Ayesha over the light table on the SIGMA fp.
I wanted to re-create a shot I did on Kodak 5219 film: flic.kr/p/2gjxbja, using the same color and diffusion filters, to see how the SIGMA fp would behave after adjusting everything in post.
In the original shot, I had an 85B filter on the lens to balance the tungsten 500T stock to the intense blue light of the light table.
Shooting this on digital with that filter led to a bronze color cast in the raw file, though I was able to get color separation back in editing. I think the lesson here is to avoid color correction filters with digital capture for more subtle color.
ISO 320 @ F4 with the 45mm lens.
Adjusted in Lightroom before finishing in Affinity Photo.
Why recreate a photo I previously made? (The simple answer is to compare two mediums with the same setup as a technical exercise, of course.)
Ayesha over the light table on the SIGMA fp.
I wanted to re-create a shot I did on Kodak 5219 film: flic.kr/p/2gjxbja, using the same color and diffusion filters, to see how the SIGMA fp would behave after adjusting everything in post.
In the original shot, I had an 85B filter on the lens to balance the tungsten 500T stock to the intense blue light of the light table.
Shooting this on digital with that filter led to a bronze color cast in the raw file, though I was able to get color separation back in editing. I think the lesson here is to avoid color correction filters with digital capture for more subtle color.
ISO 320 @ F4 with the 45mm lens.
Adjusted in Lightroom before finishing in Affinity Photo.
Why recreate a photo I previously made? (The simple answer is to compare two mediums with the same setup as a technical exercise, of course.)