just 120
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Out and about with my Zeiss Ikon Nettar, 120 medium format camera, along with my Panasonic pocket all in one camera.
This being only the Panasonic photo as couldn't get a good composition for the square format.
Prestwick beach again.... remains of some old pipe stanchions.
My daughter making sure that we hadn't missed any "new topographics" before we concluded our harbor photo stroll and went for ice cream.
Hasselblad 500C/M + 80mm
Kodak T-MAX 400 (@250)
Adonal 1+50 (8:30 min)
Zeiss ikon 207/3 Maximar
Kentmere 400 120 medium format film
developed with HC110 dilution e 1+47 9 mins at 20 celcius
Digitised with Nikon D700
Tamron 90mm f/2.5 macro
Valoi medium format film holder
Pixl-Latr
Affinity Photo 2
Rollei Retro 400S 120 Medium Format
Agfa Isolette I
HC110 1+31 dilution B 6 minutes at 20 celcius
Nikon D700
Valoi Film Holder
Pixl-Latr
A5 size led light pad
Affinity Photo 2
Ce porche est l'ancienne poterne d'un château aujourd'hui disparu et transformé en ferme fortifiée par la suite. On remarquera la construction très soignée de l'édifice qui alterne brique et pierre de taille calcaire ainsi que des motifs en silex. Dans les années 1980 il était prévu de le raser mais les coûts de démolition en ont dissuadé le propriétaire.
This porch is the old postern of a castle that has now disappeared and was later transformed into a fortified farm. The very careful construction of the building is noteworthy, alternating brick and limestone ashlar as well as flint motifs. In the 1980s, it was planned to raze it, but the demolition costs dissuaded the owner.
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Zeiss Ikon Ikoflex IIa
Objectif Zeiss Opton Tessar 75mm F3.5
Pellicule Catlabs X film 100 color
Développement en kit Cinestill CS41
Film: Rollei Infrared 400
400iso
Format: 120 Medium Format 6x6
No Crop. DIY Infrared Filter (see here for a how to make one www.flickr.com/photos/lisa-frattaroli/54591248931/in/date...) No Post Editing. NOT A.I!
Camera: Yashica Mat (1960s)
Lens: Yashinon 80mm 1:3.5
Metering: Sunny 16 Rule +4 stops
F16 + 1/500 = F16+ 1/30.
Tripod and Shutter Release Cable
Development:
Kodak D76. 10.50mins, 20C, Stock (no dilution), Tilt x 5 agitation for first 10secs of every minute.
Ilford Fixer 3.5mins
Ilford Wetting Agent (a few drops)
Film: Rollei Infrared 400
400iso
Format: 120 Medium Format 6x6
I've been at it again with the Rollei Infrared 400, but in medium format this time. I can't describe how much I am in love with this film. I want to shoot it all the time. I've never felt that way about a film before lol. I also just want to live inside the magical results it delivers.
This shot was the only one I took of this magnificent oak tree in a field full of wheat so I'm very pleased. Afterwards I lay resting in the shade it provided from the hot sun and it truly felt like heaven on earth. So so peaceful. Not another living soul around...
No Crop. DIY Infrared Filter (see here for a how to make one www.flickr.com/photos/lisa-frattaroli/54591248931/in/date...) Dust spec removal only, in Photoshop.
NOT A.I!
Camera: Yashica Mat (1960s)
Lens: Yashinon 80mm 1:3.5
Metering: Sunny 16 Rule +4 stops
F16 + 1/500 = F16 + 1/30
Tripod and Shutter Release Cable
Development:
Kodak D76. 10.50mins, 20C, Stock (no dilution), Tilt x 5 agitation for first 10secs of every minute.
Ilford Fixer 3.5mins
Ilford Wetting Agent (a few drops)
I imagine this to be a shepherd's hut, off a main road in Ceredigion. I have photographed it several times, sometimes successfully, sometimes less so. This a little more than most. This comes from one of those rolls of film on which half the roll is double or triple exposures - clumsy and silly, sometimes pretty, but mainly a little frustrating.
Shepherd's Hut, Ceredigion. Zeiss Ikon Nettar 6x9, Ilford Delta 400, 510 Pyro.
Flexaret 5a | Ilford HP5 Plus B&W 400
The Flexaret 5a is a twin lens reflex camera which shoots either 35mm or 120 film. In this case I shot 120, medium format film.
Film: Rollei Infrared 400
400iso
Format: 120 Medium Format 6x6
No Crop. DIY Infrared Filter (see here for a how to make one www.flickr.com/photos/lisa-frattaroli/54591248931/in/date...) Dust spec removal only, in Photoshop.
NOT A.I! Not even the moon!
Camera: Yashica Mat (1960s)
Lens: Yashinon 80mm 1:3.5
Metering: Sunny 16 Rule +4 stops
F16 + 1/500 = F16 + 1/30
Tripod and Shutter Release Cable
Development:
Kodak D76. 10.50mins, 20C, Stock (no dilution), Tilt x 5 agitation for first 10secs of every minute.
