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I've had a rough last couple of weeks, I overreacted and deleted my Flickr account without thinking it through, I didn't realize the impact it would have on others and I am truly sorry to all of you who enjoyed seeing my work.
I am grateful for Flickr to work with me to get my account recovered from my silly mistake. It definitely helped to put some trust back in Flickr known that could help me where most places wouldn't even care to.
Again, I am truly sorry.
Film: Rollei Infrared 400
400iso
Format: 120 Medium Format 6x6
No Crop. DIY Infrared Filter (see here for a how to make one www.flickr.com/photos/lisa-frattaroli/54591248931/in/date...) Highlights brought back up in Photoshop to show detail in the foreground hedge. Image was underexposed by 1/2 stops. I was trying to balance foreground shade (details), depth of field(distance), and cow munching on her bed of hay and moving (shutter speed). Couldn't have it all like some greedy cow. haha.
NOT A.I!
Camera: Yashica Mat (1960s)
Lens: Yashinon 80mm 1:3.5
Metering: Sunny 16 Rule +4 stops
F11 + 1/500 = F11+ 1/30 . F8 +1/30 would of been a better exposure.
Tripod and Shutter Release Cable
Development:
Kodak D76. 10.50mins, 20C, Stock (no dilution), Tilt x 5 agitation for first 10secs of every minute.
Ilford Fixer 3.5mins
Ilford Wetting Agent (a few drops)
Film: Rollei Infrared 400
400iso
Format: 120 Medium Format 6x6
No Crop. DIY Infrared Filter (see here for a how to make one www.flickr.com/photos/lisa-frattaroli/54591248931/in/date...) No Post Editing. NOT A.I!
Camera: Yashica Mat (1960s)
Lens: Yashinon 80mm 1:3.5
Metering: Sunny 16 Rule +4 stops
F16 + 1/500 = F16+ 1/30.
Tripod and Shutter Release Cable
Development:
Kodak D76. 10.50mins, 20C, Stock (no dilution), Tilt x 5 agitation for first 10secs of every minute.
Ilford Fixer 3.5mins
Ilford Wetting Agent (a few drops)
Film: Rollei Infrared 400
400iso
Format: 120 Medium Format 6x6
I've been at it again with the Rollei Infrared 400, but in medium format this time. I can't describe how much I am in love with this film. I want to shoot it all the time. I've never felt that way about a film before lol. I also just want to live inside the magical results it delivers.
This shot was the only one I took of this magnificent oak tree in a field full of wheat so I'm very pleased. Afterwards I lay resting in the shade it provided from the hot sun and it truly felt like heaven on earth. So so peaceful. Not another living soul around...
No Crop. DIY Infrared Filter (see here for a how to make one www.flickr.com/photos/lisa-frattaroli/54591248931/in/date...) Dust spec removal only, in Photoshop.
NOT A.I!
Camera: Yashica Mat (1960s)
Lens: Yashinon 80mm 1:3.5
Metering: Sunny 16 Rule +4 stops
F16 + 1/500 = F16 + 1/30
Tripod and Shutter Release Cable
Development:
Kodak D76. 10.50mins, 20C, Stock (no dilution), Tilt x 5 agitation for first 10secs of every minute.
Ilford Fixer 3.5mins
Ilford Wetting Agent (a few drops)
Abandoned propane sales office in Lovejoy, Georgia
Holga 120N camera, 720nm infrared filter and Catlabs 320 Pro film, pushed to ISO 1600
Kodak Portra 160
120 format
1955 Foitzik Trier
6x6 Folding Camera
Foinar 1:4.5
75mm
Made In Germany
No Crop, No Filter, No Post Edit.
f8 1/60 Metering via Sunny 16 rule and my head.
Golden Hour
Handheld
Parallax viewfinder. Completely Manual (guessing) Focus by estimation of distance in feet from camera lens.
Developed in Bellini C41 Kit.
Film: Kodak Porta 160
Format: 120
No idea why the Portra colours of the water look different in the two shots I took of this scene. I have uploaded both of them. I now have two pictures that look a little different which is a nice surprise. I do forever like the surprises film gives me.
Slight Crop, No Filter. No Post Editing.
