120 NYC
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IN ENGLISH BELOW THE LINE
Ningú havia vist aquestes fotos fins ara, sobretot els que les varen fer. Fins que jo les he revelat ara.
Aquesta éra la única foto reconeixible d'un rodet format 120 d'origen sovietic que vaig trobar dins una igualment sovietica KMZ Moskva-4.
S'anomena "found film" a aquelles fotografies en pel•licula o placa que es troben sense revelar dins càmeres velles o per altres racons. La gracia és que ningú ha vist mai aquestes fotografies.
Aquest rodet prové un conjunt comprat a algú de Kyiv, actualment Ucraïna, però aleshores dins de la URSS, encara.
Aquest rodet, de format 120, està marcat com a SMEVA Foto-65, emulsió que es fabricà entre 1986 i 1990, pel que les fotos han de datar d'aquells anys. El vaig revelar amb HC110 durant 4:30 minuts.
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No one had seen these photos until now, especially those who took them. Until I revealed them now.
The only picture taken with this Soviet 120 format film, which I found inside a KMZ Moskva-4 camera.
It's called "found film" to those photographs on film or plate that are undeveloped in old cameras or in other corners. The funny thing is that no one has ever seen these photographs.
This reel is from a set bought from someone in Kyiv, now Ukraine (as all you know), but then in the USSR. Maybe these girls are from arround there.
This film roll, in 35mm format, is marked as SMEVA Foto-65. This emulsion was manufactured in the USSR from 1986 to 1990. I developed it with HC110 for 4:30 minutes.
Pentax 645, Kodak Portra 120 format film, ISO 160, SMC Pentax-A 75/2.8 @ f3.5 - 1second with tripod.
This was the first time ever using a Holga and 120 format film. I was not expecting very good results but I didn't expect them to be this good. You almost can't even tell this was taken with a Holga. Super proud of myself. What fun Holgas are!
After my father's death, I saved all his black-and-white negative 120 format films from a Lubitel camera. I recently decided to digitize these films with my Olympus camera. In the photo, I am with my father on the Black Sea beach in Adler.
IN ENGLISH BELOW THE LINE
Foto feta amb una Graflex Auto Jr., fabricada entorn 1914-1924; xassis porta-pel·licula de 120 marca Riteway; Ilford Ortho+ 80, revelat amb Rodinal.
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Picture taken with a Graflex Auto Jr., made c.1914-1924; Riteway 120 format film back; Ilford Ortho+ 80, developed with Rodinal.
This shot was taken on the same day as the last image from the falls (back in February). I only recently developed the film.
Camera: Zenza Bronica ECTL 6x6 Medium Format film camera
Lens: Nikkor 75mm F2.8
Film: Kentmere 100
Format: 120
Exposure: f/11, 1/4sec
Filter: Gobe (Urth) Circular polariser
Digitised: mirrorless camera and macro set-up.
Developed: 510-pyro 1:500 dilution, semi-stand 60min @20C
Yeah, I totally stole the lyrics from Thee Mr Hendrix, for the title because I have always loved that guy's music, and the riff from the song immediately came and got stuck in my head and it wasn't budging. And well every other title I thought of just sounded well crap in my head in comparison. Obviously. haaha.
Kodak Portra 400, Expired 2006
120 Format Film
No Crop, No Filter. Slight decrease in brightness in Photoshop.
I don't know what the light flares are (yet!) from because I put new lightseals in the camera. Assuming it is loss of sensitivity in the emulsion of 20 year old film and therefore uneven in development. I dig the effect though :D
Rolleiflex Automat Model 2 1938
German Camera made Pre World War II
External Light Meter:
Weston Master 5
Shot film at -2 stops less than metered to let more light in.
f3.5 1/125
Focal Depth of Field Distance 0.8m-0.85m It was super tight. Focussed on that taller flower through the very merky focussing screen. Seemed to of got lucky :)
Home developed in Bellini C41 Kit
The next piece of my learning film project was to home develop a roll of 120 format film. I headed off to the little town of Shannon, not too far away from home to see what I could find!
