Times are hard for dreamers - analogic
View allAll Photos Tagged 100iso
Film: Fuji 100iso Super G Plus Expired 11/1997
Camera: Canon A1
Shot: Mar.27,2015
F-stop: F11
Shutter: 1/125
Lens: 50mm
Location: Astotin Lake, Elk Island National Park, Alberta, Canada
..everyone is tired of the heat and is silent. No strength to speak. Very hot... From time to time someone says this already obvious phrase.. "..PANAS.. panaaas....!! " ("Heat..!")
West Irian, Papua New Guinea island. A representative of the dominant minority, a migrant from the island of Java, rests in the shade in the house of a Papuan from the Lani tribe. Such a picture is not single, fallow deer are open to communication.
Approximately like the inhabitants of the island of Cuba during the struggle for independence. They believe in Chegevara, Bob Marley, they are inspired by the ideas of justice, and they dream of becoming masters of their land. An extremely dangerous for them religion for today... Today, the Lani tribe has scattered around the island and, instead of hereditary tribal territories, and they stray in the lands of other Papuan peoples.
I shot this on Fuji Reala 100iso film, heavily damaged by the heat and fumes in these swampy rainforests, on Nikon FM2, 35mm series E lens.
Epson V600 scanned
a little more photos from Papua New Guinea in album here :
Leica M3 DS (1957), Summicron 35/f2, f/8, Fuji Provia 100F 35mm positive (Slide), Voigtlander VCII meter, metered for facade at +2
Film: Fuji 100iso Super G Plus Expired 11/1997
Camera: Canon A1
Shot: Mar.27,2015
F-stop: F11
Shutter: 1/250
Lens: 35mm
Location: Astotin Lake, Elk Island National Park, Alberta, Canada
Middletown, CT
I took this shot and the one before it during some flooding we had a couple weeks ago.
Film: Fuji 100iso Super G Plus Expired 11/1997
Camera: Canon A1
Shot: Apr.17,2015
F-stop: F1.4
Shutter: 1/4
Lens: 50mm
Leica M3 DS (1957), Summicron 50/f2, f/8, Fuji Provia 100F 35mm positive (Slide), Voigtlander VCII meter, placed clouds at +2
Leica M3 DS (1957), Summicron 35/f2, f/8, Fuji Provia 100F 35mm positive (Slide), Voigtlander VCII meter, placed bright concrete at +2
Leica M3 DS (1957), Summicron 35/f2, f/8, Fuji Provia 100F 35mm positive (Slide), Voigtlander VCII meter, sky at +2
Film: Fuji 100iso Super G Plus Expired 11/1997
Camera: Canon A1
Shot: Mar.27,2015
F-stop: F5.6
Shutter: 1/250
Lens: 70mm
Location: Astotin Lake, Elk Island National Park, Alberta, Canada
Film: Fuji 100iso Super G Plus Expired 11/1997
Camera: Canon A1
Shot: Mar.27,2015
F-stop: F11
Shutter: 1/250
Lens: 50mm
Location: Astotin Lake, Elk Island National Park, Alberta, Canada
Leica M3 DS (1957), Summicron 35/f2, f/8, Fuji Provia 100F 35mm positive (Slide), Voigtlander VCii, facade at+2
Leica M3 DS (1957), Summicron 35/f2, f/8, Fuji Provia 100F 35mm positive (Slide), Voigtlander VCII meter, facade at +2
An image of the Queens Park Suspension Bridge, and the River Dee, at the Groves, City of Chester, on a misty morning.
Chester is my home City, and I have never seen it look so beautiful.
1/125th second / F11 / 100iso / Sigma 17-200mm Lens @ 17mm
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Film: Shanghai GP3 100iso
120 film re-rolled on to 620 spools. I know I could of just bought the GP3 in 620 film rolls but it was already in the fridge and plus, who doesn't love a good excuse for a fumbling around in the darkroom! ;)
Camera: 1949 Uni-Fex (French) Bakelite. This camera took the Kodak 620 film rolls. Unusual for cameras at the time outside of the Kodak 620 family.
6x9 size negative
Double Exposure.
Shot 1: f16 and 6 seconds. And shot 2: f16 and 4 seconds. Decreased exposure time by a couple of stops from what was metered with Weston Master V. To get darker contrast in last of daylight/at dusk.