NOT A.I. Just All My Mess :)
Camera: Yashica Mat (1960s)
Lens: Yashinon 80mm 1:3.5
F11 1/125
Metering: Sunny 16 Rule
Developed in Bellini C41 Kit
Film: Rollei Infrared 400
400iso
Format: 120 Medium Format 6x6
No Crop. DIY Infrared Filter (see here for a how to make one www.flickr.com/photos/lisa-frattaroli/54591248931/in/date...) Dust spec removal only, in Photoshop.
NOT A.I! Not even the moon!
Camera: Yashica Mat (1960s)
Lens: Yashinon 80mm 1:3.5
Metering: Sunny 16 Rule +4 stops
F16 + 1/500 = F16 + 1/30
Tripod and Shutter Release Cable
Development:
Kodak D76. 10.50mins, 20C, Stock (no dilution), Tilt x 5 agitation for first 10secs of every minute.
Ilford Fixer 3.5mins
Ilford Wetting Agent (a few drops)
Enter at your peril, and end up in a novel...
Film: Harman Phoenix 200iso
shot at 50iso. To my eyes, I couldn't tell much difference in the grain so, I might as well shoot at box speed of 200iso next time.
Format:120
6x6
No Crop, No filter, No Post Editing. All Phoenix magic.
f11 1/250
Camera: Yashica Mat
Lens: Yashinon 80mm 1:3.5
Light meter: Weston Master V
Metering: Metered in the shadows. Shadows still turned out dark but, I like that about Phoenix and expected it. I wanted creepy. I love creepy haha! Also shooting at 50iso out of curiosity probably didn't help :/
Developed in Bellini C41 Kit.
Lucca,
Rolleiflex T2+ Hellgelb
FP4 +125 in
SD:
15 Min 21°, Rodinal 30 sek. gekippt, dann alle 30 sek. 1 mal
ohne Vorwäsche 1:50, Fixierer: 1:4 es waren aber nur ca. 90ml Negative leicht rötlich
Scan Epson V500
Simba and Nala perhaps (The Lion King)
Or Winnie and Piglet?! Or just some real in the flesh humans :)
Film: Kodak Portra 160iso
Format: 120
Camera: 1938 Rolleiflex Automat
Model 2 - Made in Germany
Lens: Carl Zeiss Jena Tessar 1:3.5
f5.6 1/200 Golden Hour
Metering via guessing in my head.
No Filter, No Post Editing. Slight crop for balanced centering of tree within frame.
Developed in Bellini C41 Kit
ein Geschenk für den dringenden benötigten Sozialen Wohnbau in der Seestadt vom "Beton Michl"
RF 6003 P 80mm
Fuji Neopan 400_2003:
SD: Rodinal 1:50 20°11Min+1Tropfen Restrainer:
Stopp m. Zitronensäure 1Min
Adofix 1:4
I photographed these two 50s classics in the West Bottoms district of Kansas City with a No. 2 Brownie model F box camera. The close car is a 1950 Packard and the far one is a 1958 Edsel Ranger. They both need some love, but it would be cool to see these beautifies back on the road some day. Image captured using Foma 100 film, developed with Xtol at 1:1.
I was sat on the hillside amongst a herd of cows, on a warm summer's Friday night overlooking the valley. With not another soul around. We had a great chat. This one in particular, she was a great listener :D
Don't worry I'm familiar with large animals. Country gal ;) Animals don't frighten me. And I always watch my back. Trust them far more than I do humans.
Film: Portra 160iso
120 Format
6X6
No Crop, No Filter, No Post Production.
Camera: Rolleiflex Automat Model 2, 1938,
German, Pre-World War II. 1:3.5.
F5.6 1/200 Metered in My head. 1 hour before Sunset.
Distance 10-12 ft away.
Developed in Bellini C41 Kit.
Film: Kodak Portra 160iso
Format: 120
A photo taken last summer.
No Filter. No Crop. Not A.I
Camera: 1938 Rolleiflex Automat Model 2 - German, Made Pre-World War II,
Lens: Carl Zeiss Jena Tessar Lens 1:3.5
f5.6 1/200
Metering via my head with Sunny 16 Rule.
