Climbing through the Tide, B7L9, KLF, Tunis, 2019
Curated by Basak Senova, the inaugural exhibition of B7L9, Climbing through the Tide is designed to initiate dialogues and encounters among the works by suggesting various paths of reception through its scenography. Works in the exhibition connect to each other through spontaneously formed content; form; methodology; and approach-based links. By taking the condition-based and geographical inputs into account, the exhibition operates as the prompter of a new interrogations and the instigator of multiple perceptions leading to a more layered reading of our current situation and to different ways to cope with it. Climbing through the Tide brings together 50 artists from 21 countries including Adel Abidin, Afif Saâdane, Aicha Snoussi, Ali Cabbar, Ali Cherri, Ali Tnani, Almagul Menlibayeva, Bahar Behbahani, Behzad Khosravi Noori, Benji Boyadgian, Bronwyn Lace, Egle Oddo, Etel Adnan, Farah Khelil, Fares Thabet, Fatih Aydogdu, Ghada Amer, Gulsun Karamustafa, Hatem El Mekki , Heba Amin, Hera Büyüktaşçıyan, Inci Eviner, Inma Hererra, Jawad Al Malhi, Joana Hadjithomas & Khalil Joreige, Jumana Manna, Kader Attia, Larissa Sansour, Lina Selander, Malek Gnaoui, Marcus Neustetter, Negar Tahsili, Nermin Er, Nicène Kossentini, Nilbar Gures, Ramesch Daha, Raqs Media Collective, Ricarda Denzer, Susan Hefuna, Wael Shawky, Walid Raad, Yasmine Ben Khelil, Younes Ben Slimane, Youssef Nabil, Yto Barrada, Ziad Antar, and Zineb Sedira. “Annotations” section of the exhibition presents Centre for Less Good Ideas, Apartment Project, Mahatat, Mophradat, Ashkal Alwan, L’Atelier de l’Observatoire, Egle Oddo and Technopole Borj Cedria and the CrossSections Project.
Climbing through the Tide, B7L9, KLF, Tunis, 2019
Curated by Basak Senova, the inaugural exhibition of B7L9, Climbing through the Tide is designed to initiate dialogues and encounters among the works by suggesting various paths of reception through its scenography. Works in the exhibition connect to each other through spontaneously formed content; form; methodology; and approach-based links. By taking the condition-based and geographical inputs into account, the exhibition operates as the prompter of a new interrogations and the instigator of multiple perceptions leading to a more layered reading of our current situation and to different ways to cope with it. Climbing through the Tide brings together 50 artists from 21 countries including Adel Abidin, Afif Saâdane, Aicha Snoussi, Ali Cabbar, Ali Cherri, Ali Tnani, Almagul Menlibayeva, Bahar Behbahani, Behzad Khosravi Noori, Benji Boyadgian, Bronwyn Lace, Egle Oddo, Etel Adnan, Farah Khelil, Fares Thabet, Fatih Aydogdu, Ghada Amer, Gulsun Karamustafa, Hatem El Mekki , Heba Amin, Hera Büyüktaşçıyan, Inci Eviner, Inma Hererra, Jawad Al Malhi, Joana Hadjithomas & Khalil Joreige, Jumana Manna, Kader Attia, Larissa Sansour, Lina Selander, Malek Gnaoui, Marcus Neustetter, Negar Tahsili, Nermin Er, Nicène Kossentini, Nilbar Gures, Ramesch Daha, Raqs Media Collective, Ricarda Denzer, Susan Hefuna, Wael Shawky, Walid Raad, Yasmine Ben Khelil, Younes Ben Slimane, Youssef Nabil, Yto Barrada, Ziad Antar, and Zineb Sedira. “Annotations” section of the exhibition presents Centre for Less Good Ideas, Apartment Project, Mahatat, Mophradat, Ashkal Alwan, L’Atelier de l’Observatoire, Egle Oddo and Technopole Borj Cedria and the CrossSections Project.