No Crop, No Filter, Black Mark/Splodge removal in Photoshop.
Tripod
No shutter release cable thread connector so all wobbly thumb's work.
Development:
Ilford Ilfotec-HC, 20c, 7.5 mins, 1+31
Ilford Fixer 4.5 minutes
Ilford Wetting Agent 1 minute
This Camera was not working when I bought it at a second hand market for £2. The mechanism was completely gunked up and rusted. So I took it apart . De-rusted the parts as much as I could. De-greased, Re-oiled and reassembled the camera. Put in a new red window for the frame counter cut from a plastic red semi-transparent make-up bag. There's a lovely hole in the remains of the bag now. Just as well I don't care for much make-up. haha!
The results from the camera are just as imperfect, creepy and plastic fantastic as I hoped they would be. Another camera saved from going in the landfill :)
PENTAX K-1 • Crop Mode • 100 ISO • Sigma Art 18-35mm F1.8 DC HSM
Metz Flash 52 AF-1 Digital with Ray-Flash Universal L ring adapter
Leica M3 DS (1957), Summicron 35/f2, f/8, Fuji Provia 100F 35mm positive (Slide), Voigtlander VCII meter, sky at +2.
I would go back to photograph this tree again, if only I had paid more attention at the time and made a note of where it was.
I only took the one shot of this, and didn't see the Crocodile head shaped cloud until i saw the scan...
'And the Crocodile Rocking was out of sight' La lalalala la lalalala
Film: Ilford Delta 100
Format: 120
6x6
No Crop, No Post Editing. Not A.I.
Camera:
Franka Solida III, folding camera with bellows. Made in West Germany, 1951+.
Lens:
Schneider-Kreuznach Radionar 80mm 1:2.9
Filter:
Orange Filter
Metering:
Sunny 16 Rule . Bright Sunshine + 1 stop to allow for light reduced using Orange Filter.
F16 and 1/100 but because I wanted to try the smallest aperture at F22 and an orange filter...
F22 and 1/50 became F22 and 1/25
Focus:
Manual. Distant scale guessing at 8 meters. I actually spent time to repair a vintage external hot shoe Hawk adjustable range finder ready to use when I would shoot this camera. And then forgot to take it with me on the day. Doh! haha
Tripod and Shutter Release Cable
Development:
Kodak D76. 11 Minutes, 20 Degrees C, Dilution 1+1.
Ilford Fixer. 3 Minutes.
Ran out of Ilford Wetting agent and had watermarks to deal with -Joy! :/
First time shooting this camera and I'm impressed with the all-round image sharpness of the Schneider lens at an aperture of F22.
A long exposure film photo of a small waterfall at Fairlie Burn taken on my Zeiss Ikon Nettar medium format film camera.
Leica M3 DS (1957), Summicron 35/f2, f/8, Fuji Provia 100F 35mm positive (Slide), Voigtlander VCII meter, metered for bricks at neutral + 1
Zeiss Ikon Super Ikonta A 530 4,5 x 6 cm, 1937
Fomapan 100@100 ISO
Moersch Eco Developer
Stand-developing 50 min.
DSLR scan
An old neighbours' cat is back on his favourite stool in front of the fireplace after having to be kept in a cage for 8 weeks to stop him jumping up on a pinned broken leg after an operation. The pin has now been removed and he is slowly enjoying his freedom again. During the time he was in the cage I would go with my cat (his best friend since they were kittens) and visit him to give moral support and cheer him up :) It's what true good friends do!
Film: Ilford Delta 100
Format: 120
6x6
No Crop, No Post Editing. No Filter. Dust spec removal in Photoshop. Not A.I.
Camera:
Franka Solida III, folding camera with bellows. Made in West Germany, 1951+.
Lens:
Schneider-Kreuznach Radionar 80mm 1:2.9
Metering: Weston Master V
F4 1/25
Focus:
Manual. Distant scale guessing at 8ft.
Lighting: Window light from the right of subject
Tripod and Shutter Release Cable
Development:
Kodak D76. 11 Minutes, 20 Degrees C, Dilution 1+1.
Ilford Fixer. 3 Minutes.
Ran out of Ilford Wetting agent and had watermarks to deal with -Joy! :/
This camera at the wide apertures is tricky. Really only a small area of focus with a lot of outer lens distortion. Got lucky with this one as it was the only shot i did.