[SIS/ETB] Digital Fabrication for the Arts (S'12)

This advanced course introduced students to tools, work-flow, aesthetics and communities surrounding computer-aided-design / computer-aided-manufacturing (CAD/CAM) and its creative applications within art practice.

The CAD/CAM process is particularly well-suited for certain tasks, including the creation of multiples, for fabrication of functional/kinetic components, iterative prototyping of complex structures, scalable design, construction of large structures from repeated simple components, and other ingenious digital-physical work-flows.

Students learned/used: 2D and 3D modeling software, CAD/CAM technologies, Rhinoceros 3D and Adobe Illustrator, laser cutters, 3D printers + scanners, and CNC routers.

We aim to develop our intuition for grasping the transformation from a digital design to a physical presence; in this process, we place an emphasis on feasibility, economy, and aesthetic viability of choices me make among tools, material and modes of assembly. Furthermore, assigned readings, class discussions, and group critiques will highlight the importance of the human hand and eye in the creating and conveying meaning within art practice, despite the automation capabilities of CAD/CAM.