is a minor basilica in the United States. Construction of the cathedral began under the Diocese of Covington's third bishop, Camillus Paul Maes, in 1895 to replace an 1834 frame church that was inadequate for the growing congregation. Pope Pius XII elevated the cathedral to the rank of minor basilica December 8, 1953.

The sanctuary was designed by Detroit architect Leon Coquard and is inspired by the Notre Dame Cathedral in Paris. Services were first held in 1901 with the Madison Avenue façade, designed by local architect David Davis, added between 1908 and 1910. The structure is constructed of Bedford stone and the roofs are covered with red ludovici tile. It measures 194 ft × 144 ft (59 m × 44 m) and the nave reaches a height of 81 ft (25 m). The cathedral project terminated in 1915, though it remains incomplete to this day with the planned 52 ft (16 m) towers unbuilt.

The restoration of the Cathedral earned a 2002 Preservation Award from the Cincinnati Preservation Association. For the interior restoration, Conrad Schmitt Studios cleaned the stone ribs, tracery and walls. Studio artists also restored plaster and select faux stone painting.

The interior was modeled after St. Denis in France. It contains murals by Covington native Frank Duveneck with the high altar carved from Carrara marble with floors of Rosata and Breche marble. The north transept is said to contain the world's largest handmade church stained glass window, at 67 ft × 24 ft (20.4 m × 7.3 m).[4] It depicts the Ecumenical Council of Ephesus in 431 AD that proclaimed Mary as the Mother of God.

The cathedral houses three pipe organs. The south transept gallery holds the pipe organ designed and built in 1933 for the cathedral by Henry Willis III during his tenure at the Wicks Organ Company of Highland, Illinois. Originally a three-manual console with 43 ranks of pipes, Aultz-Kersting Organ renovated and enlarged this instrument in 1982 to four-manuals with 65 ranks.

The west gallery, below the rose window, is occupied by the two-manual organ originally built for St. Joseph Roman Catholic Church in Covington, Kentucky, in 1858 by Mathais Schwab of Cincinnati, Ohio. When the St. Joseph building was razed in 1970, the Schwab organ was moved to St Mary's. The Schwab organ was altered to fit the new location, but retains most of its original components, including its mechanical key and stop actions, ivory keyboards and faux-grained casework. It contains 21 ranks. In 2002, the cathedral purchased a one-manual, 20-rank portable organ for use in various parts of the sanctuary.

Credit for the data above is given to the following website:

en.wikipedia.org/wiki/Cathedral_Basilica_of_the_Assumption_(Covington,_Kentucky)

The Roman Catholic St. Mary's Cathedral Basilica of the Assumption in Covington, Kentucky, is a minor basilica in the United States. Construction of the cathedral began under the Diocese of Covington's third bishop, Camillus Paul Maes, in 1895 to replace an 1834 frame church that was inadequate for the growing congregation. Pope Pius XII elevated the cathedral to the rank of minor basilica December 8, 1953.

The sanctuary was designed by Detroit architect Leon Coquard and is inspired by the Notre Dame Cathedral in Paris. Services were first held in 1901 with the Madison Avenue façade, designed by local architect David Davis, added between 1908 and 1910. The structure is constructed of Bedford stone and the roofs are covered with red ludovici tile. It measures 194 ft × 144 ft (59 m × 44 m) and the nave reaches a height of 81 ft (25 m). The cathedral project terminated in 1915, though it remains incomplete to this day with the planned 52 ft (16 m) towers unbuilt.

The restoration of the Cathedral earned a 2002 Preservation Award from the Cincinnati Preservation Association. For the interior restoration, Conrad Schmitt Studios cleaned the stone ribs, tracery and walls. Studio artists also restored plaster and select faux stone painting.

The interior was modeled after St. Denis in France. It contains murals by Covington native Frank Duveneck with the high altar carved from Carrara marble with floors of Rosata and Breche marble. The north transept is said to contain the world's largest handmade church stained glass window, at 67 ft × 24 ft (20.4 m × 7.3 m).[4] It depicts the Ecumenical Council of Ephesus in 431 AD that proclaimed Mary as the Mother of God.

The cathedral houses three pipe organs. The south transept gallery holds the pipe organ designed and built in 1933 for the cathedral by Henry Willis III during his tenure at the Wicks Organ Company of Highland, Illinois. Originally a three-manual console with 43 ranks of pipes, Aultz-Kersting Organ renovated and enlarged this instrument in 1982 to four-manuals with 65 ranks.

The west gallery, below the rose window, is occupied by the two-manual organ originally built for St. Joseph Roman Catholic Church in Covington, Kentucky, in 1858 by Mathais Schwab of Cincinnati, Ohio. When the St. Joseph building was razed in 1970, the Schwab organ was moved to St Mary's. The Schwab organ was altered to fit the new location, but retains most of its original components, including its mechanical key and stop actions, ivory keyboards and faux-grained casework. It contains 21 ranks. In 2002, the cathedral purchased a one-manual, 20-rank portable organ for use in various parts of the sanctuary.

Credit for the data above is given to the following website:

en.wikipedia.org/wiki/Cathedral_Basilica_of_the_Assumption_(Covington,_Kentucky)

The Roman Catholic St. Mary's Cathedral Basilica of the Assumption in Covington, Kentucky, is a minor basilica in the United States. Construction of the cathedral began under the Diocese of Covington's third bishop, Camillus Paul Maes, in 1895 to replace an 1834 frame church that was inadequate for the growing congregation. Pope Pius XII elevated the cathedral to the rank of minor basilica December 8, 1953.

The sanctuary was designed by Detroit architect Leon Coquard and is inspired by the Notre Dame Cathedral in Paris. Services were first held in 1901 with the Madison Avenue façade, designed by local architect David Davis, added between 1908 and 1910. The structure is constructed of Bedford stone and the roofs are covered with red ludovici tile. It measures 194 ft × 144 ft (59 m × 44 m) and the nave reaches a height of 81 ft (25 m). The cathedral project terminated in 1915, though it remains incomplete to this day with the planned 52 ft (16 m) towers unbuilt.

The restoration of the Cathedral earned a 2002 Preservation Award from the Cincinnati Preservation Association. For the interior restoration, Conrad Schmitt Studios cleaned the stone ribs, tracery and walls. Studio artists also restored plaster and select faux stone painting.

The interior was modeled after St. Denis in France. It contains murals by Covington native Frank Duveneck with the high altar carved from Carrara marble with floors of Rosata and Breche marble. The north transept is said to contain the world's largest handmade church stained glass window, at 67 ft × 24 ft (20.4 m × 7.3 m).[4] It depicts the Ecumenical Council of Ephesus in 431 AD that proclaimed Mary as the Mother of God.

The cathedral houses three pipe organs. The south transept gallery holds the pipe organ designed and built in 1933 for the cathedral by Henry Willis III during his tenure at the Wicks Organ Company of Highland, Illinois. Originally a three-manual console with 43 ranks of pipes, Aultz-Kersting Organ renovated and enlarged this instrument in 1982 to four-manuals with 65 ranks.

