shadow_in_the_water
De La Warr Pavilion
Grade I listed. The new seafront building was the result of an architectural competition initiated by Herbrand Sackville, 9th Earl De La Warr, after whom the building was named.
The 9th Earl, a committed socialist and Mayor of Bexhill, persuaded Bexhill council to develop the site as a public building. The competition was announced in the Architects' Journal in February 1934, with a programme that specified an entertainment hall to seat at least 1500 people; a 200-seat restaurant; a reading room; and a lounge. Initially, the budget for the project was limited to £50,000, although this was later raised to £80,000. Run by the Royal Institute of British Architects, this competition attracted over 230 entrants, many of them practicing in the Modernist style. The architects selected for the project, Erich Mendelsohn and Serge Chermayeff, were leading figures in the Modern Movement. The aesthetics employed in the International Style proved especially suited to the building, tending towards streamlined, industrially-influenced designs, often with expansive metal-framed windows, and eschewing traditional brick and stonework in favour of concrete and steel construction.
Reflected in the window is The Colonnade (1911)
De La Warr Pavilion
Grade I listed. The new seafront building was the result of an architectural competition initiated by Herbrand Sackville, 9th Earl De La Warr, after whom the building was named.
The 9th Earl, a committed socialist and Mayor of Bexhill, persuaded Bexhill council to develop the site as a public building. The competition was announced in the Architects' Journal in February 1934, with a programme that specified an entertainment hall to seat at least 1500 people; a 200-seat restaurant; a reading room; and a lounge. Initially, the budget for the project was limited to £50,000, although this was later raised to £80,000. Run by the Royal Institute of British Architects, this competition attracted over 230 entrants, many of them practicing in the Modernist style. The architects selected for the project, Erich Mendelsohn and Serge Chermayeff, were leading figures in the Modern Movement. The aesthetics employed in the International Style proved especially suited to the building, tending towards streamlined, industrially-influenced designs, often with expansive metal-framed windows, and eschewing traditional brick and stonework in favour of concrete and steel construction.
Reflected in the window is The Colonnade (1911)