Ilford Fixer 3.5mins
Ilford Wetting Agent (a few drops)
Camera: Rolleicord Vb (1962) with 16 exposure transport mechanism producing 16 pictures 4,5x6 cm on a 120 roll
Lens: Schneider-Kreuznach Xenar 3.5/75mm
Film: Kodak Gold 200 120 medium format
Developed in Rollei Colorchem C-41 Kit
Um Zeit zu sparen, habe ich zwei 120er Filme hintereinander auf eine Spule meiner Entwicklungsdose gespult und sie im C-41-Prozess entwickelt. Leider hat sich der zweite Film unter den ersten geschoben, und als ich die Dose öffnete, waren die Filme zusammengeklebt und nicht vollständig entwickelt. Ich habe sie trotzdem eingescannt und bearbeitet.
Dieses Bild ist aus dem Film, der weniger Fehler aufwies als der andere, aber an den Fehlern im Himmel und den falschen Farben kann man erkennen, dass da etwas schiefgelaufen ist.
To save time, I wound two 120 films one after the on one spool of my developing tank and developed them in the C-41 process. Unfortunately, the second film pushed under the first, and when I opened the tank, the films were stuck together and unsufficiently developed. I still scanned and edited them.
This picture is from the better of the two films, but if you look at the marks in the sky and the somewhat off colors you can see that something went wrong.
This is The Shambles in York, England. Yeah, you seen it before. Proberbly the most photographed street in Europe. One more could not hurt anymore, right? I shot this with my Mamiya 7ii and Fuji Acros II.
Hope you like it.....Cheers, Jonny
Mamiya 7ii
Mamiya N 80mm f4 L
Fujifilm Acros II @ISO100
120 medium format film
Tiffen Black Pro-Mist 1/8
Rodinal 1:100 (stand dev for one hour)
Epson V850
Negative Lab Pro
Lightroom
Le château (XIe-XIIe s.) se présente sous la forme d'un donjon ruiné situé sur une île au milieu d'un étang faisant office de douves. On y accède librement par une longue passerelle.
montjoye.net/coulommiers-la-tour
Zeiss Ikon Ikoflex IIa
Objectif Zeiss Opton Tessar 75mm F3.5
Pellicule Kodak Portra 160
Développement en kit Rollei Colorchem C41
ou dolmen de Mané-Groh à Erdeven
fr.wikipedia.org/wiki/Dolmen_de_Man%C3%A9-Groh
www.megalithic.co.uk/article.php?sid=9228
Zeiss Ikon Ikoflex IIa
Objectif Zeiss Opton Tessar 75mm F3.5
Pellicule périmée Kodak Portra 400 VC
Développement en kit Rollei Colorchem C41
I don't shoot much color negative films these days (despite havin a freezer full with it). I have always loved the look from Portra's, Cinestill etc. And most people always get great photos and results with it. Its funny, but I guess I dont use it much because I dont feel it fit my portfolio any more. Guess we find our style and preferences. I just "rambeling" here. Do you feel the same way? Or do you "don't give a f@ck" and shoot what fit the scenes best?
I shoot this with my Mamiya 7ii and Lomography Turquoise.
Båstnäs, Sweden
Mamiya 7ii
Lomography Turquoise
120 medium format
Dev; Jobo C-41 kit
Developed and scanned at home
rolleiflex k4/50 - tessar - foma400 - ro9 12"@20degrC - epson3200
boys holding a canon p and an agfa ambi silette
A photograph from one of the hidden spaces of the Bodleian Libraries taken on my first roll through this camera. I do not often take photographs in my workplace, but this one needed taking, and I was leaving. And the result is ... too good not to share. The developing went a little awry, it seems, with a few streaks; I assume and hope it is not a light leak ... However, in this instance, I like the effect rather a lot, as well as the high contrast of this film, in the context.
Looking out of the Bodleian Library, 2021. Zeiss Ikon Nettar 10.5cm Novar Anastigmat 4.5. Rollei Superpan 200 developed in ID-11.
If you like my photographs, please consider buying a print at my website, captures.life. I haven't yet finished building the site and putting in all of the terms and conditions and policies, but the bits that involve buying a print, having it delivered, and contacting me if anything isn't working or goes wrong are functioning just fine...
Camera: Rolleicord Vb (1962) with 16 exposure transport mechanism producing 16 pictures 4,5x6 cm on a 120 roll
Lens: Schneider-Kreuznach Xenar 3.5/75mm
Film: Kodak Gold 200 120 medium format
Developed in Rollei Colorchem C-41 Kit
Meine erste Rolle des neuen (einigermaßen bezahlbaren) Kodak Gold 200 Mitteformatfilms. Ich bin ziemlich beeindruckt von den warmen und dennoch recht natürlichen Farben. Entwickelt habe ich den Film mit dem Rollei Colorchem C-41 kit, digitalisiert wurde er mit einer Sony 7R Vollformat-kamera und am Computer aufbereitet mit meinem Standardprozess im Programm Pixelmator Pro. Mehr war nicht nötig, um diese Farben zu bekommen, die mir persönlich sehr gut gefallen.
My first roll of the new (rather affordable) Kodak Gold 200 film for 120 format - i am quite impressed by the warm and accurate colors! I developed it myself using the Rollei Colorchem C-41 kit, digitized the negatives with a Sony 7R and a Minolta 50 mm Macro lens and treated the negative-scans with my standard procedure in Pixelmator Pro. No further digital tweaking was necessary to get the results i like.