The west gallery, below the rose window, is occupied by the two-manual organ originally built for St. Joseph Roman Catholic Church in Covington, Kentucky, in 1858 by Mathais Schwab of Cincinnati, Ohio. When the St. Joseph building was razed in 1970, the Schwab organ was moved to St Mary's. The Schwab organ was altered to fit the new location, but retains most of its original components, including its mechanical key and stop actions, ivory keyboards and faux-grained casework. It contains 21 ranks. In 2002, the cathedral purchased a one-manual, 20-rank portable organ for use in various parts of the sanctuary.

Credit for the data above is given to the following website:

en.wikipedia.org/wiki/Cathedral_Basilica_of_the_Assumption_(Covington,_Kentucky)

The Roman Catholic St. Mary's Cathedral Basilica of the Assumption in Covington, Kentucky, is a minor basilica in the United States. Construction of the cathedral began under the Diocese of Covington's third bishop, Camillus Paul Maes, in 1895 to replace an 1834 frame church that was inadequate for the growing congregation. Pope Pius XII elevated the cathedral to the rank of minor basilica December 8, 1953.

The sanctuary was designed by Detroit architect Leon Coquard and is inspired by the Notre Dame Cathedral in Paris. Services were first held in 1901 with the Madison Avenue façade, designed by local architect David Davis, added between 1908 and 1910. The structure is constructed of Bedford stone and the roofs are covered with red ludovici tile. It measures 194 ft × 144 ft (59 m × 44 m) and the nave reaches a height of 81 ft (25 m). The cathedral project terminated in 1915, though it remains incomplete to this day with the planned 52 ft (16 m) towers unbuilt.

The restoration of the Cathedral earned a 2002 Preservation Award from the Cincinnati Preservation Association. For the interior restoration, Conrad Schmitt Studios cleaned the stone ribs, tracery and walls. Studio artists also restored plaster and select faux stone painting.

The interior was modeled after St. Denis in France. It contains murals by Covington native Frank Duveneck with the high altar carved from Carrara marble with floors of Rosata and Breche marble. The north transept is said to contain the world's largest handmade church stained glass window, at 67 ft × 24 ft (20.4 m × 7.3 m).[4] It depicts the Ecumenical Council of Ephesus in 431 AD that proclaimed Mary as the Mother of God.

The cathedral houses three pipe organs. The south transept gallery holds the pipe organ designed and built in 1933 for the cathedral by Henry Willis III during his tenure at the Wicks Organ Company of Highland, Illinois. Originally a three-manual console with 43 ranks of pipes, Aultz-Kersting Organ renovated and enlarged this instrument in 1982 to four-manuals with 65 ranks.

The west gallery, below the rose window, is occupied by the two-manual organ originally built for St. Joseph Roman Catholic Church in Covington, Kentucky, in 1858 by Mathais Schwab of Cincinnati, Ohio. When the St. Joseph building was razed in 1970, the Schwab organ was moved to St Mary's. The Schwab organ was altered to fit the new location, but retains most of its original components, including its mechanical key and stop actions, ivory keyboards and faux-grained casework. It contains 21 ranks. In 2002, the cathedral purchased a one-manual, 20-rank portable organ for use in various parts of the sanctuary.

Credit for the data above is given to the following website:

en.wikipedia.org/wiki/Cathedral_Basilica_of_the_Assumption_(Covington,_Kentucky)

Maker: Eugène Piot (1812-1890)

Born: France

Active: Italy/Greece

Medium: salted paper print from a calotype negative

Size: 9" x 12.5"

Location: Greece

Object No. 2014.443

Shelf: B-65

Publication: Primitifs de la Photographie, Le Calotype en France, 1843-1860, Gallimard/BNF, Paris, 2010, Cat.177

Eclats D'Histoire, Les Collections Photographiques de l'Institut de France 1839-1918, Actes Sud, Paris, 2003, pg 80

Facts Tatsachen, Photography from the 19th and 20th Century, Steidl, Gottingen, 2006, fig 111

Janet E. Buerger, The Era of the French Calotype, international Museum of Photography at George Eastman House, Rochester, 1982, fig 204

Other Collections: BNF, EST, Bibliotheque Thiers, Museum Ludwig

Provenence: PHOTOGRAPHIES XIXe-XXe-Une collection française, Friday 6/13/14, ENGHIEN LES BAINS, lot 427

Notes: Eugène Piot (1812-1890) was a French journalist, art critic, art collector and photographer. After studying painting in the late 1830s in Belgium and Holland he traveled with his friend Theophile Gautier to Spain in 1840 where they took daguerreotypes. Upon his return to Paris he founded the art journal “Le Cabinet de l’amateur et de antiquaire”. The French Ministry of the Interior engaged him in 1846 to go to Italy in order to "gather information on…the applications of art to industry from the 15th to the 16th century". While there he launched an ambitious project to use large format paper negatives to create portfolios of the region’s most significant architectural monuments to be published in installments. The first, L’Italie Monumentale., released in June, 1851 was followed by L’Acropole d’Athenes (1852) and Temples Grecs (1854). None of the portfolios were fully completed or financially successful,some of the images which appeared in L'Italie Monumental, are now thought to have been taken by Leopoldo Alinari prior to the founding of the Fratelli Alinari firm.

Printed on mount: L'Acropole D' Athenes, Eug. Piot Fecit, Et Excudit, 1852, PANDROSEION, Paris, L'AUTUER, Tue St Fiacre, 20

Rank: 770

To view our archive organized by Collections, visit: OUR COLLECTIONS

For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE

Cathedral Basilica of the Assumption, 1140 Madison Avenue, Covington, Kentucky. The Roman Catholic St. Mary's Cathedral Basilica of the Assumption in Covington, Kentucky, is a minor basilica in the United States. Construction of the cathedral began under the Diocese of Covington's third bishop, Camillus Paul Maes, in 1895 to replace an 1834 frame church that was inadequate for the growing congregation. Pope Pius XII elevated the cathedral to the rank of minor basilica December 8, 1953.

The sanctuary was designed by Detroit architect Leon Coquard and is inspired by the Notre Dame Cathedral in Paris. Services were first held in 1901 with the Madison Avenue façade, designed by local architect David Davis, added between 1908 and 1910. The structure is constructed of Bedford stone and the roofs are covered with red ludovici tile. It measures 194 by 144 feet and the nave reaches a height of 81 feet. The cathedral project terminated in 1915, though it remains incomplete to this day with the planned 52 foot towers unbuilt.

The restoration of the Cathedral earned a 2002 Preservation Award from the Cincinnati Preservation Association. For the interior restoration, Conrad Schmitt Studios cleaned the stone ribs, tracery and walls. Studio artists also restored plaster and select faux stone painting.

The interior was modeled after St. Denis in France. It contains murals by Covington native Frank Duveneck with the high altar carved from Carrara marble with floors of Rosata and Breche marble. The north transept is said to contain the world's largest handmade church stained glass window, at 67 ft × 24 ft. It depicts the Ecumenical Council of Ephesus in 431 AD that proclaimed Mary as the Mother of God.

The cathedral houses three pipe organs. The south transept gallery holds the pipe organ designed and built in 1933 for the cathedral by Henry Willis III during his tenure at the Wicks Organ Company of Highland, Illinois. Originally a three-manual console with 43 ranks of pipes, Aultz-Kersting Organ renovated and enlarged this instrument in 1982 to four-manuals with 65 ranks.