This DC-3 for many years was at Mangaweka as part of a service station / cafe complex but has since been moved to Shannon where it now sits looking rather unloved! A recent newspaper story tells some of it's history: www.stuff.co.nz/travel/news/300923636/for-85000-you-can-f...
Pentax 645N
Pentax-FA 645 45-85mm
Ilford 120 HP5 Plus 400
Cinestill DF96 / 6 mins @ 27deg C
Camera Scanned
Sony A7M3 / SEL90M28 Macro
Essential Film Holder
Kaiser Copy Stand
Converted in Negative Lab Pro
© Dominic Scott 2024
A medium format film shot, Pentax 645, Kodak Portra 120 format film, ISO 160, SMC Pentax-A 120 mm at f8/2 sec.
Shot on Rollei 400 Infrared 120 format film, in Oviedo, Florida. Spanish moss hanging from oak tree branches.
This English Purma camera uses 127 film, has a single stop f/6.3 lens with fixed focus but 3 shutter speeds. There is no dial or lever; shutter speeds are a function of how the camera is held. Horizontal gives 1/150, left side up vertical is 1/25 and right side up vertical is 1/500.
Frank's Mill, Fayetteville, Georgia. Film split from Ilford FP4+ 120 format film.
Pentax 645, SMC Pentax-A 75/2.8, Ilford Delta 120 format film, ISO 100, f3.5 - 1/60, Epson V500 scanner.
Displayed in our hallway.
Shot with Pentax 645, SMC Pentax-A 75/2.8, Ilford Delta 120 format film, ISO 100, f11 - 2.
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Shot on Konica Pan 100 at EI 100.
Black and white negative film in 120 format shot as 6x6.
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Read on at: emulsive.org/photography/medium-format/look-to-the-skies-...
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Filed under: #Mediumformat, #Photography, #120FormatFilm, #2018March, #6X6, #BlackAndWhiteNegativeFilm, #EI100, #EMULSIVEDailyPhoto, #Hasselblad, #Hasselblad2000FCW, #HasselbladPlanarF80MmF28, #ISO100, #Konica, #KonicaPan100
#shootfilmbenice #filmphotography #believeinfilm
Joshua tree north of Park Blvd in late afternoon light; handheld Mamiya M646 with Mamiya Sekor C 150mm f/3.5 lens and Yellow Y52 filter on Kodak Tri-X 120-format film
I don't recall which lookout this was taken from, only that I was walking back from the Empress Falls. It was still early morning and I was looking forward to a coffee and some breakfast.
Camera: Zenza Bronica ECTL 6x6 Medium Format film camera
Lens: Nikkor 75mm F2.8
Film: Kentmere 100
Format: 120
Exposure: f/11, 1/60sec
Digitised: mirrorless camera and macro set-up.
Developed: 510-pyro 1:500 dilution, semi-stand 60min @20C
IN ENGLISH BELOW THE LINE
Foto feta amb una Graflex Auto Jr., fabricada entorn 1914-1924; xassis porta-pel·licula de 120 marca Riteway; Ilford Ortho+ 80, revelat amb Rodinal.
Antigament, a Perafita hi havia força industria textil, tot i ser un poble principalment agricola. Aquesta és de les darreres fàbriques que funcionaren. Encara recordo sentir-ne els telers.
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Picture taken with a Graflex Auto Jr., made c.1914-1924; Riteway 120 format film back; Ilford Ortho+ 80, developed with Rodinal.
I still remember the sounds of this tiny textile factory, back in the 80's.
Vista frontal de l'obturador Eastman Triple Action, que permetia fer fotos instantanies a tres velocitats, fotos en mode B i en mode T. Per a més detalls, passeu el ratolí per sobre la foto.