Developed with Bellini C41 Kit
I still haven't got around to fixing the Rolleiflex film advance handle yet . Due to playing with other cameras. Hopefully before winter i shall have him fixed :D
San Juan, Puerto Rico
Mi Galeria en Color www.flickr.com/photos/samycolor
Mi Nueva galeria www.flickr.com/photos/scollazo/
Lubitel-2 (1955)
T-22 75mm F:4.5
Arista Edu 100
Lightroom 3
Nik Silver Efex Pro 2
SD: Ilford Delta 400
Rodinal 20° 3min Vorwaschgang+ 20min Rodinal / 1min Stopp Zitronensäure /5min Fixieren
Epson V500
inspiriert by: Ralf Haun
Original Größe
Texas Leica:
SD Kodak TMax 100@200 Expired??
10 Min Rodinal 20°
60/30 Stopp m. Zitronensäure
5min Fixieren
Fuji GSW 690 III 28mm
OOC direkt aus den V500
3200 16bit unscharf maskiert
Fazit: leider geil das Teil......
die Fuji gehört: www.flickr.com/photos/jschweigl/
na schau ma mal wie es weiter geht mit der Fuji:
ich habe noch ein paar ähnliche Bilder und eines das Johnny gemacht hat.
Er zeigte mir vor langer Zeit diese Kamera, er hat sie verkauft aber beim Transport dürfte sie einen Schaden genommen haben. Er bekam sie zurück und legte sie zu seinen vielen anderen Kameras.
Ich durfte sie testen und alles weitere werden wir sehen:
Fazit II: ich war ja schon von 6x6 begeistert aber 6x9 ist noch um einiges interessanter.
sie ist groß sie ist schwer ca 1,5kg und sie ist laut
sie ist eine Texas Leica
Film: Ferrania Orto 50 iso
Format: 120
6x6
No Crop, No Filter, No Post Editing. No f'kin A.I
Camera: Yashica Mat
Lens: Yashinon 80mm 1:3.5
Sunset. Backlit/backlight.
Metering: Weston Master 5
f3.5 1/50
Tripod
Manual Focus
Development:
Ilford Ilfotec DD-X 7.5 minutes 20c 1:5
Ilford Fixer 4.5 minutes
Ilford Wetting Agent 1 minute
Film: Kodak Portra 160iso
Format: 120
Camera: 1938 Rolleiflex Automat
Model 2 - Made in Germany
Lens: Carl Zeiss Jena Tessar 1:3.5
f8 1/200 Golden Hour
Metering via guessing in my head.
No Filter, No Crop, No Post Production
Developed in Bellini C41 Kit
Testing of the 'New' Yashica Mat (1960s).
Film: Kodak Portra 160iso
Format: 120
Camera: Yashica Mat (Mid 1960s) No in-built light meter.
Lens: Yashinon 80mm 1:3.5
f4 1/500
Development:
Bellini C41 Kit
I'm not sure if I regret my purchase or not. Time will tell. I'm a bit meh about it. The body and lens really are of cheaper quality than I would of expected. Especially disappointed in how the lens handled some lighting conditions. I pushed it to discover the flares are rather displeasing to my eyes in some test shots of golden hour across summer fields. Almost like how plastic lenses look with flares ..eeks! At least I won't be as precious about it as I would another Rolleiflex out and about in winter. At least the lens is all around sharp.
Anyway this is my best bud Bruce :) He means the world to me and sits in my little darkroom cupboard with me whilst i spool my film, test cameras, etc. He can be trained quite easily but I haven't managed to get him to develop film yet...
Encountered this dad and his sweet daughter at City Market in Kansas City yesterday. The young lady was riding in style in a remote control Mustang. They were a big hit with the people at the market. Image captured with my Mamiya C33 TLR using Kodak TMax 400 film. Developed using Rodinal at 1:100 semi-stand for 1 hour at 68/20.
Film: Kodak Portra 160iso
Format: 120
Camera: 1938 Rolleiflex Automat
Model 2 - Made in Germany
Lens: Carl Zeiss Jena Tessar 1:3.5
f4 1/50
It was a really yukky typical British overcast grey blanket sky. So the light was the worst.
1.5 hours before dusk.
Metering via Weston Master 5
No Filter, No Crop, No Post Production.
Developed in Bellini C41 Kit
Rolleiflex 6003 P 2.8 80mm
Fuji Neopan 400_2003:
Self Developed
Rodinal 1:50 20°11Min+1Tropfen Restrainer:
Stopp m. Zitronensäure 1Min
Adofix 1:4