The west gallery, below the rose window, is occupied by the two-manual organ originally built for St. Joseph Roman Catholic Church in Covington, Kentucky, in 1858 by Mathais Schwab of Cincinnati, Ohio. When the St. Joseph building was razed in 1970, the Schwab organ was moved to St Mary's. The Schwab organ was altered to fit the new location, but retains most of its original components, including its mechanical key and stop actions, ivory keyboards and faux-grained casework. It contains 21 ranks. In 2002, the cathedral purchased a one-manual, 20-rank portable organ for use in various parts of the sanctuary.

Third seed #20-ranked Concordia-St. Paul (17-3-3) women's soccer falls 2-0 at host second seed #4 Central Missouri in the second round of the NCAA Central Region Tournament at Jennies Field in Warrensburg, Missouri. Photos by Josh Deer/Concordia athletics

Cathedral Basilica of the Assumption, 1140 Madison Avenue, Covington, Kentucky. The Roman Catholic St. Mary's Cathedral Basilica of the Assumption in Covington, Kentucky, is a minor basilica in the United States. Construction of the cathedral began under the Diocese of Covington's third bishop, Camillus Paul Maes, in 1895 to replace an 1834 frame church that was inadequate for the growing congregation. Pope Pius XII elevated the cathedral to the rank of minor basilica December 8, 1953.

The sanctuary was designed by Detroit architect Leon Coquard and is inspired by the Notre Dame Cathedral in Paris. Services were first held in 1901 with the Madison Avenue façade, designed by local architect David Davis, added between 1908 and 1910. The structure is constructed of Bedford stone and the roofs are covered with red ludovici tile. It measures 194 by 144 feet and the nave reaches a height of 81 feet. The cathedral project terminated in 1915, though it remains incomplete to this day with the planned 52 foot towers unbuilt.

The restoration of the Cathedral earned a 2002 Preservation Award from the Cincinnati Preservation Association. For the interior restoration, Conrad Schmitt Studios cleaned the stone ribs, tracery and walls. Studio artists also restored plaster and select faux stone painting.

The interior was modeled after St. Denis in France. It contains murals by Covington native Frank Duveneck with the high altar carved from Carrara marble with floors of Rosata and Breche marble. The north transept is said to contain the world's largest handmade church stained glass window, at 67 ft × 24 ft. It depicts the Ecumenical Council of Ephesus in 431 AD that proclaimed Mary as the Mother of God.

The cathedral houses three pipe organs. The south transept gallery holds the pipe organ designed and built in 1933 for the cathedral by Henry Willis III during his tenure at the Wicks Organ Company of Highland, Illinois. Originally a three-manual console with 43 ranks of pipes, Aultz-Kersting Organ renovated and enlarged this instrument in 1982 to four-manuals with 65 ranks.

The west gallery, below the rose window, is occupied by the two-manual organ originally built for St. Joseph Roman Catholic Church in Covington, Kentucky, in 1858 by Mathais Schwab of Cincinnati, Ohio. When the St. Joseph building was razed in 1970, the Schwab organ was moved to St Mary's. The Schwab organ was altered to fit the new location, but retains most of its original components, including its mechanical key and stop actions, ivory keyboards and faux-grained casework. It contains 21 ranks. In 2002, the cathedral purchased a one-manual, 20-rank portable organ for use in various parts of the sanctuary.

Stained glass window in the Cathedral Basilica of the Assumption, 1140 Madison Avenue, Covington, Kentucky. The Roman Catholic St. Mary's Cathedral Basilica of the Assumption in Covington, Kentucky, is a minor basilica in the United States. Construction of the cathedral began under the Diocese of Covington's third bishop, Camillus Paul Maes, in 1895 to replace an 1834 frame church that was inadequate for the growing congregation. Pope Pius XII elevated the cathedral to the rank of minor basilica December 8, 1953.

The sanctuary was designed by Detroit architect Leon Coquard and is inspired by the Notre Dame Cathedral in Paris. Services were first held in 1901 with the Madison Avenue façade, designed by local architect David Davis, added between 1908 and 1910. The structure is constructed of Bedford stone and the roofs are covered with red ludovici tile. It measures 194 by 144 feet and the nave reaches a height of 81 feet. The cathedral project terminated in 1915, though it remains incomplete to this day with the planned 52 foot towers unbuilt.

The restoration of the Cathedral earned a 2002 Preservation Award from the Cincinnati Preservation Association. For the interior restoration, Conrad Schmitt Studios cleaned the stone ribs, tracery and walls. Studio artists also restored plaster and select faux stone painting.

The interior was modeled after St. Denis in France. It contains murals by Covington native Frank Duveneck with the high altar carved from Carrara marble with floors of Rosata and Breche marble. The north transept is said to contain the world's largest handmade church stained glass window, at 67 ft × 24 ft. It depicts the Ecumenical Council of Ephesus in 431 AD that proclaimed Mary as the Mother of God.

The cathedral houses three pipe organs. The south transept gallery holds the pipe organ designed and built in 1933 for the cathedral by Henry Willis III during his tenure at the Wicks Organ Company of Highland, Illinois. Originally a three-manual console with 43 ranks of pipes, Aultz-Kersting Organ renovated and enlarged this instrument in 1982 to four-manuals with 65 ranks.

The west gallery, below the rose window, is occupied by the two-manual organ originally built for St. Joseph Roman Catholic Church in Covington, Kentucky, in 1858 by Mathais Schwab of Cincinnati, Ohio. When the St. Joseph building was razed in 1970, the Schwab organ was moved to St Mary's. The Schwab organ was altered to fit the new location, but retains most of its original components, including its mechanical key and stop actions, ivory keyboards and faux-grained casework. It contains 21 ranks. In 2002, the cathedral purchased a one-manual, 20-rank portable organ for use in various parts of the sanctuary.

Tile mosaic in the Cathedral Basilica of the Assumption, 1140 Madison Avenue, Covington, Kentucky. The Roman Catholic St. Mary's Cathedral Basilica of the Assumption in Covington, Kentucky, is a minor basilica in the United States. Construction of the cathedral began under the Diocese of Covington's third bishop, Camillus Paul Maes, in 1895 to replace an 1834 frame church that was inadequate for the growing congregation. Pope Pius XII elevated the cathedral to the rank of minor basilica December 8, 1953.

The sanctuary was designed by Detroit architect Leon Coquard and is inspired by the Notre Dame Cathedral in Paris. Services were first held in 1901 with the Madison Avenue façade, designed by local architect David Davis, added between 1908 and 1910. The structure is constructed of Bedford stone and the roofs are covered with red ludovici tile. It measures 194 by 144 feet and the nave reaches a height of 81 feet. The cathedral project terminated in 1915, though it remains incomplete to this day with the planned 52 foot towers unbuilt.

The restoration of the Cathedral earned a 2002 Preservation Award from the Cincinnati Preservation Association. For the interior restoration, Conrad Schmitt Studios cleaned the stone ribs, tracery and walls. Studio artists also restored plaster and select faux stone painting.

The interior was modeled after St. Denis in France. It contains murals by Covington native Frank Duveneck with the high altar carved from Carrara marble with floors of Rosata and Breche marble. The north transept is said to contain the world's largest handmade church stained glass window, at 67 ft × 24 ft. It depicts the Ecumenical Council of Ephesus in 431 AD that proclaimed Mary as the Mother of God.