La Kodak No.4 Folding Cartridge fou una càmara de carret extremadament gran (format 104), produida per Kodak entre 1897 i 1907. Hi ha dos subvariants bàsiques la de fusta i la metal·lica. El canvi es produí el 1900. Per tant, aquesta d'aquí fou produida entre 1898 i 1900 (la camara compta amb una patent datada el 1898 en el seu interior). El disparador de pera és una imitació moderna. L'obturador és un Eastman Triple Action.
De fet, el format 104 que emprava aquesta càmara és tant gran que les imatges son de 4x5 polzades, és a dir de gran format encara en ús avui en dia. Aquest fet em feu provar (amb exit) que es poden fer fotos amb fulls de pel·licula de 4x5. En cambra fosca els enganxo amb petites tires de cel·lo en el pla focal, i cobreixo la part posterior amb una cartolina negra, De tota manera, provaré de fer adaptadors per a format 120 i així poder disparar de forma més comode (cada canvi de 4x5 és molt pesat, incloent cambra fosca).
www.earlyphotography.co.uk/site/entry_C388.html
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A frontal view of the Eastman Triple Action shutter of the Kodak No.4 Folding Cartridge. There's more information in the image itself with the mouse.
This is a late-XIX Century Kodak camera, the No.4 Folding Cartridge. It was a roll film camera, using the inmense 104 format. This camera was produced from 1897 to 1907, in wood till 1900 and all metallic afterwards. Also this model indicates a certain patent for 1898, so it's clear that it was produced between 1898 and 1900. It's my first XIX Century camera, and it works!!!
The shutter is a beautiful Eastman Triple Action (the rubber bulb is a modern reproduction).
The fact that the 104 format is so large is that it produces exactly 5x4" negatives, exactly the same as the current large format sheets. The explanation is that these cameras could be fitted with a glass plate back for such format. But now i've used this characteristic to shoot with exit 4x5 film sheets, stuck with tape to the focal plane and backed with black cartboard.
Anyway the system is extremely cumbersome, using a dark room to load and unload each picture, so I'll try to adapt spools to take 120 format film.
www.earlyphotography.co.uk/site/entry_C388.html
redbellows.co.uk/CameraCollection/Kodak/No4CartridgeKodak...
Innsbruch, Austria.
27/06/18.
Zeiss Ikonta 523 camera.
Ilford HP5+ 400 120 format film, 6 X 6.
Developed by me.
Rodinal 1+50, 11 mins, 20C, water stop, Fomafix p, spiral tank.
Scanned with Epson Scan V550.
Adjusted in DXO Photolab.
115 011
Stainburn Forrest Near Harrogate.
3/4/17
Voigtlander Perkeo II.
Ilford HP5+ 400 120 format film.
Developed by Ilford Labs.
Scanned with Epson Scan V550
046011.
Seat and Tree, Ilkley Moor.
18/5/17
Taken with Yashica Mat with yellow filter.
Ilford HP5+ 120 format film.
Developed myself in Rodinal 1 + 50 11 Mins at 20C.
Ilfostop.
Adofix.
Scanned with Epson V550.
Adjusted in Lightroom.
054002.
United Reformed Church at Saltaire Shipley West Yorkshire.
26/10/18
Rolleicord V camera.
Ilford HP5+ 400 120 format film, 6 X 6.
Developed by me.
Rodinal 1+50, 11 mins, 20C, water stop, Fomafix p, spiral tank.
Scanned with Epson Scan V550.
Adjusted in Darktable running under Linux Mint.
134006.
Trees.
Taken in Alpbach, Austria.
1/7/18
Yashica Mat TLR camera with yellow filter
Ilford HP5+ 400 120 format film, 6 X 6.
Developed by me.
Rodinal 1+50, 11 mins, 20C, water stop, Fomafix p, spiral tank.
Scanned with Epson Scan V550.
Adjusted in DXO Photolab.
121009.
I've been experimenting with medium format film photography lately. This image was shot on the same location and day as the previous digital shot on my stream.
