Marching Ent
Finally, the nightmares have begun to diminish and the terrifying story can be told. What began as a quiet picnic under a shade tree soon turned into a horrifying travail.
Just as I settled down and prepared a spot for lunch in the peaceful forest, I heard a strange grumbling sound. Looking up, I was shocked to see the tree next to me advancing aggressively, creaking and groaning loudly. It’s grotesque burls were quivering and it’s branches thrashing about. There wasn’t a moment to waste - I bolted away as quickly as I could. Fortunately, I grabbed my camera and as an afterthought took a photo of the beastly tree as I fled.
My psychiatrist has recommended that I give up picnicking and stick with fast food from now on.
This photo was taken by a Kowa/SIX medium format film camera with a KOWA 1:3.5/55mm lens and Zenza Bronica 67mm SY48•2C(Y2) filter using Kodak TRI-X 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.
Marching Ent
Finally, the nightmares have begun to diminish and the terrifying story can be told. What began as a quiet picnic under a shade tree soon turned into a horrifying travail.
Just as I settled down and prepared a spot for lunch in the peaceful forest, I heard a strange grumbling sound. Looking up, I was shocked to see the tree next to me advancing aggressively, creaking and groaning loudly. It’s grotesque burls were quivering and it’s branches thrashing about. There wasn’t a moment to waste - I bolted away as quickly as I could. Fortunately, I grabbed my camera and as an afterthought took a photo of the beastly tree as I fled.
My psychiatrist has recommended that I give up picnicking and stick with fast food from now on.
This photo was taken by a Kowa/SIX medium format film camera with a KOWA 1:3.5/55mm lens and Zenza Bronica 67mm SY48•2C(Y2) filter using Kodak TRI-X 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.