Shiva Linga !!!!
"Linga" redirects here. For other uses, see Linga (disambiguation).
"Shivling" redirects here. For the mountain, see Shivling (Garhwal Himalaya).
Traditional flower offering to a lingam in Varanasi
The lingam (also, linga, ling, Shiva linga, Shiv ling, Sanskrit लिङ्गं, liṅgaṃ, meaning "mark", "sign", "inference" or[1][2]) is a representation of the Hindu deity Shiva used for worship in temples.[3] In traditional Indian society, the linga is rather seen as a symbol of the energy and potentiality of the God.[4][4][5][6][7]
The lingam is often represented alongside the yoni, a symbol of the goddess or of Shakti, female creative energy.[8] The union of lingam and yoni represents the "indivisible two-in-oneness of male and female, the passive space and active time from which all life originates".[9]
Origin[edit]
Lingobhava Shiva: God Shiva appears as in an infinite Linga fire-pillar, as Vishnu as Varaha tries to find the bottom of the Linga while Brahma tries to find its top. This infinite pillar conveys the infinite nature of Shiva.[12]
Anthropologist Christopher John Fuller conveys that although most sculpted images (murtis) are anthropomorphic, the aniconic Shiva Linga is an important exception.[18] Some believe that linga-worship was a feature of indigenous Indian religion.[19]
There is a hymn in the Atharvaveda which praises a pillar (Sanskrit: stambha), and this is one possible origin of linga-worship.[19] Some associate Shiva-Linga with this Yupa-Stambha, the sacrificial post. In that hymn a description is found of the beginningless and endless Stambha or Skambha and it is shown that the said Skambha is put in place of the eternal Brahman. As afterwards the Yajna (sacrificial) fire, its smoke, ashes and flames, the soma plant and the ox that used to carry on its back the wood for the Vedic sacrifice gave place to the conceptions of the brightness of Shiva's body, his tawny matted-hair, his blue throat and the riding on the bull of the Shiva. The Yupa-Skambha gave place in time to the Shiva-Linga.[14][15] In the Linga Purana the same hymn is expanded in the shape of stories, meant to establish the glory of the great Stambha and the supreme nature of Mahâdeva (the Great God, Shiva).[15]
Shiva Linga !!!!
"Linga" redirects here. For other uses, see Linga (disambiguation).
"Shivling" redirects here. For the mountain, see Shivling (Garhwal Himalaya).
Traditional flower offering to a lingam in Varanasi
The lingam (also, linga, ling, Shiva linga, Shiv ling, Sanskrit लिङ्गं, liṅgaṃ, meaning "mark", "sign", "inference" or[1][2]) is a representation of the Hindu deity Shiva used for worship in temples.[3] In traditional Indian society, the linga is rather seen as a symbol of the energy and potentiality of the God.[4][4][5][6][7]
The lingam is often represented alongside the yoni, a symbol of the goddess or of Shakti, female creative energy.[8] The union of lingam and yoni represents the "indivisible two-in-oneness of male and female, the passive space and active time from which all life originates".[9]
Origin[edit]
Lingobhava Shiva: God Shiva appears as in an infinite Linga fire-pillar, as Vishnu as Varaha tries to find the bottom of the Linga while Brahma tries to find its top. This infinite pillar conveys the infinite nature of Shiva.[12]
Anthropologist Christopher John Fuller conveys that although most sculpted images (murtis) are anthropomorphic, the aniconic Shiva Linga is an important exception.[18] Some believe that linga-worship was a feature of indigenous Indian religion.[19]
There is a hymn in the Atharvaveda which praises a pillar (Sanskrit: stambha), and this is one possible origin of linga-worship.[19] Some associate Shiva-Linga with this Yupa-Stambha, the sacrificial post. In that hymn a description is found of the beginningless and endless Stambha or Skambha and it is shown that the said Skambha is put in place of the eternal Brahman. As afterwards the Yajna (sacrificial) fire, its smoke, ashes and flames, the soma plant and the ox that used to carry on its back the wood for the Vedic sacrifice gave place to the conceptions of the brightness of Shiva's body, his tawny matted-hair, his blue throat and the riding on the bull of the Shiva. The Yupa-Skambha gave place in time to the Shiva-Linga.[14][15] In the Linga Purana the same hymn is expanded in the shape of stories, meant to establish the glory of the great Stambha and the supreme nature of Mahâdeva (the Great God, Shiva).[15]