Camera: Zenza Bronica ECTL 6x6 Medium Format film camera
Lens: Nikkor 75mm F2.8
Film: Fujifilm Pro 400H (expired 05/2023)
Format: 120
Exposure: f/11, 1/4sec
Filter: Gobe (Urth) Circular polariser
Digitised: mirrorless camera and macro set-up.
Developed: C41 @ Sydney Super8 Photo Lab
Explored @ # 488, 20th April 2024
El cementiri de l'illa de Gasvaer, a la deserta illa del mateix nom, aillada a les ribes del Oceà Àrtic
Per la ocasió especial d'anar al Artic en ple hivern vaig volguer aprofitar per fer fotografies el més similars possibles a les que feu Frank Hurley durant la famosa expedició de Shackleton a l'Antartida el 1914-1916, en la qual quedaren atrapats en el gel i en la inhospita illa Elefant. En un primer moment volia portar una Kodak No.3A Folding Pocket identica a la que sembla que portà Hurley, però despres vaig cambiar de parer. En primer lloc, la majoria de cameres Kodak d'aquella època empraven formats de pel·licula enormes, que fa dècades que no es fabriquen. Es poden fer servir emprant rodets de format mitjà 120 i uns adaptadors. Però el problema és que, donat que només aprofites part de la imatge que la càmera proporcionaría, en la pràctica això significa que l'objectiu passa a ser un tele, i es fa molt dificil fer fotos ben centrades, especialment amb aquestes cameres sense visors fiables. En segon lloc, també havia de pensar en la resta de gent i ja portava prou equipament fotogràfic com per portar una camera força grossa com és la KFP 3A. Així que em vaig decidir per la "germana petita", la FPK 1A Special. La pel·licula format 120 és quasi igual que la que emprava i és molt més facil de portar, sobretot en entorns dificils com és una lanxa motora en ple Artic.
Foto presa amb la meva Kodak Folding Pocket No.1A Special, fabricada el 1911; pelicula Rollei Ortho 25 @50 revelada amb R09 One Shot (Rodinal).
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The cementery of Gasvaer island, a lonely and uninhabited island on the coast of northern Norway.
For the special occasion of a trip to the Artic in the middle of the winter I wanted to take photographs as similar as possible to those that Frank Hurley did during the famous expedition of Shackleton to the Antarctica in 1914-1916, in which they were trapped in the ice and the inhospitable Elephant island.
Initially I wanted to bring a Kodak No.3A Folding Pocket identical to what Hurley used, but then I changed my mind. First of all, most Kodak cameras of that time used huge film formats, which have not been manufactured for decades. They can be used using 120 medium format film and some adapters. But the problem is that, since you only take advantage of part of the surface of the image that the camera would provide, in practice this means that you are using a telephoto, so it's difficult to use a camera without reliable viewfinders. Secondly, I also had to think about the rest of the people and I already had enough photographic equipment to bring a pretty large camera like the KFP 3A. So I decided on the "little sister", the FPK 1A Special. The 120 format film is almost the same as the one it used and is much easier to carry, especially in difficult environments such as a motor boat in the Artic.
Photo taken with my Kodak Folding Pocket No.1A Special, manufactured in 1911; Rollei Ortho 25 @ 50 film developed with R09 One Shot (Rodinal).
White Wells, Ilkley Moor.
18/5/17
Taken with Yashica Mat with yellow filter.
Ilford HP5+ 120 format film.
Developed myself in Rodinal 1 + 50 11 Mins at 20C.
Ilfostop.
Adofix.
Scanned with Epson V550.
Adjusted in Lightroom.
054001.
Pentax 645, SMC Pentax-A 120/4, Kodak Portra 120 format film, ISO 400, f4 - 1/125, Epson V500 scanner.
Road bridge over Springs Branch of Leeds Liverpool canal, Skipton.
23/4/17
Yashica Mat TLR.
Ilford HP5+ 400 120 format film.
Developed by me.
Rodinal, 1+50, 11 mins, 20C, Fomafix P, spiral tank.
Scanned with Epson Scan V550
049001.
