the woman invisible to herself (roof piece)
"the woman invisible to herself " is a site specific performance installation in and around the old Sunshine Biscuit Factory in Oakland, CA by Dance-Theater Choreographer Mary Armentrout. I have done work with Mary in various capacities (on and off stage) for the past decade and the thing I love about her work is that it is very abstract yet extremely accessible to the non-artist (i.e. you can see her work and be able to "get it" without being an MFA), yet not so dumbed down to not be poignant to career artists as well. On this show I'm setting up and operating all the A/V gear and this go around she let me bring my Hasselblad to do a little shooting during the performance.
This is my first attempt at push processing a C-41 film. This is shot via available light on the rooftop of the old factory just after sunset, so It was getting dark fast. Thus, the color cast is actually pretty accurate.
Fujicolor Pro 400H - C41 (pushed 2 stops) - (processed @ Light Waves Imaging)
SEKONIC L-778 DUAL SPOT F METER
(shot @ 1600ASA, exposure unrecorded, no filtration used)
Hasselblad 500C (1968) w/120mm f5.6 Zeiss S-Planar T*
Epson PERFECTION V750-M PRO SCANNER
(20110709_Fujicolor400H_Pushed2Stops_03073_011)
the woman invisible to herself (roof piece)
"the woman invisible to herself " is a site specific performance installation in and around the old Sunshine Biscuit Factory in Oakland, CA by Dance-Theater Choreographer Mary Armentrout. I have done work with Mary in various capacities (on and off stage) for the past decade and the thing I love about her work is that it is very abstract yet extremely accessible to the non-artist (i.e. you can see her work and be able to "get it" without being an MFA), yet not so dumbed down to not be poignant to career artists as well. On this show I'm setting up and operating all the A/V gear and this go around she let me bring my Hasselblad to do a little shooting during the performance.
This is my first attempt at push processing a C-41 film. This is shot via available light on the rooftop of the old factory just after sunset, so It was getting dark fast. Thus, the color cast is actually pretty accurate.
Fujicolor Pro 400H - C41 (pushed 2 stops) - (processed @ Light Waves Imaging)
SEKONIC L-778 DUAL SPOT F METER
(shot @ 1600ASA, exposure unrecorded, no filtration used)
Hasselblad 500C (1968) w/120mm f5.6 Zeiss S-Planar T*
Epson PERFECTION V750-M PRO SCANNER
(20110709_Fujicolor400H_Pushed2Stops_03073_011)