Saul Levine
LOST NOTE
Scenes drawn from the home and life of Isa Milman (the woman I was then married to) and I, made together with our dog Jesse, our friends Bruce Blaney, Patti Tanaka, their children Sean and Jason, among many others. I began this as a love poem to Isa, but before I finished the film everything had changed. 1968/69 was a period of violent transition for many of us. The film was formally challenging, editing footage with in-camera superimpositions and cutting black and white with color.
LOST NOTE
Scenes drawn from the home and life of Isa Milman (the woman I was then married to) and I, made together with our dog Jesse, our friends Bruce Blaney, Patti Tanaka, their children Sean and Jason, among many others. I began this as a love poem to Isa, but before I finished the film everything had changed. 1968/69 was a period of violent transition for many of us. The film was formally challenging, editing footage with in-camera superimpositions and cutting black and white with color.