Mamiya c33
Mamiya Sekkor 80mm f2.8
Redscaled Kodak Vericolor 160 - 7 years expired
My first experience redscaling 120 medium format film. It was funny trying to put the film upside back, taking into account that the black paper is on the back of the film along the whole roll. The film got scratched on some areas, but who cares, it was just a first test!
Besides that, i got problems exposing. On my other redscales, with 35mm agfa ultra color 100 film, I used the rule of overexpose one step, exposing as if 50asa film. But this rule doesn't work out with 120 vericolor expired (from 1999) film. I don't really know if its due to the long expiration date, or maybe about the kind of film itself, or just that the 120 format film has a darker orange mask, but the fact is that to get this exposure of this shot, which seems aproximately correct, i need to overexpose 3 steps!!
I was just making a test, so many other shots are really underexposed; but I rather like redscale contrast, even when underexpose, and these other shots have turned out well converted to black and white.
I'll be uploading some other shots from this same roll in these days.
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Mi primera prueba de usar la técnica redscale (escala de rojos), con película de medio formato de 120mm. En el trago de darle la vuelta al rollo (usando manos, pies y boca; y totalmente a oscuras...imaginaos la situación!), ya que el papel de atrás a lo largo de todo el rollo complica un poco el tema, rayé un poco el rollo, haciéndole como unas muesquitas o algo así. Pero bueno, total, es el primer rollo de prueba.
Aparte de eso, tuve problemas con la exposición. En los otros redscale que he hecho, con película agfa utlra color 100 de 35mm, usaba la regla de sobreexponer un paso; pero esta regla no es aplicable en este caso. No sé si es debido al tipo de película, a que estaba caducado desde hace tiempo (1999), o simplemente porque este formato tenga una máscara anti halo más opaca,.. Pero vamos, en conclusión, en esta foto, que parece más o menos correctamente expuesta, tuve que sobreexponer ¡¡¡3 pasos!!!
Como se trata de un rollo de prueba, algunas fotos están bien expuesta, pero otras (la mayoría) están bastante subexpuestas. Pero en general me gusta el contraste que da ésta técnica, incluso si están subexpuestas; y quedan bastante aparentes convertidas a blanco y negro.
Seguiré subiendo más fotos de este primer rollo redscale de 120mm en los próximos días.
Knaresborough viaduct.
09/08/18
Rolleicord V camera with yellow filter and lens hood.
Ilford HP5+ 400 120 format film, 6 X 6.
Developed by me.
Rodinal 1+50, 11 mins, 20C, water stop, Fomafix p, spiral tank.
Scanned with Epson Scan V550.
Adjusted in DXO Photolab.
128002.
IN ENGLISH BELOW THE LINE
Foto feta amb una Graflex Auto Jr., fabricada entorn 1914-1924; xassis porta-pel·licula de 120 marca Riteway; Ilford Ortho+ 80, revelat amb Rodinal.
Aquesta doble exposició expressa fa temps que la tinc al cap, tot i que reconec que he "robat" la idea. Però veig que encara em falta afinar l'equilibri d'exposicions en ambdues imatges.
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Picture taken with a Graflex Auto Jr., made c.1914-1924; Riteway 120 format film back; Ilford Ortho+ 80, developed with Rodinal.
First trials for a double exposure image I have in mind, although I must confess that I've "stealed" the idea. Still long way to go adjusting the balance of lights between the two images.
Gate, Ilkley Moor.
18/5/17
Taken with Yashica Mat with yellow filter.
Ilford HP5+ 120 format film.
Developed myself in Rodinal 1 + 50 11 Mins at 20C.
Ilfostop.
Adofix.
Scanned with Epson V550.
Adjusted in Lightroom.
054007.
Cowpers Cross, Ilkley Moor.
22/5/17
Taken with Yashica Mat with yellow filter.
Ilford HP5+ 120 format film.
Developed myself in Rodinal 1 + 50 11 Mins at 20C.
Water Stop.
Adofix.
Scanned with Epson V550.
Adjusted in Lightroom.
057001