Santorria
spark-paul-jaisini
Sinphony with Minotaur
Another peculiar depiction of classical music loved by Jaisini passionately.
The legend of Minotaur says that the first King of Crete was son of Zeus called Minos, became so powerful that his sway extended too far-off Athens: each year the city had to send seven youth and seven maids to his court at Knosses, where they were thrust into the Labyrinth as food for the Minotaur “Minos’ bull”, a creature with human body but the head of a bull.
What had made a Minotaur a musician in Jaisini’s take on a subject reasons guessing. Meanwhile trying to verbalize the visual appeal of Sinphony with Minotaur is like trying to describe the unique flavor of peach.
Presence of people and creatures in the paintings fills the picture space with heartbeat as if there was a live acting and story unfolded in real time.
In Sinphony with Minotaur tranquility is sustained by nature-like colors of pastel greens, emerald greens washed by rain…
A creature like satyr is part man and part beast. “An erect phallus and the most blatantly sexual act, heterosexual and homosexual”, always characterize the image of satyr. The straightforward representation of such an image would be just as a plain female nude.
But in the transitional interactive composition the Minotaur of “Sinphony” shows how the intent is different from the original source and tradition.
The Minotaur of Jaisini is part of symphonic band where all participants find the role of dominance and submission. In the course of such composition the nudity of females and even the purported kinky intercourse of the Minotaur with a younger female looses its physicality and body transferring into sphere of musical ecstasy and asexual art making.
The brilliant composition of triangle is the victory of flowing line that is not even for a moment seems heavy or restricted.
Jaisini paints the body of the “older” nude female musician in pure flesh tone of pink. The submissive-looking flute player in the lower center part is almost ghostly white with cold purple tint.
The emerald plane of the painting penetrates through the body parts with more feeling of freshness and air. In the circular process of contemplation the work can induce the most refinated stimulation of senses.
Just as a female nude in the art of Jaisini changes the inherited meaning so the image of male is not meant to portray an idea of “the hero” which the Concise Oxford Dictionary defines as ‘a man of superhuman qualities, favored by the gods, a demigod.’
To reduce the arrogance of male hero Jaisini sometimes reproves the male image with the reference to the transformation and with application of femininity to male image. The legacy of male image in art is of intemperate pride. New times interpretation requires different ways to portray male hero.
spark-paul-jaisini
Sinphony with Minotaur
Another peculiar depiction of classical music loved by Jaisini passionately.
The legend of Minotaur says that the first King of Crete was son of Zeus called Minos, became so powerful that his sway extended too far-off Athens: each year the city had to send seven youth and seven maids to his court at Knosses, where they were thrust into the Labyrinth as food for the Minotaur “Minos’ bull”, a creature with human body but the head of a bull.
What had made a Minotaur a musician in Jaisini’s take on a subject reasons guessing. Meanwhile trying to verbalize the visual appeal of Sinphony with Minotaur is like trying to describe the unique flavor of peach.
Presence of people and creatures in the paintings fills the picture space with heartbeat as if there was a live acting and story unfolded in real time.
In Sinphony with Minotaur tranquility is sustained by nature-like colors of pastel greens, emerald greens washed by rain…
A creature like satyr is part man and part beast. “An erect phallus and the most blatantly sexual act, heterosexual and homosexual”, always characterize the image of satyr. The straightforward representation of such an image would be just as a plain female nude.
But in the transitional interactive composition the Minotaur of “Sinphony” shows how the intent is different from the original source and tradition.
The Minotaur of Jaisini is part of symphonic band where all participants find the role of dominance and submission. In the course of such composition the nudity of females and even the purported kinky intercourse of the Minotaur with a younger female looses its physicality and body transferring into sphere of musical ecstasy and asexual art making.
The brilliant composition of triangle is the victory of flowing line that is not even for a moment seems heavy or restricted.
Jaisini paints the body of the “older” nude female musician in pure flesh tone of pink. The submissive-looking flute player in the lower center part is almost ghostly white with cold purple tint.
The emerald plane of the painting penetrates through the body parts with more feeling of freshness and air. In the circular process of contemplation the work can induce the most refinated stimulation of senses.
Just as a female nude in the art of Jaisini changes the inherited meaning so the image of male is not meant to portray an idea of “the hero” which the Concise Oxford Dictionary defines as ‘a man of superhuman qualities, favored by the gods, a demigod.’
To reduce the arrogance of male hero Jaisini sometimes reproves the male image with the reference to the transformation and with application of femininity to male image. The legacy of male image in art is of intemperate pride. New times interpretation requires different ways to portray male hero.