The cathedral houses three pipe organs. The south transept gallery holds the pipe organ designed and built in 1933 for the cathedral by Henry Willis III during his tenure at the Wicks Organ Company of Highland, Illinois. Originally a three-manual console with 43 ranks of pipes, Aultz-Kersting Organ renovated and enlarged this instrument in 1982 to four-manuals with 65 ranks.

The west gallery, below the rose window, is occupied by the two-manual organ originally built for St. Joseph Roman Catholic Church in Covington, Kentucky, in 1858 by Mathais Schwab of Cincinnati, Ohio. When the St. Joseph building was razed in 1970, the Schwab organ was moved to St Mary's. The Schwab organ was altered to fit the new location, but retains most of its original components, including its mechanical key and stop actions, ivory keyboards and faux-grained casework. It contains 21 ranks. In 2002, the cathedral purchased a one-manual, 20-rank portable organ for use in various parts of the sanctuary.

Jades beyakugan for an rp i do on gaia ^_^

RP Name: Jade

age: 20

Rank: chunin now.

kekkei genkai-beyakugan.

Jutsu:

Earth style

Earth style Head hunter

Earth style Mud wall

Earth style Mud clone

Wind style

Wind style Air bullets

Wind style Wind blade

Wind style Tornado palm (Temari's wind scythe without the fan) shes a temari fan.

Wind style Wind clone

Wind style Exploding air clone

the basics

Fireball

Drangons breath

beyakugan-rotation

Bio: Was an orphan, she was abandoned when she was 3 years old, her parents left her in the hidden sand village. She lived on the streets for a couple years until the head orphanage woman found her and took her to the orphanage. She got out when she was 10, and into an apartment when she started doing little missions for people. When she was 12, she realized that she had the beyakugan, she bin working on it by herself, because she doesnt like hyuga clan, and especially not Neji. Though she has only learned the rotation, she keeps at it. She is usually a quite girl, not many people see her real side, for fear that they will hate her like her parents did. So she keeps it bottled up, and keeps a brave face on. She'll do anything to help her friends, which she has little of. She wants to become a great ninja, and show her parents that abandoned her that they missed out.

her pic:

Picture:

i284.photobucket.com/albums/ll28/vickytre1989/strong girls/girl_charlotte.jpg

Stained glass window in the Cathedral Basilica of the Assumption, 1140 Madison Avenue, Covington, Kentucky. The Roman Catholic St. Mary's Cathedral Basilica of the Assumption in Covington, Kentucky, is a minor basilica in the United States. Construction of the cathedral began under the Diocese of Covington's third bishop, Camillus Paul Maes, in 1895 to replace an 1834 frame church that was inadequate for the growing congregation. Pope Pius XII elevated the cathedral to the rank of minor basilica December 8, 1953.

The sanctuary was designed by Detroit architect Leon Coquard and is inspired by the Notre Dame Cathedral in Paris. Services were first held in 1901 with the Madison Avenue façade, designed by local architect David Davis, added between 1908 and 1910. The structure is constructed of Bedford stone and the roofs are covered with red ludovici tile. It measures 194 by 144 feet and the nave reaches a height of 81 feet. The cathedral project terminated in 1915, though it remains incomplete to this day with the planned 52 foot towers unbuilt.

The restoration of the Cathedral earned a 2002 Preservation Award from the Cincinnati Preservation Association. For the interior restoration, Conrad Schmitt Studios cleaned the stone ribs, tracery and walls. Studio artists also restored plaster and select faux stone painting.

The interior was modeled after St. Denis in France. It contains murals by Covington native Frank Duveneck with the high altar carved from Carrara marble with floors of Rosata and Breche marble. The north transept is said to contain the world's largest handmade church stained glass window, at 67 ft × 24 ft. It depicts the Ecumenical Council of Ephesus in 431 AD that proclaimed Mary as the Mother of God.

The cathedral houses three pipe organs. The south transept gallery holds the pipe organ designed and built in 1933 for the cathedral by Henry Willis III during his tenure at the Wicks Organ Company of Highland, Illinois. Originally a three-manual console with 43 ranks of pipes, Aultz-Kersting Organ renovated and enlarged this instrument in 1982 to four-manuals with 65 ranks.

The west gallery, below the rose window, is occupied by the two-manual organ originally built for St. Joseph Roman Catholic Church in Covington, Kentucky, in 1858 by Mathais Schwab of Cincinnati, Ohio. When the St. Joseph building was razed in 1970, the Schwab organ was moved to St Mary's. The Schwab organ was altered to fit the new location, but retains most of its original components, including its mechanical key and stop actions, ivory keyboards and faux-grained casework. It contains 21 ranks. In 2002, the cathedral purchased a one-manual, 20-rank portable organ for use in various parts of the sanctuary.

Cathedral Basilica of the Assumption, 1140 Madison Avenue, Covington, Kentucky. The Roman Catholic St. Mary's Cathedral Basilica of the Assumption in Covington, Kentucky, is a minor basilica in the United States. Construction of the cathedral began under the Diocese of Covington's third bishop, Camillus Paul Maes, in 1895 to replace an 1834 frame church that was inadequate for the growing congregation. Pope Pius XII elevated the cathedral to the rank of minor basilica December 8, 1953.

The sanctuary was designed by Detroit architect Leon Coquard and is inspired by the Notre Dame Cathedral in Paris. Services were first held in 1901 with the Madison Avenue façade, designed by local architect David Davis, added between 1908 and 1910. The structure is constructed of Bedford stone and the roofs are covered with red ludovici tile. It measures 194 by 144 feet and the nave reaches a height of 81 feet. The cathedral project terminated in 1915, though it remains incomplete to this day with the planned 52 foot towers unbuilt.

The restoration of the Cathedral earned a 2002 Preservation Award from the Cincinnati Preservation Association. For the interior restoration, Conrad Schmitt Studios cleaned the stone ribs, tracery and walls. Studio artists also restored plaster and select faux stone painting.

The interior was modeled after St. Denis in France. It contains murals by Covington native Frank Duveneck with the high altar carved from Carrara marble with floors of Rosata and Breche marble. The north transept is said to contain the world's largest handmade church stained glass window, at 67 ft × 24 ft. It depicts the Ecumenical Council of Ephesus in 431 AD that proclaimed Mary as the Mother of God.

The cathedral houses three pipe organs. The south transept gallery holds the pipe organ designed and built in 1933 for the cathedral by Henry Willis III during his tenure at the Wicks Organ Company of Highland, Illinois. Originally a three-manual console with 43 ranks of pipes, Aultz-Kersting Organ renovated and enlarged this instrument in 1982 to four-manuals with 65 ranks.

The west gallery, below the rose window, is occupied by the two-manual organ originally built for St. Joseph Roman Catholic Church in Covington, Kentucky, in 1858 by Mathais Schwab of Cincinnati, Ohio. When the St. Joseph building was razed in 1970, the Schwab organ was moved to St Mary's. The Schwab organ was altered to fit the new location, but retains most of its original components, including its mechanical key and stop actions, ivory keyboards and faux-grained casework. It contains 21 ranks. In 2002, the cathedral purchased a one-manual, 20-rank portable organ for use in various parts of the sanctuary.

