Subir Mukherjee Photography
Baluchari & Swarnachari Saree of Bishnupur
In the history of textile in Bengal, Baluchari came much after Maslin. Two hundred years ago Baluchari was used to be practiced in a small village called Baluchar in Murshidabad district, from where it got the name Baluchari. In the eighteenth century, Murshidkuli Khan, Nawab of Bengal patronized its rich weaving tradition and brought the craft of making this sari from Dhaka to the Baluchar village in Murshidabad and encouraged the industry to flourish. After a flood in the Ganga river and the subsequent submerging of the village, the industry moved to Bishnupur village in Bankura district. The sari industry prospered in Bishnupur, during the reign of the Malla dynasty. But this flourishing trend later declined, especially during British rule, due to political and financial reasons and it became a dying craft as most of the weavers were compelled to give up the profession.
Later in the first half of twentieth century, Subho Thakur, a famous artist, felt the need of recultivating the rich tradition of Baluchari craft. Though Bishnupur was always famous for its silk, he invited Akshay Kumar Das, a master weaver of Bishnupur to his center to learn the technique of jacquard weaving. Sri Das then went back to Bishnupur and worked hard to weave Baluchari on their looms.
Once Bishnupur was the capital of Malla dynasty and different kinds of crafts flourished during their period under the patronage of Malla kings. Temples made of terracotta bricks were one achievement of these rulers. A major influence of these temples can be seen in Baluchari sarees. Mythological stories taken from the walls of temples and woven on Baluchari sarees, is a common feature in Bishnupur. These saris were mostly worn by women from upper class and Zamindar households in Bengal during festive occasions and weddings.
Organic Baluchari
With the changing time, the Baluchari saree gets a makeover & a touch of eco-friendliness in terms of the used yarns & colours. Cotton Kapas is spun with fibres of banana plants and bamboo shoots and the dyes are extracts of fruits, flowers, leaves, and vegetables such as pomegranate, jamun, neem fruits and leaves, basil leaves, turmeric, marigold flowers, mangoes and others. The organic baluchari cotton sarees were displayed in the sari fair organized by Rang Mahal, a forum of weavers from Nadia district in West Bengal.
Process of making the Baluchari
The production process of Baluchari can be divided into several parts:-
Cultivation of cocoons:- Since the discovery so many years ago that the fibre or filament composing the cocoon of the silkworm can be constructed into a beautiful and durable fabric, silkworms have been bred for the sole purpose of producing raw silk.
Processing of yarns:- To make the yarn soft, it is boiled in a solution of soda and soap and then dyed in acid colour, according to the requirement of the saree. The yarn is stretched from both the sides in opposite directions putting some force with both palms. This process is needed to make the yarn crisper.
Motif making:- Making of the motifs for 'pallavs' and other part of Baluchari is in itself an intricate process. The design is drawn on a graph paper, it is coloured and punching is done using cards. After punching, these cards are sewed in order and fixed in the jacquard machine.
Weaving:- After jacquard loom has been introduced, weaving of a Baluchari saree takes five to six days to get completed. Two weavers work on it on shifting basis.
Baluchari thus prepared becomes the sign of aristocracy, the attire of status. Maintenance of quality of Baluchari saree is taken care of precisely. The quality is checked from the stage of dying of the yarn to the packaging of the saree.
Motifs
Baluchar saris often had depictions from scenes of Mahabharat and Ramayana. During the Mughal and British eras, they had a square design in the pallu with a feather motif in them. It would take two craftsmen to work for almost a week to produce one sari. The main material used is silk and the sari is polished after weaving.
Baluchari & Swarnachari Saree of Bishnupur
In the history of textile in Bengal, Baluchari came much after Maslin. Two hundred years ago Baluchari was used to be practiced in a small village called Baluchar in Murshidabad district, from where it got the name Baluchari. In the eighteenth century, Murshidkuli Khan, Nawab of Bengal patronized its rich weaving tradition and brought the craft of making this sari from Dhaka to the Baluchar village in Murshidabad and encouraged the industry to flourish. After a flood in the Ganga river and the subsequent submerging of the village, the industry moved to Bishnupur village in Bankura district. The sari industry prospered in Bishnupur, during the reign of the Malla dynasty. But this flourishing trend later declined, especially during British rule, due to political and financial reasons and it became a dying craft as most of the weavers were compelled to give up the profession.
Later in the first half of twentieth century, Subho Thakur, a famous artist, felt the need of recultivating the rich tradition of Baluchari craft. Though Bishnupur was always famous for its silk, he invited Akshay Kumar Das, a master weaver of Bishnupur to his center to learn the technique of jacquard weaving. Sri Das then went back to Bishnupur and worked hard to weave Baluchari on their looms.
Once Bishnupur was the capital of Malla dynasty and different kinds of crafts flourished during their period under the patronage of Malla kings. Temples made of terracotta bricks were one achievement of these rulers. A major influence of these temples can be seen in Baluchari sarees. Mythological stories taken from the walls of temples and woven on Baluchari sarees, is a common feature in Bishnupur. These saris were mostly worn by women from upper class and Zamindar households in Bengal during festive occasions and weddings.
Organic Baluchari
With the changing time, the Baluchari saree gets a makeover & a touch of eco-friendliness in terms of the used yarns & colours. Cotton Kapas is spun with fibres of banana plants and bamboo shoots and the dyes are extracts of fruits, flowers, leaves, and vegetables such as pomegranate, jamun, neem fruits and leaves, basil leaves, turmeric, marigold flowers, mangoes and others. The organic baluchari cotton sarees were displayed in the sari fair organized by Rang Mahal, a forum of weavers from Nadia district in West Bengal.
Process of making the Baluchari
The production process of Baluchari can be divided into several parts:-
Cultivation of cocoons:- Since the discovery so many years ago that the fibre or filament composing the cocoon of the silkworm can be constructed into a beautiful and durable fabric, silkworms have been bred for the sole purpose of producing raw silk.
Processing of yarns:- To make the yarn soft, it is boiled in a solution of soda and soap and then dyed in acid colour, according to the requirement of the saree. The yarn is stretched from both the sides in opposite directions putting some force with both palms. This process is needed to make the yarn crisper.
Motif making:- Making of the motifs for 'pallavs' and other part of Baluchari is in itself an intricate process. The design is drawn on a graph paper, it is coloured and punching is done using cards. After punching, these cards are sewed in order and fixed in the jacquard machine.
Weaving:- After jacquard loom has been introduced, weaving of a Baluchari saree takes five to six days to get completed. Two weavers work on it on shifting basis.
Baluchari thus prepared becomes the sign of aristocracy, the attire of status. Maintenance of quality of Baluchari saree is taken care of precisely. The quality is checked from the stage of dying of the yarn to the packaging of the saree.
Motifs
Baluchar saris often had depictions from scenes of Mahabharat and Ramayana. During the Mughal and British eras, they had a square design in the pallu with a feather motif in them. It would take two craftsmen to work for almost a week to produce one sari. The main material used is silk and the sari is polished after weaving.