18mm Group
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Philadelphia, Pennsylvania
Lumix G9
Olympus M. Zuiko Digital ED 9-18mm f/4-5.6
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(25 August 2022)
Another hard working day for the tiny little helpers in little world!
The floor got messed up and someone had to take care about all the golden peaces bringing them back into the glassbottle They did the job just perfect with their shovels :)
Thank you for visits, comments and favs!
Vielen Dank für Eure Besuche, Kommentare und Sternchen!
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
Was hoping to find some mushrooms to photograph on today's dog walk :)
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Nikon Z6, 18mm Extension Tube, Nikkor 24-70mm f/4 S
Exposure X6, Color Efex Pro 4
Pittsburgh, Pennsylvania
Lumix GX7
Olympus M. Zuiko Digital ED 9-18mm f/4-5.6
Shek O, Hong Kong. This shot is heavily inspired from my flickr friend John (johopo).
ND400 + Digital Blending + Photoshop photo filters. More shots using this technique in my Digital Blending Set.
Please check my Hong Kong Set.
1/160 seg. f/13 18mm
Hello everyone,
today I share another fantastic sunset! It's in Praia da Vieira. The end of the day was magnificent, and the sky too! I hope you enjoy this beauty of nature !!!
Thanks for the visit and comments!
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Olá a todos,
hoje partilho mais um fantástico pôr-do-sol! É na Praia da Vieira. O fim de dia estava magnífico, e o céu também! Espero que apreciem esta beleza da natureza!!!
Obrigado pela visita e comentários!
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Hallo alle zusammen,
Heute teile ich einen weiteren fantastischen Sonnenuntergang! Es ist in Praia da Vieira. Das Ende des Tages war großartig und der Himmel auch! Ich hoffe, Sie genießen diese Schönheit der Natur !!!
Danke für den Besuch und Kommentare!
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Bonjour à tous,
aujourd'hui je partage un autre coucher de soleil fantastique! C'est à Praia da Vieira. La fin de la journée était magnifique, et le ciel aussi! J'espère que vous apprécierez cette beauté de la nature !!!
Merci pour la visite et les commentaires!
Loreto was a lunch stop for us on our way to Sirolo, I couldn’t let the opportunity pass to see what all the fuss was about with Holy houses flying about, captured here is a typical day for the Basilica della Santa Casa a church that houses the Virgin Mary’s House brought from Nazareth. The story goes that in 1294 angels flew the house from Mary’s hometown in Nazareth to this spot and a Basilica was built to house the holy home and also explains why Our Lady of Loreto is the patron saint of aviators. While flying houses make for a great story the truth may be that a Greek merchant named Angelos arranged for the house to moved here as pat of his dowry for his daughter marrying Philip of Taranto in 1294 but one never knows.
I took this on Sept 05, 2011 with my D70s and Tamron 18-200mm f/3.5-6.3 Lens at 18mm, 1/500s, f11 ISO 200 processed in LR, PS +Lumenzia ,Topaz, and DXO Nik
Disclaimer: My style is a study of romantic realism as well as a work in progress
Avec Le Temps | Léo Ferré
youtu.be/Bj3aTZePVQw?si=5deLZKnTdox0MHh-
With time ...
With time everything goes away
We forget the face and we forget the voice
When the heart beats no more
It's not worth looking any further
You must let it go and that's fine
With time ...
With time everything goes away
The one we adored,
Whom we looked after in the rain
The one we understood with a simple glance
Between the words, between the lines
And under the make-up of a disguised promise
Which disappear into the night;
With time everything vanishes
With time ..
With time everything goes away
Even the dearest memories, got a strange facelift.
As I rummaged into the gallery of the past In the alley of Death,
on saturday evening when tenderness departs alone
With time ...
With time everything goes away
The other person we believed in for nursing a cold, for any little thing
The other person for whom we gave fresh air and jewels
For whom we would have sold our souls for pennies
In front of whom, we crawled like dogs
With time, everything goes well with time ...
With time everything goes away
We forget the passions and we forget the voices
Which whispered the words of the poor folks:
"don't come back too late", "above all, don't catch cold"
With time ...
With time everything goes away
We feel old and weary like an exhausted horse
And we feel frozen in an unknown bed and perhaps,
we feel lonely but carefree
And we feel cheated by all the lost years
So, truly with time, we love no more.
A macro of a glass of coffee, for Macro Monday, on the theme of beverage.
This was my second try at it, as the first try gave me some very lukewarm image. Also had to take a photo, then leave it for a few seconds, then go back, as the lense kept fogging up!
I was originally going to leave this as colour, but popped it into silver efex after color efex, just to see and I really liked it.
Nikon Z6, 18mm Extension Tube, FTZ, Tamron 90mm Macro Lense, Ring FLash,
Exposure X5, Color Efex Pro 4, Silver Efex Pro 2
Past are ghost they will not let you sleep.
Future are dreams they will not let you sleep.
Present is doing just now or never.
Time is running for ever and ever.
You have a single moment to do now.
Past and future makes files of thoughts in your mind.
They repeat and tingle you again and again.
Your mind is full of imaginations and illusions.
Your mind is full of attachment and tensions.
You start losing present moments.
You stop living present moments.
Time runs and never waits for you.
And you have nothing to do.
You cry for what you left before.
You dream to want more and more.
Wake up wake up now with this moment
Live with totality now with this moment.
