“無 Nothing > 有 Something” / 寧 Serenity/ SML.20130129.7D.20734.C23.P1
In working on the “寧 Serenity” series, I observe that photographing “無 nothing” often is more interesting than “有 something”. It seems counter-intuitive. But photographing “nothing” reveals patterns which are unobservable when intentionally photographing “something”
# SML Data
+ Date: 2013-01-29 16:29:46 GMT+0800
+ Camera: Canon EOS 7D
+ Lens: Canon EF 70-200mm f/4L USM
+ Dimensions: 3192 x 4789
+ Exposure: 1/250 sec at f/8.0
+ Focal Length: 122 mm
+ ISO: 100
+ Handheld
+ Flash: Did not fire
+ GPS: 22°25'9" N 114°13'25" E (SML Universe HKG)
+ Subject: 中國香港馬鞍山沙田海 Sha Tin Hoi, Hong Kong SAR, China
+ Series: 寧 Serenity
# SML Workflow
Photographed with the Canon 7D with the 70-200 f/4L lens, processed in Photoshop CS6 + Lightroom 4.
“無 Nothing > 有 Something”
/ 寧 Serenity
/ SML.20130129.7D.20734.C23.P1
“無 Nothing > 有 Something” / 寧 Serenity/ SML.20130129.7D.20734.C23.P1
In working on the “寧 Serenity” series, I observe that photographing “無 nothing” often is more interesting than “有 something”. It seems counter-intuitive. But photographing “nothing” reveals patterns which are unobservable when intentionally photographing “something”
# SML Data
+ Date: 2013-01-29 16:29:46 GMT+0800
+ Camera: Canon EOS 7D
+ Lens: Canon EF 70-200mm f/4L USM
+ Dimensions: 3192 x 4789
+ Exposure: 1/250 sec at f/8.0
+ Focal Length: 122 mm
+ ISO: 100
+ Handheld
+ Flash: Did not fire
+ GPS: 22°25'9" N 114°13'25" E (SML Universe HKG)
+ Subject: 中國香港馬鞍山沙田海 Sha Tin Hoi, Hong Kong SAR, China
+ Series: 寧 Serenity
# SML Workflow
Photographed with the Canon 7D with the 70-200 f/4L lens, processed in Photoshop CS6 + Lightroom 4.
“無 Nothing > 有 Something”
/ 寧 Serenity
/ SML.20130129.7D.20734.C23.P1