Tile mosaic in the Cathedral Basilica of the Assumption, 1140 Madison Avenue, Covington, Kentucky. The Roman Catholic St. Mary's Cathedral Basilica of the Assumption in Covington, Kentucky, is a minor basilica in the United States. Construction of the cathedral began under the Diocese of Covington's third bishop, Camillus Paul Maes, in 1895 to replace an 1834 frame church that was inadequate for the growing congregation. Pope Pius XII elevated the cathedral to the rank of minor basilica December 8, 1953.

The sanctuary was designed by Detroit architect Leon Coquard and is inspired by the Notre Dame Cathedral in Paris. Services were first held in 1901 with the Madison Avenue façade, designed by local architect David Davis, added between 1908 and 1910. The structure is constructed of Bedford stone and the roofs are covered with red ludovici tile. It measures 194 by 144 feet and the nave reaches a height of 81 feet. The cathedral project terminated in 1915, though it remains incomplete to this day with the planned 52 foot towers unbuilt.

The restoration of the Cathedral earned a 2002 Preservation Award from the Cincinnati Preservation Association. For the interior restoration, Conrad Schmitt Studios cleaned the stone ribs, tracery and walls. Studio artists also restored plaster and select faux stone painting.

The interior was modeled after St. Denis in France. It contains murals by Covington native Frank Duveneck with the high altar carved from Carrara marble with floors of Rosata and Breche marble. The north transept is said to contain the world's largest handmade church stained glass window, at 67 ft × 24 ft. It depicts the Ecumenical Council of Ephesus in 431 AD that proclaimed Mary as the Mother of God.

The cathedral houses three pipe organs. The south transept gallery holds the pipe organ designed and built in 1933 for the cathedral by Henry Willis III during his tenure at the Wicks Organ Company of Highland, Illinois. Originally a three-manual console with 43 ranks of pipes, Aultz-Kersting Organ renovated and enlarged this instrument in 1982 to four-manuals with 65 ranks.

The west gallery, below the rose window, is occupied by the two-manual organ originally built for St. Joseph Roman Catholic Church in Covington, Kentucky, in 1858 by Mathais Schwab of Cincinnati, Ohio. When the St. Joseph building was razed in 1970, the Schwab organ was moved to St Mary's. The Schwab organ was altered to fit the new location, but retains most of its original components, including its mechanical key and stop actions, ivory keyboards and faux-grained casework. It contains 21 ranks. In 2002, the cathedral purchased a one-manual, 20-rank portable organ for use in various parts of the sanctuary.

Tile mosaic of one of the stations of the cross, seen in the Cathedral Basilica of the Assumption, 1140 Madison Avenue, Covington, Kentucky. The Roman Catholic St. Mary's Cathedral Basilica of the Assumption in Covington, Kentucky, is a minor basilica in the United States. Construction of the cathedral began under the Diocese of Covington's third bishop, Camillus Paul Maes, in 1895 to replace an 1834 frame church that was inadequate for the growing congregation. Pope Pius XII elevated the cathedral to the rank of minor basilica December 8, 1953.

The sanctuary was designed by Detroit architect Leon Coquard and is inspired by the Notre Dame Cathedral in Paris. Services were first held in 1901 with the Madison Avenue façade, designed by local architect David Davis, added between 1908 and 1910. The structure is constructed of Bedford stone and the roofs are covered with red ludovici tile. It measures 194 by 144 feet and the nave reaches a height of 81 feet. The cathedral project terminated in 1915, though it remains incomplete to this day with the planned 52 foot towers unbuilt.

The restoration of the Cathedral earned a 2002 Preservation Award from the Cincinnati Preservation Association. For the interior restoration, Conrad Schmitt Studios cleaned the stone ribs, tracery and walls. Studio artists also restored plaster and select faux stone painting.

The interior was modeled after St. Denis in France. It contains murals by Covington native Frank Duveneck with the high altar carved from Carrara marble with floors of Rosata and Breche marble. The north transept is said to contain the world's largest handmade church stained glass window, at 67 ft × 24 ft. It depicts the Ecumenical Council of Ephesus in 431 AD that proclaimed Mary as the Mother of God.

The cathedral houses three pipe organs. The south transept gallery holds the pipe organ designed and built in 1933 for the cathedral by Henry Willis III during his tenure at the Wicks Organ Company of Highland, Illinois. Originally a three-manual console with 43 ranks of pipes, Aultz-Kersting Organ renovated and enlarged this instrument in 1982 to four-manuals with 65 ranks.

The west gallery, below the rose window, is occupied by the two-manual organ originally built for St. Joseph Roman Catholic Church in Covington, Kentucky, in 1858 by Mathais Schwab of Cincinnati, Ohio. When the St. Joseph building was razed in 1970, the Schwab organ was moved to St Mary's. The Schwab organ was altered to fit the new location, but retains most of its original components, including its mechanical key and stop actions, ivory keyboards and faux-grained casework. It contains 21 ranks. In 2002, the cathedral purchased a one-manual, 20-rank portable organ for use in various parts of the sanctuary.

Stained glass window in the Cathedral Basilica of the Assumption, 1140 Madison Avenue, Covington, Kentucky. The Roman Catholic St. Mary's Cathedral Basilica of the Assumption in Covington, Kentucky, is a minor basilica in the United States. Construction of the cathedral began under the Diocese of Covington's third bishop, Camillus Paul Maes, in 1895 to replace an 1834 frame church that was inadequate for the growing congregation. Pope Pius XII elevated the cathedral to the rank of minor basilica December 8, 1953.

The sanctuary was designed by Detroit architect Leon Coquard and is inspired by the Notre Dame Cathedral in Paris. Services were first held in 1901 with the Madison Avenue façade, designed by local architect David Davis, added between 1908 and 1910. The structure is constructed of Bedford stone and the roofs are covered with red ludovici tile. It measures 194 by 144 feet and the nave reaches a height of 81 feet. The cathedral project terminated in 1915, though it remains incomplete to this day with the planned 52 foot towers unbuilt.

The restoration of the Cathedral earned a 2002 Preservation Award from the Cincinnati Preservation Association. For the interior restoration, Conrad Schmitt Studios cleaned the stone ribs, tracery and walls. Studio artists also restored plaster and select faux stone painting.

The interior was modeled after St. Denis in France. It contains murals by Covington native Frank Duveneck with the high altar carved from Carrara marble with floors of Rosata and Breche marble. The north transept is said to contain the world's largest handmade church stained glass window, at 67 ft × 24 ft. It depicts the Ecumenical Council of Ephesus in 431 AD that proclaimed Mary as the Mother of God.

The cathedral houses three pipe organs. The south transept gallery holds the pipe organ designed and built in 1933 for the cathedral by Henry Willis III during his tenure at the Wicks Organ Company of Highland, Illinois. Originally a three-manual console with 43 ranks of pipes, Aultz-Kersting Organ renovated and enlarged this instrument in 1982 to four-manuals with 65 ranks.

