View allAll Photos Tagged ,Manipulation
Ca. 25 Bienenzuechter und das Kampagnennetzwerk campact protestierten am Mittwoch den 16. Januar 2013 vor dem Bundeskanzleramt gegen den zunehmenden Einsatz von Pestiziden in der Landwirtschaft. Der Einsatz von Insektenvernichtungsmitteln gefaehrdet die Bienen und somit die Existenz der Imker.
16.1.2013, Berlin
Copyright: Christian Ditsch/version-foto.de
[Inhaltsveraendernde Manipulation des Fotos nur nach ausdruecklicher Genehmigung des Fotografen. Vereinbarungen ueber Abtretung von Persoenlichkeitsrechten/Model Release der abgebildeten Person/Personen liegen nicht vor. NO MODEL RELEASE! Don't publish without copyright Christian Ditsch/version-foto.de, Veroeffentlichung nur mit Fotografennennung, sowie gegen Honorar, MwSt. und Beleg. Konto: version, S t a d t s p a r k a s s e K o e l n, BLZ 37050198, Ktonr: 17272139, Kontakt: info@version-foto.de.
Urhebervermerk wird gemaess Paragraph 13 UHG verlangt.]
12"x12" small quilting ,stretched over a board.
Photographed on Salt Spring Island.Photo manipulated and printed and edge quilted .
Fright Fest 2008
I just do it for fun this photo..
and it seems so interesting for me to move around the layers..
and here is the result...
A photo manipulation from the abstract imagination of London & Birmingham Mixed Media artist Callum Joel Richards
instagram.com/callumjoelrichards
A good friend of mine is extremely capable of showing the wonders of flowers when examined with close-up lenses. These three images are my attempts to clarify what I see in these photos. My effort is mostly cropping and color manipulations. In some cases I will use filters. It’s interesting to find bizarre images that are discernable which may represent some real life relationship in the details of flowers
With the confidence that come of honest labor, he faces life head on.
Friends, Romans and Other Countrymen was one of my earlier series and the first that was not pure abstract form and color. Although the images are still very abstract, they are all recognizable as human forms. I have thought that one day I may go back and combine some of these images with drawing directly on the image. There are probably twenty out of the fifty or so images from this series that I find satisfactory. At the time they were done, I integrated many into a written piece that explored my thinking on extreme photographic manipulation and the abstract image. It was a worthwhile project that helped clarify my thoughts on the image in general and what I found acceptable in manipulations.
I find this a relatively complex but quiet image. I am pleased to add that it is one of four of my manipulated images that has inspired poems written by my good friend and poet, Roberta Britt.
The Extreme Manipulations series relies mostly on geometric manipulations, although I occasionally combined other techniques. To a great extent this is a collection of what I found most interesting from other, not so successful series which accounts for the lack of coherence or theme among the images..
manipulation " my design style "
by " boy sagitarius ,
from state " : indonesia
hometown : palembang / prabumulih
link facebook : www.facebook.com/photo.php?fbid=1323814072297&set=at....
The manipulation of the plinth through the pushing and pulling of topographical differences within the concrete.
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This project was for the reappropriation of an old military barracks in Paris. The defining characteristic of the site as it is today is the idea of a walled-off, inaccessible and highly disused area - valuable space within the city of Paris that is cut off from rest of the community.
In line with our initial interest in the materiality of the site, we decided to turn the architectural problematic of reappropriating an exclusive, enclosed, and largely disused space into a metonymic question - “What does it mean to occupy a wall?”