-by Ramesh Kavdia
there is an entire scientific discipline devoted to the study and hydrology of patterned bogs and one can understand why when standing in front of one
for me it was the simple beauty of the repeating lines and the reflected skies in the pools, the pure agony during mosquito and blackfly season...early may and ice was still present, not a whine from a single biting insect
the trans-labrador highway is 1,150 kms west to east and sparsely populated, it was much like the northern highway through yukon, the boreal forest is as vast as it is magnificently wild
Dawn at DuSable Harbor ~ Lake Michigan ~ Chicago, Illinois
Nikon D7500, Sigma 18-300, ISO 3200, f/4.5, 18mm, 1/60s
Sandia Mountains
Sandia Pueblo
Alameda, New Mexico
Lumix G9
Olympus M. Zuiko Digital ED 9-18mm f/4-5.6
20170420-39
Thanks for looking... :)
Do not use this image on any media without my permission. All rights reserved.
Pentax K200D
18mm, f/9.5, 1/30s, ISO 100
Abandon hope, all ye... Some visitors peer warily into the gaping tartan maw of the beast. Don't go in, it's a trap!
Well...I finally returned to Venice tonight. I had my fingers crossed the entire 53 minute drive that the intermittent rain drops wouldn't turn into a shower and that the very cloudy sky wouldn't vanish prior to my arrival. The rain never came and the clouds were still there long after I left.
A lot has changed in my photography and post abilities since I arrived in California Christmas Eve. While those first few trips to Venice in January and February were amazing, I struggled a bit to be efficient. The reflections, sky and quickly fading winter light left me in a frenzy to get in a lot of long exposures, reflections and shots of the pier in no real order and despite taking roughly a 1,000 shots during those trips, many were unusable. I was focused on getting it all in and hoping somewhere in the quantity was some quality. I have a much better plan now and all the time spent the last couple months capturing Scotch in those very low light settings forced me to be a lot more precise with my shooting decisions and gave me a better understanding of what it means to be patient. I was very hopeful that some of those aspects I've been trying to refine would yield a much more consistent set of shots this time around.
Venice is an amazing place. The low tide that slowly pushes across the shore was even more recessed tonight, perhaps 30ft closer to the sea and the flat reflection shore seemed like it was 200 feet long. There were perfect reflections everywhere and every direction. I arrived about a half hour before sunset and set up to shoot some very low angle reflections. As the light shifted between me and Santa Monica, I abandoned the pier and focused on the crimson sunset. As with previous trips, a dozen or so people showed up with camera phones out a few minute before and after the sunset and then scattered off to whenever they were going before. I saw a sky similar to this here back in january and still look at and post photos from that trip. Each time i saw the sky like this in Venice, it was in the exact same spot and seemed to appear almost in an instant. I took a few long exposures to start with the 10 stop filter, but then decided to get natural looking shots and tried hard to frame well for a panorama since I didn't want to cut out any of this sky and had no desire to back up.
My last trip here came in March and was a major disappointment due to weather conditions, an overall bad shoot, a parking ticket and a smashed rear bumper. Ever since, I've hoped for a return of clouds and a colorful sky and with a favorable forecast I decided to return tonight and was so glad I did. This is a 3 photo panorama. The rocks on the right sit right by the giant lifeguard headquarters which separates Venice from Santa Monica it seems. This is my favorite spot in Venice to shoot and far enough from the pier to at least give me a chance to find street parking. I have the feeling that Venice will end up as my default location for sunsets though I definitely won't stop exploring the Southern California coast any time soon. Seems like I'm going to be here a while...
▪️WHEN & WHERE▪️
•Venice Beach
•Venice, California
•September 19th, 2016
▪️SETTINGS▪️
Canon T4i
•EF-S18-135mm IS STM
•3 photo panorama
•@18mm
•ISO 100
•f/5
•1/135th second
•CPL
A 1915 Fiat Type 55 is seen at the annual AACA show in Hershey, PA
Nikon D800 & Zeiss Milvus 18mm f/2.8 ZF.2 @ f/10
Last of this series, though I'm likely to play around with fauxpan some more soon.
fauxpan -- X-Pro3 with XF 18mm cropped to Xpan ratio
Another from a bonny early wander with Billy Currie a week or two back. I just rather liked the different paths of the river and the road. Stob Dearg was immediately to my left and it was looking rather magnificent but I just liked this view instead. A 2:1 crop of a single shot using the Zeiss 18mm - a recent acquisition and one that I bought as a nice walking lens for those rare occasions I go wide.
a7riv + Minolta UW Rokkor PG 1:9.5 f = 18mm (1966; SR, fish-eye)
www.pzc.nl/borsele/wat-doen-die-mysterieuze-witte-tentjes...
For more Night pictures check out:
www.flickr.com/photos/andygocher/albums/72157647855062028
If you like this check out my other top 50 shots at: www.flickr.com/photos/andygocher/sets/72157646224415497/
Abandoned structure seen in Garafía, Isla de La Palma, Canary Islands
with Sony A7 modified for infrared, 720nm and Laowa 10-18mm/4.5 @ 10mm
post with Silver Efex pro 2
- Confucius.
|| insta || blog || photostream ||
The widest focal length I had at my disposal for a long time was 18mm, but that changed when I acquired a used Nikon Z6 and the incredible 14-24 f2.8 lens recently. Unlike telephotos, at wide focal lengths, a slight change in focal length dramatically affects the lens's behavior. It also means you have to think about framing the scene more. The 24-70mm lens is a lot more forgiving in that regard. My challenge was that I did not have any other Z lens or the adapter at hand to convert my DSLR lenses.
I have always found that my best images often are a product of some kind of constraint, and it was no different this time when I found myself at convict lake on a freezing morning. The wind made me think twice about getting out of the car. But, finally, the warm glow on the mountain top and the frozen-over lake won over, and I got out with my new toys at hand. Since it was so cold, I limited the gear I took with me and ventured out with just the Z6 and the 14-24. Again, I was surprised by how well the mirrorless system responded to handheld shooting, even in low light conditions. The freedom to shoot without a tripod allowed me to get closer than I usually would, and the results were better than I had ever expected.