View allAll Photos Tagged 100iso

Some artistic camera flinging at Deep Cove under the pier.

 

Shot at 1/8 second with Helios 44-2.

 

Film: Fuji 100iso Super G Plus Expired 11/1997

Camera: Canon A1

Shot: Mar.27,2015

F-stop: F11

Shutter: 1/125

Lens: 50mm

Location: Astotin Lake, Elk Island National Park, Alberta, Canada

Florida Keys

Weird exposure in a funny light

Beaubourg - Paris - France

Leica M3 DS (1957), Summicron 35/f2, f/8, Fuji Provia 100F 35mm positive (Slide), Voigtlander VCII meter, metered for facade at +2

Film: Fuji 100iso Super G Plus Expired 11/1997

Camera: Canon A1

Shot: Mar.27,2015

F-stop: F11

Shutter: 1/250

Lens: 35mm

Location: Astotin Lake, Elk Island National Park, Alberta, Canada

Beaubourg - Paris - France

Middletown, CT

I took this shot and the one before it during some flooding we had a couple weeks ago.

Gracias por comentar,un abrazo

Æ’/32.0 300.0 mm 1/13 100iso

Tulum - Mexico - M4-P - Kodak Ektar 100 iso

Leica M3 DS (1957), Summicron 50/f2, f/8, Fuji Provia 100F 35mm positive (Slide), Voigtlander VCII meter, placed clouds at +2

Film: Fuji 100iso Super G Plus Expired 11/1997

Camera: Canon A1

Shot: Apr.17,2015

F-stop: F1.4

Shutter: 1/4

Lens: 50mm

Leica M3 DS (1957), Summicron 35/f2, f/8, Fuji Provia 100F 35mm positive (Slide), Voigtlander VCII meter, placed bright concrete at +2

Leica M3 DS (1957), Summicron 35/f2, f/8, Fuji Provia 100F 35mm positive (Slide), Voigtlander VCII meter, sky at +2

Taken on a Hasselblad 500 C/M, printed in the darkroom.

Film: Fuji 100iso Super G Plus Expired 11/1997

Camera: Canon A1

Shot: Mar.27,2015

F-stop: F11

Shutter: 1/250

Lens: 50mm

Location: Astotin Lake, Elk Island National Park, Alberta, Canada

M4-P - Kodak Ektar 100 iso

Film: Fuji 100iso Super G Plus Expired 11/1997

Camera: Canon A1

Shot: Mar.27,2015

F-stop: F5.6

Shutter: 1/250

Lens: 70mm

Location: Astotin Lake, Elk Island National Park, Alberta, Canada

Mo chuid oibre ar an oileán curtha i gcrích.

 

My work on the island was finished.

 

Film: Kodacolor VR 100.

Film: Fuji Superia 100iso Expired 10/2003

Camera: Canon A1

Shot: Sept.27,2014

F-stop: F4

Shutter: 30sec

Lens: 28mm

Location: Walterdale Bridge, Edmonton, Alberta, Canada

An old neighbours' cat is back on his favourite stool in front of the fireplace after having to be kept in a cage for 8 weeks to stop him jumping up on a pinned broken leg after an operation. The pin has now been removed and he is slowly enjoying his freedom again. During the time he was in the cage I would go with my cat (his best friend since they were kittens) and visit him to give moral support and cheer him up :) It's what true good friends do!

 

Film: Ilford Delta 100

Format: 120

6x6

 

No Crop, No Post Editing. No Filter. Dust spec removal in Photoshop. Not A.I.

 

Camera:

Franka Solida III, folding camera with bellows. Made in West Germany, 1951+.

 

Lens:

Schneider-Kreuznach Radionar 80mm 1:2.9

 

Metering: Weston Master V

 

F4 1/25

 

Focus:

Manual. Distant scale guessing at 8ft.

 

Lighting: Window light from the right of subject

 

Tripod and Shutter Release Cable

 

Development:

 

Kodak D76. 11 Minutes, 20 Degrees C, Dilution 1+1.

Ilford Fixer. 3 Minutes.

Ran out of Ilford Wetting agent and had watermarks to deal with -Joy! :/

 

This camera at the wide apertures is tricky. Really only a small area of focus with a lot of outer lens distortion. Got lucky with this one as it was the only shot i did.