The west gallery, below the rose window, is occupied by the two-manual organ originally built for St. Joseph Roman Catholic Church in Covington, Kentucky, in 1858 by Mathais Schwab of Cincinnati, Ohio. When the St. Joseph building was razed in 1970, the Schwab organ was moved to St Mary's. The Schwab organ was altered to fit the new location, but retains most of its original components, including its mechanical key and stop actions, ivory keyboards and faux-grained casework. It contains 21 ranks. In 2002, the cathedral purchased a one-manual, 20-rank portable organ for use in various parts of the sanctuary.

Tile mosaic in the Cathedral Basilica of the Assumption, 1140 Madison Avenue, Covington, Kentucky. The Roman Catholic St. Mary's Cathedral Basilica of the Assumption in Covington, Kentucky, is a minor basilica in the United States. Construction of the cathedral began under the Diocese of Covington's third bishop, Camillus Paul Maes, in 1895 to replace an 1834 frame church that was inadequate for the growing congregation. Pope Pius XII elevated the cathedral to the rank of minor basilica December 8, 1953.

The sanctuary was designed by Detroit architect Leon Coquard and is inspired by the Notre Dame Cathedral in Paris. Services were first held in 1901 with the Madison Avenue façade, designed by local architect David Davis, added between 1908 and 1910. The structure is constructed of Bedford stone and the roofs are covered with red ludovici tile. It measures 194 by 144 feet and the nave reaches a height of 81 feet. The cathedral project terminated in 1915, though it remains incomplete to this day with the planned 52 foot towers unbuilt.

The restoration of the Cathedral earned a 2002 Preservation Award from the Cincinnati Preservation Association. For the interior restoration, Conrad Schmitt Studios cleaned the stone ribs, tracery and walls. Studio artists also restored plaster and select faux stone painting.

The interior was modeled after St. Denis in France. It contains murals by Covington native Frank Duveneck with the high altar carved from Carrara marble with floors of Rosata and Breche marble. The north transept is said to contain the world's largest handmade church stained glass window, at 67 ft × 24 ft. It depicts the Ecumenical Council of Ephesus in 431 AD that proclaimed Mary as the Mother of God.

The cathedral houses three pipe organs. The south transept gallery holds the pipe organ designed and built in 1933 for the cathedral by Henry Willis III during his tenure at the Wicks Organ Company of Highland, Illinois. Originally a three-manual console with 43 ranks of pipes, Aultz-Kersting Organ renovated and enlarged this instrument in 1982 to four-manuals with 65 ranks.

The west gallery, below the rose window, is occupied by the two-manual organ originally built for St. Joseph Roman Catholic Church in Covington, Kentucky, in 1858 by Mathais Schwab of Cincinnati, Ohio. When the St. Joseph building was razed in 1970, the Schwab organ was moved to St Mary's. The Schwab organ was altered to fit the new location, but retains most of its original components, including its mechanical key and stop actions, ivory keyboards and faux-grained casework. It contains 21 ranks. In 2002, the cathedral purchased a one-manual, 20-rank portable organ for use in various parts of the sanctuary.

Candles in the Cathedral Basilica of the Assumption, 1140 Madison Avenue, Covington, Kentucky. The Roman Catholic St. Mary's Cathedral Basilica of the Assumption in Covington, Kentucky, is a minor basilica in the United States. Construction of the cathedral began under the Diocese of Covington's third bishop, Camillus Paul Maes, in 1895 to replace an 1834 frame church that was inadequate for the growing congregation. Pope Pius XII elevated the cathedral to the rank of minor basilica December 8, 1953.

The sanctuary was designed by Detroit architect Leon Coquard and is inspired by the Notre Dame Cathedral in Paris. Services were first held in 1901 with the Madison Avenue façade, designed by local architect David Davis, added between 1908 and 1910. The structure is constructed of Bedford stone and the roofs are covered with red ludovici tile. It measures 194 by 144 feet and the nave reaches a height of 81 feet. The cathedral project terminated in 1915, though it remains incomplete to this day with the planned 52 foot towers unbuilt.

The restoration of the Cathedral earned a 2002 Preservation Award from the Cincinnati Preservation Association. For the interior restoration, Conrad Schmitt Studios cleaned the stone ribs, tracery and walls. Studio artists also restored plaster and select faux stone painting.

The interior was modeled after St. Denis in France. It contains murals by Covington native Frank Duveneck with the high altar carved from Carrara marble with floors of Rosata and Breche marble. The north transept is said to contain the world's largest handmade church stained glass window, at 67 ft × 24 ft. It depicts the Ecumenical Council of Ephesus in 431 AD that proclaimed Mary as the Mother of God.

The cathedral houses three pipe organs. The south transept gallery holds the pipe organ designed and built in 1933 for the cathedral by Henry Willis III during his tenure at the Wicks Organ Company of Highland, Illinois. Originally a three-manual console with 43 ranks of pipes, Aultz-Kersting Organ renovated and enlarged this instrument in 1982 to four-manuals with 65 ranks.

The west gallery, below the rose window, is occupied by the two-manual organ originally built for St. Joseph Roman Catholic Church in Covington, Kentucky, in 1858 by Mathais Schwab of Cincinnati, Ohio. When the St. Joseph building was razed in 1970, the Schwab organ was moved to St Mary's. The Schwab organ was altered to fit the new location, but retains most of its original components, including its mechanical key and stop actions, ivory keyboards and faux-grained casework. It contains 21 ranks. In 2002, the cathedral purchased a one-manual, 20-rank portable organ for use in various parts of the sanctuary.

digraph world {

size="7,7";

{rank=same; S8 S24 S1 S35 S30;}

{rank=same; T8 T24 T1 T35 T30;}

{rank=same; 43 37 36 10 2;}

{rank=same; 25 9 38 40 13 17 12 18;}

{rank=same; 26 42 11 3 33 19 39 14 16;}

{rank=same; 4 31 34 21 41 28 20;}

{rank=same; 27 5 22 32 29 15;}

{rank=same; 6 23;}

{rank=same; 7;}

S8 -> 9;

S24 -> 25;

S24 -> 27;

S1 -> 2;

S1 -> 10;

S35 -> 43;

S35 -> 36;

S30 -> 31;

S30 -> 33;

9 -> 42;

9 -> T1;

25 -> T1;

25 -> 26;

27 -> T24;

2 -> {3 ; 16 ; 17 ; T1 ; 18}

10 -> { 11 ; 14 ; T1 ; 13; 12;}

31 -> T1;

31 -> 32;

33 -> T30;

33 -> 34;

42 -> 4;

26 -> 4;

3 -> 4;

16 -> 15;

17 -> 19;

18 -> 29;

11 -> 4;

14 -> 15;

37 -> {39 ; 41 ; 38 ; 40;}

13 -> 19;

12 -> 29;

43 -> 38;

43 -> 40;

36 -> 19;

32 -> 23;

34 -> 29;

39 -> 15;

41 -> 29;

38 -> 4;

40 -> 19;

4 -> 5;

19 -> {21 ; 20 ; 28;}

5 -> {6 ; T35 ; 23;}

21 -> 22;

20 -> 15;

28 -> 29;

6 -> 7;

15 -> T1;

22 -> T35;

22 -> 23;

29 -> T30;

7 -> T8;

23 -> T24;

23 -> T1;

}

#20 ranked and top seed Concordia-St. Paul defeats No. 5 seed St. Cloud State 2-1 in double overtime in the NSIC Tournament semifinals at Sea Foam Stadium on Friday afternoon. With the win, CSP advances to the NSIC Tournament championship for the first time in team history and will play Minnesota State on Sunday at 2 p.m. Photos by Josh Deer/Concordia athletics

With a flip of a coin, a new chapter for Lakers athletics began Sept. 1 as the new Lakers Turf Stadium was officially opened for play.

