Setup shot for Mellow Onion

I deliberately left the strobe further away to get some bounced fill from the surroundings, in order to really soften things up.

 

You can still quite clearly see the direct transition zone under the peeled layer of skin on the right, if you view the result below.

 

This scene partially lit by the visible strobe, and partially by a Nissin 360TW behind the camera, bouncing off the ceiling at 1/4 power and synced with an optical slave.

Done