  

Film: Shanghai GP3 100iso

120 film re-rolled on to 620 spools. I know I could of just bought the GP3 in 620 film rolls but it was already in the fridge and plus, who doesn't love a good excuse for a fumbling around in the darkroom! ;)

 

Camera: 1949 Uni-Fex (French) Bakelite. This camera took the Kodak 620 film rolls. Unusual for cameras at the time outside of the Kodak 620 family.

 

6x9 size negative

 

Double Exposure.

 

Shot 1: f16 and 6 seconds. And shot 2: f16 and 4 seconds. Decreased exposure time by a couple of stops from what was metered with Weston Master V. To get darker contrast in last of daylight/at dusk.

 

No Crop, No Filter, Black Mark/Splodge removal in Photoshop.

 

Tripod

No shutter release cable thread connector so all wobbly thumb's work.

 

Development:

Ilford Ilfotec-HC, 20c, 7.5 mins, 1+31

Ilford Fixer 4.5 minutes

Ilford Wetting Agent 1 minute

 

This Camera was not working when I bought it at a second hand market for £2. The mechanism was completely gunked up and rusted. So I took it apart . De-rusted the parts as much as I could. De-greased, Re-oiled and reassembled the camera. Put in a new red window for the frame counter cut from a plastic red semi-transparent make-up bag. There's a lovely hole in the remains of the bag now. Just as well I don't care for much make-up. haha!

 

The results from the camera are just as imperfect, creepy and plastic fantastic as I hoped they would be. Another camera saved from going in the landfill :)

  

I only took the one shot of this, and didn't see the Crocodile head shaped cloud until i saw the scan...

 

'And the Crocodile Rocking was out of sight' La lalalala la lalalala

 

Film: Ilford Delta 100

Format: 120

6x6

 

No Crop, No Post Editing. Not A.I.

 

Camera:

Franka Solida III, folding camera with bellows. Made in West Germany, 1951+.

 

Lens:

Schneider-Kreuznach Radionar 80mm 1:2.9

 

Filter:

Orange Filter

 

Metering:

Sunny 16 Rule . Bright Sunshine + 1 stop to allow for light reduced using Orange Filter.

 

F16 and 1/100 but because I wanted to try the smallest aperture at F22 and an orange filter...

 

F22 and 1/50 became F22 and 1/25

 

Focus:

Manual. Distant scale guessing at 8 meters. I actually spent time to repair a vintage external hot shoe Hawk adjustable range finder ready to use when I would shoot this camera. And then forgot to take it with me on the day. Doh! haha

 

Tripod and Shutter Release Cable

 

Development:

 

Kodak D76. 11 Minutes, 20 Degrees C, Dilution 1+1.

Ilford Fixer. 3 Minutes.

Ran out of Ilford Wetting agent and had watermarks to deal with -Joy! :/

 

First time shooting this camera and I'm impressed with the all-round image sharpness of the Schneider lens at an aperture of F22.

 

A long exposure film photo of a small waterfall at Fairlie Burn taken on my Zeiss Ikon Nettar medium format film camera.

Leica M3 DS (1957), Summicron 35/f2, f/8, Fuji Provia 100F 35mm positive (Slide), Voigtlander VCII meter, sky at +2.

PENTAX K-1 • Crop Mode • 100 ISO • Sigma Art 18-35mm F1.8 DC HSM

Metz Flash 52 AF-1 Digital with Ray-Flash Universal L ring adapter

Leica M3 DS (1957), Summicron 35/f2, f/8, Fuji Provia 100F 35mm positive (Slide), Voigtlander VCII meter, metered for bricks at neutral + 1

PENTAX K-1 • FF Mode • 200 ISO • Pentax FA 35mm F2 AL

Luminar Neo

 

Praha • Česko

 

Zeiss Ikon Super Ikonta A 530 4,5 x 6 cm, 1937

Fomapan 100@100 ISO

Moersch Eco Developer

Stand-developing 50 min.

DSLR scan

I would go back to photograph this tree again, if only I had paid more attention at the time and made a note of where it was.

Leica M3 DS (1957), Summicron 35/f2, f/8, Fuji Provia 100F 35mm positive (Slide), Voigtlander VCII meter, metered for facade at +2

Issy

Leica IIIf - Fomapan 100

Zeiss Ikon Super Ikonta A 530 4,5 x 6 cm, 1937

Fomapan 100@100 ISO

Moersch Eco Developer

Stand-developing 50 min.

DSLR scan

1 3 4 5 6 7 ••• 79 80