Dan Scaia ’68, a member of the 1966 Championship Lakers men’s soccer team, did the ceremonial coin toss following the remarks of Sue Viscomi, Lakers athletics director, and College President Deborah F. Stanley.

The $2.37 million state-of-the-art facility opened Sept. 1 to host the men’s soccer game against nationally ranked St. Lawrence University, followed by the women’s field hockey game against top 20 ranked William Smith College.

Before the game, President Stanley welcomed students and campus and community members to the mostly full 1,000-seat stadium. Read the full story: bit.ly/1Up3mLI

Photos by Chuck Perkins Photography.

#20 ranked and top seed Concordia-St. Paul defeats No. 5 seed St. Cloud State 2-1 in double overtime in the NSIC Tournament semifinals at Sea Foam Stadium on Friday afternoon. With the win, CSP advances to the NSIC Tournament championship for the first time in team history and will play Minnesota State on Sunday at 2 p.m. Photos by Josh Deer/Concordia athletics

With a flip of a coin, a new chapter for Lakers athletics began Sept. 1 as the new Lakers Turf Stadium was officially opened for play.

Dan Scaia ’68, a member of the 1966 Championship Lakers men’s soccer team, did the ceremonial coin toss following the remarks of Sue Viscomi, Lakers athletics director, and College President Deborah F. Stanley.

The $2.37 million state-of-the-art facility opened Sept. 1 to host the men’s soccer game against nationally ranked St. Lawrence University, followed by the women’s field hockey game against top 20 ranked William Smith College.

Before the game, President Stanley welcomed students and campus and community members to the mostly full 1,000-seat stadium. Read the full story: bit.ly/1Up3mLI

Photos by Chuck Perkins Photography.

With a flip of a coin, a new chapter for Lakers athletics began Sept. 1 as the new Lakers Turf Stadium was officially opened for play.

Dan Scaia ’68, a member of the 1966 Championship Lakers men’s soccer team, did the ceremonial coin toss following the remarks of Sue Viscomi, Lakers athletics director, and College President Deborah F. Stanley.

The $2.37 million state-of-the-art facility opened Sept. 1 to host the men’s soccer game against nationally ranked St. Lawrence University, followed by the women’s field hockey game against top 20 ranked William Smith College.

Before the game, President Stanley welcomed students and campus and community members to the mostly full 1,000-seat stadium. Read the full story: bit.ly/1Up3mLI

Photos by Chuck Perkins Photography.

#20 ranked and top seed Concordia-St. Paul defeats No. 5 seed St. Cloud State 2-1 in double overtime in the NSIC Tournament semifinals at Sea Foam Stadium on Friday afternoon. With the win, CSP advances to the NSIC Tournament championship for the first time in team history and will play Minnesota State on Sunday at 2 p.m. Photos by Josh Deer/Concordia athletics

#20 ranked and third seed Concordia-St. Paul advances with a shootout win over sixth seed Northeastern State following a 1-1 draw in the NCAA Central Region Tournament at Jennies Field in Warrensburg, Missouri. CSP advanced in its first-ever trip to the NCAA Tournament following the 3-1 shootout result. Photos by Josh Deer/Concordia athletics

Tile mosaic of one of the stations of the cross, seen in the Cathedral Basilica of the Assumption, 1140 Madison Avenue, Covington, Kentucky. The Roman Catholic St. Mary's Cathedral Basilica of the Assumption in Covington, Kentucky, is a minor basilica in the United States. Construction of the cathedral began under the Diocese of Covington's third bishop, Camillus Paul Maes, in 1895 to replace an 1834 frame church that was inadequate for the growing congregation. Pope Pius XII elevated the cathedral to the rank of minor basilica December 8, 1953.

The sanctuary was designed by Detroit architect Leon Coquard and is inspired by the Notre Dame Cathedral in Paris. Services were first held in 1901 with the Madison Avenue façade, designed by local architect David Davis, added between 1908 and 1910. The structure is constructed of Bedford stone and the roofs are covered with red ludovici tile. It measures 194 by 144 feet and the nave reaches a height of 81 feet. The cathedral project terminated in 1915, though it remains incomplete to this day with the planned 52 foot towers unbuilt.

The restoration of the Cathedral earned a 2002 Preservation Award from the Cincinnati Preservation Association. For the interior restoration, Conrad Schmitt Studios cleaned the stone ribs, tracery and walls. Studio artists also restored plaster and select faux stone painting.

The interior was modeled after St. Denis in France. It contains murals by Covington native Frank Duveneck with the high altar carved from Carrara marble with floors of Rosata and Breche marble. The north transept is said to contain the world's largest handmade church stained glass window, at 67 ft × 24 ft. It depicts the Ecumenical Council of Ephesus in 431 AD that proclaimed Mary as the Mother of God.

The cathedral houses three pipe organs. The south transept gallery holds the pipe organ designed and built in 1933 for the cathedral by Henry Willis III during his tenure at the Wicks Organ Company of Highland, Illinois. Originally a three-manual console with 43 ranks of pipes, Aultz-Kersting Organ renovated and enlarged this instrument in 1982 to four-manuals with 65 ranks.

The west gallery, below the rose window, is occupied by the two-manual organ originally built for St. Joseph Roman Catholic Church in Covington, Kentucky, in 1858 by Mathais Schwab of Cincinnati, Ohio. When the St. Joseph building was razed in 1970, the Schwab organ was moved to St Mary's. The Schwab organ was altered to fit the new location, but retains most of its original components, including its mechanical key and stop actions, ivory keyboards and faux-grained casework. It contains 21 ranks. In 2002, the cathedral purchased a one-manual, 20-rank portable organ for use in various parts of the sanctuary.

Third seed #20-ranked Concordia-St. Paul (17-3-3) women's soccer falls 2-0 at host second seed #4 Central Missouri in the second round of the NCAA Central Region Tournament at Jennies Field in Warrensburg, Missouri. Photos by Josh Deer/Concordia athletics

Third seed #20-ranked Concordia-St. Paul (17-3-3) women's soccer falls 2-0 at host second seed #4 Central Missouri in the second round of the NCAA Central Region Tournament at Jennies Field in Warrensburg, Missouri. Photos by Josh Deer/Concordia athletics

Third seed #20-ranked Concordia-St. Paul (17-3-3) women's soccer falls 2-0 at host second seed #4 Central Missouri in the second round of the NCAA Central Region Tournament at Jennies Field in Warrensburg, Missouri. Photos by Josh Deer/Concordia athletics

#13-ranked and third-seed Minnesota State women's soccer tops #20-ranked and top-seed & host Concordia-St. Paul for the NSIC Tournament championship on Sunday afternoon at Sea Foam Stadium. The Mavericks earn the Northern Sun's automatic berth to the NCAA Central Region Tournament. Photos by Josh Deer/Concordia athletics

the back of the Wurlitzer organ, taken from the stage, looking out into the "house".....

