Apologies for repeating myself, but when I updated my home page I suddenly felt that these two needed to be together. Not in the least because of how they reflect the ideas behind the design of this pavilion.
"For the Sonsbeek pavilion Van Eyck provided an elementary structure of six parallel walls made out of concrete blocks, which he manipulated into a surprisingly rich and labyrinthine interior by inserting semicircular niches and apses into the rectilinear structure. Van Eyck described the result as an urban space intentionally conceived in opposition to the natural idyll of the nineteenth-century park, which followed the formal language of the English landscape garden.
The scenography aimed to create the experience of an almost spontaneous encounter with the artworks on display. This was not only communicated through the spatial typology of streets, alleys and small piazzas, but it was also crucially achieved by a relatively high density of artworks gathered together in the narrow spaces which forced one to walk by the sculptures in close proximity."
Apologies for repeating myself, but when I updated my home page I suddenly felt that these two needed to be together. Not in the least because of how they reflect the ideas behind the design of this pavilion.
"For the Sonsbeek pavilion Van Eyck provided an elementary structure of six parallel walls made out of concrete blocks, which he manipulated into a surprisingly rich and labyrinthine interior by inserting semicircular niches and apses into the rectilinear structure. Van Eyck described the result as an urban space intentionally conceived in opposition to the natural idyll of the nineteenth-century park, which followed the formal language of the English landscape garden.
The scenography aimed to create the experience of an almost spontaneous encounter with the artworks on display. This was not only communicated through the spatial typology of streets, alleys and small piazzas, but it was also crucially achieved by a relatively high density of artworks gathered together in the narrow spaces which forced one to walk by the sculptures in close proximity."