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bhamwiki.com/w/Alabama_Theatre "In order to provide music and sound effects for silent films, the Alabama was outfitted with a 4 manual, 20-rank Crawford Special-Publix One Mighty Wurlitzer theater organ from the Rudolph Wurlitzer Company of North Tonawanda, New York. Dubbed "Big Bertha", or simply "The Mighty Wurlitzer", it is one of 17 of its type ever built, and one of only three still installed in their original sites (The Denver Paramount and The Seattle Paramount have their original Publix 1's). The organ console is mounted on a screw lift that can bring it up to stage level or lower it out of sight to orchestra-floor level. Since its debut, Big Bertha has been expanded to 29 ranks and has seen the addition of multiple percussive and other mechanical effects."

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The Alabama Theatre

Birmingham, Alabama

6-13-10

#20 ranked and third seed Concordia-St. Paul advances with a shootout win over sixth seed Northeastern State following a 1-1 draw in the NCAA Central Region Tournament at Jennies Field in Warrensburg, Missouri. CSP advanced in its first-ever trip to the NCAA Tournament following the 3-1 shootout result. Photos by Josh Deer/Concordia athletics

#20 ranked and top seed Concordia-St. Paul defeats No. 5 seed St. Cloud State 2-1 in double overtime in the NSIC Tournament semifinals at Sea Foam Stadium on Friday afternoon. With the win, CSP advances to the NSIC Tournament championship for the first time in team history and will play Minnesota State on Sunday at 2 p.m. Photos by Josh Deer/Concordia athletics

St. Mary's Cathedral Basilica of the Assumption, 1130 Madison Avenue Covington, Kentucky, USA / Dedicated: Janurary 27, 1901 / Architects: Leon Coquard, David Davis / Architectural Style: Late Gothic Revival, French Gothic / NRHP: July 20th, 1973

The Roman Catholic St. Mary's Cathedral Basilica of the Assumption in Covington, Kentucky, is a minor basilica in the United States. Construction of the cathedral began under the Diocese of Covington's third bishop, Camillus Paul Maes, in 1895 to replace an 1834 frame church that was inadequate for the growing congregation. Pope Pius XII elevated the cathedral to the rank of minor basilica December 8, 1953.

The sanctuary was designed by Detroit architect Leon Coquard and is inspired by the Notre Dame Cathedral in Paris. Services were first held in 1901 with the Madison Avenue façade, designed by local architect David Davis, added between 1908 and 1910. The structure is constructed of Bedford stone and the roofs are covered with red ludovici tile. It measures 194 ft × 144 ft (59 m × 44 m) and the nave reaches a height of 81 ft (25 m). The cathedral project terminated in 1915, though it remains incomplete to this day with the planned 52 ft (16 m) towers unbuilt.

The restoration of the Cathedral earned a 2002 Preservation Award from the Cincinnati Preservation Association. For the interior restoration, Conrad Schmitt Studios cleaned the stone ribs, tracery and walls. Studio artists also restored plaster and select faux stone painting.

The interior was modeled after St. Denis in France. It contains murals by Covington native Frank Duveneck with the high altar carved from Carrara marble with floors of Rosata and Breche marble. The north transept is said to contain the world's largest handmade church stained glass window, at 67 ft × 24 ft (20.4 m × 7.3 m).[4] It depicts the Ecumenical Council of Ephesus in 431 AD that proclaimed Mary as the Mother of God.

The cathedral houses three pipe organs. The south transept gallery holds the pipe organ designed and built in 1933 for the cathedral by Henry Willis III during his tenure at the Wicks Organ Company of Highland, Illinois. Originally a three-manual console with 43 ranks of pipes, Aultz-Kersting Organ renovated and enlarged this instrument in 1982 to four-manuals with 65 ranks.

The west gallery, below the rose window, is occupied by the two-manual organ originally built for St. Joseph Roman Catholic Church in Covington, Kentucky, in 1858 by Mathais Schwab of Cincinnati, Ohio. When the St. Joseph building was razed in 1970, the Schwab organ was moved to St Mary's. The Schwab organ was altered to fit the new location, but retains most of its original components, including its mechanical key and stop actions, ivory keyboards and faux-grained casework. It contains 21 ranks. In 2002, the cathedral purchased a one-manual, 20-rank portable organ for use in various parts of the sanctuary.

Credit for the data above is given to the following website:

en.wikipedia.org/wiki/Cathedral_Basilica_of_the_Assumption_(Covington,_Kentucky)

#13-ranked and third-seed Minnesota State women's soccer tops #20-ranked and top-seed & host Concordia-St. Paul for the NSIC Tournament championship on Sunday afternoon at Sea Foam Stadium. The Mavericks earn the Northern Sun's automatic berth to the NCAA Central Region Tournament. Photos by Josh Deer/Concordia athletics

#20 ranked and third seed Concordia-St. Paul advances with a shootout win over sixth seed Northeastern State following a 1-1 draw in the NCAA Central Region Tournament at Jennies Field in Warrensburg, Missouri. CSP advanced in its first-ever trip to the NCAA Tournament following the 3-1 shootout result. Photos by Josh Deer/Concordia athletics

#13-ranked and third-seed Minnesota State women's soccer tops #20-ranked and top-seed & host Concordia-St. Paul for the NSIC Tournament championship on Sunday afternoon at Sea Foam Stadium. The Mavericks earn the Northern Sun's automatic berth to the NCAA Central Region Tournament. Photos by Josh Deer/Concordia athletics

With a flip of a coin, a new chapter for Lakers athletics began Sept. 1 as the new Lakers Turf Stadium was officially opened for play.

Dan Scaia ’68, a member of the 1966 Championship Lakers men’s soccer team, did the ceremonial coin toss following the remarks of Sue Viscomi, Lakers athletics director, and College President Deborah F. Stanley.

The $2.37 million state-of-the-art facility opened Sept. 1 to host the men’s soccer game against nationally ranked St. Lawrence University, followed by the women’s field hockey game against top 20 ranked William Smith College.

Before the game, President Stanley welcomed students and campus and community members to the mostly full 1,000-seat stadium. Read the full story: bit.ly/1Up3mLI

Photos by Chuck Perkins Photography.

#20 ranked and third seed Concordia-St. Paul advances with a shootout win over sixth seed Northeastern State following a 1-1 draw in the NCAA Central Region Tournament at Jennies Field in Warrensburg, Missouri. CSP advanced in its first-ever trip to the NCAA Tournament following the 3-1 shootout result. Photos by Josh Deer/Concordia athletics

#20 ranked and third seed Concordia-St. Paul advances with a shootout win over sixth seed Northeastern State following a 1-1 draw in the NCAA Central Region Tournament at Jennies Field in Warrensburg, Missouri. CSP advanced in its first-ever trip to the NCAA Tournament following the 3-1 shootout result. Photos by Josh Deer/Concordia athletics

#13-ranked and third-seed Minnesota State women's soccer tops #20-ranked and top-seed & host Concordia-St. Paul for the NSIC Tournament championship on Sunday afternoon at Sea Foam Stadium. The Mavericks earn the Northern Sun's automatic berth to the NCAA Central Region Tournament. Photos by Josh Deer/Concordia athletics