DOC114/14186 - Abbey Church of Maria Laach
Floor plan of the Westbau. From Adenauer et al. 1943:289, fig. 236. Fig. 3.33 in: BANDMANN, Gunter (2005). Early Medieval Architecture as Bearer of Meaning. Columbia University Press, New York. ISBN 0-231-12704-9
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Maria Laach Abbey (in German: Abtei Maria Laach, in Latin: Abbatia Maria Lacensis or Abbatia Maria ad Lacum) is a Benedictine abbey situated on the southwestern shore of the Laacher See (Lake Laach), near Andernach, in the Eifel region of the Rhineland-Palatinate in Germany. It is a member of the Beuronese Congregation within the Benedictine Confederation. The abbey was known for nearly 770 years as "Abtei Laach" ("Abbatia Lacensis" or "Laach Abbey", meaning the "Lake Abbey") until 1862 when the Jesuits added the name "Maria".
Founded in 1093 as a priory of Affligem Abbey (in modern Belgium) by the first Count Palatine of the Rhine Heinrich II von Laach and his wife Adelheid von Orlamünde-Weimar, widow of Hermann II of Lotharingia, Laach became an independent house in 1127, under its first abbot, Gilbert. Affligem itself had been founded by Hermann. Although the abbey was founded by a prominent (if not excommunicated) member of the imperial party (Investiture Controversy), Affligem became soon after a prominent member of the Cluniac reform movement.
The abbey developed as a centre of study during the 12th century. The 13th-century abbots Albert (1199–1217) and Theoderich II (1256–1295) added significantly to the buildings and architectural decoration, including the monumental tomb of the founder.
In common with most other German Benedictine houses, Laach declined during the 14th century in terms of its spiritual and monastic life, a tendency which was reversed only in the late 15th century, under the influence of the reforming Bursfelde Congregation, which the abbey joined, supported against a certain resistance within the abbey by Abbot Johannes V von Deidesheim (1469–1491).
The consequent improvement in discipline led to a fruitful literary period in the abbey's history, prominent in which were Jakob Siberti, Tilman of Bonn and Benedict of Munstereifel, but principally Prior Johannes Butzbach (d. 1526). Although much of his work, both published and unpublished, survives, his chronicle of the abbey is unfortunately lost.
Laach Abbey was dissolved in the secularisation of 1802. The premises became the property, first of the occupying French, and then in 1815 of the Prussian State.
In 1820 the buildings were acquired by the Society of Jesus, who established a place of study and scholarship here. Of particular note were Fathers Gerhard Schneemann, Theodor Granderath and Florian Reiss, who produced a number of important works: the "Collectio lacensis" ("Acta et decreta sacrorum conciliorum recentiorum", 7 volumes, Freiburg, 1870–1890); the "Philosophia lacensis", a collection of learned books on the different branches of philosophy (logic, cosmology, psychology, theodicy, natural law) and published at Freiburg, 1880–1900; and, perhaps best-known, the "Stimmen aus Maria-Laach" ("Voices from Maria Laach"), appearing from 1865, at first as individual pamphlets defending against liberalism within the Roman Catholic church, and from 1871 as a regular periodical. The Jesuits were obliged to leave during the "Kulturkampf" of the 1870s.
The Benedictines of the Beuronese Congregation moved into the monastery in 1892, and it was raised into an abbey the following year. The restoration of the church, at that time still the property of Prussia, was inaugurated by Kaiser Wilhelm II in 1897.
In the first half of the twentieth century Maria Laach played a leading role in the Liturgical Movement.
The abbey structure dates from between 1093 and 1177, with a paradisium added around 1225 and is considered a prime example of Romanesque architecture of the Staufen period. Despite its long construction time the well-preserved basilica with its six towers is considered to be one of the most beautiful Romanesque buildings in Germany.
Due to a considerable reduction of the lake level in the early 19th century, serious and unexpected structural damages to the church vaults and roofs were detected. Three important renovation campaigns took place - the first in the 1830s to repair the structural damages including the removal of the paradisium's upper storey (it had an upper storey at that time for accommodation facilities), the second in the 1880s including repairs after a serious fire in the southern round tower in 1885, and the third in the 1930s. Many former changes to the buildings carried out in Gothic (e. g. steep tower roofs) and Baroque style (e. g. wider windows) have been re-altered to Romanesque style.
The Maria Laach Abbey has been at the center of a controversy over its relations with the Nazi regime between 1933 and 1945. In particular Heinrich Böll, depicting in Billiards at Half-past Nine a Benedictine monastery whose monks actively and voluntarily collaborated with the Nazis, is generally considered to have had Maria Laach in mind (Wikipedia).
DOC114/14186 - Abbey Church of Maria Laach
Floor plan of the Westbau. From Adenauer et al. 1943:289, fig. 236. Fig. 3.33 in: BANDMANN, Gunter (2005). Early Medieval Architecture as Bearer of Meaning. Columbia University Press, New York. ISBN 0-231-12704-9
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Maria Laach Abbey (in German: Abtei Maria Laach, in Latin: Abbatia Maria Lacensis or Abbatia Maria ad Lacum) is a Benedictine abbey situated on the southwestern shore of the Laacher See (Lake Laach), near Andernach, in the Eifel region of the Rhineland-Palatinate in Germany. It is a member of the Beuronese Congregation within the Benedictine Confederation. The abbey was known for nearly 770 years as "Abtei Laach" ("Abbatia Lacensis" or "Laach Abbey", meaning the "Lake Abbey") until 1862 when the Jesuits added the name "Maria".
Founded in 1093 as a priory of Affligem Abbey (in modern Belgium) by the first Count Palatine of the Rhine Heinrich II von Laach and his wife Adelheid von Orlamünde-Weimar, widow of Hermann II of Lotharingia, Laach became an independent house in 1127, under its first abbot, Gilbert. Affligem itself had been founded by Hermann. Although the abbey was founded by a prominent (if not excommunicated) member of the imperial party (Investiture Controversy), Affligem became soon after a prominent member of the Cluniac reform movement.
The abbey developed as a centre of study during the 12th century. The 13th-century abbots Albert (1199–1217) and Theoderich II (1256–1295) added significantly to the buildings and architectural decoration, including the monumental tomb of the founder.
In common with most other German Benedictine houses, Laach declined during the 14th century in terms of its spiritual and monastic life, a tendency which was reversed only in the late 15th century, under the influence of the reforming Bursfelde Congregation, which the abbey joined, supported against a certain resistance within the abbey by Abbot Johannes V von Deidesheim (1469–1491).
The consequent improvement in discipline led to a fruitful literary period in the abbey's history, prominent in which were Jakob Siberti, Tilman of Bonn and Benedict of Munstereifel, but principally Prior Johannes Butzbach (d. 1526). Although much of his work, both published and unpublished, survives, his chronicle of the abbey is unfortunately lost.
Laach Abbey was dissolved in the secularisation of 1802. The premises became the property, first of the occupying French, and then in 1815 of the Prussian State.
In 1820 the buildings were acquired by the Society of Jesus, who established a place of study and scholarship here. Of particular note were Fathers Gerhard Schneemann, Theodor Granderath and Florian Reiss, who produced a number of important works: the "Collectio lacensis" ("Acta et decreta sacrorum conciliorum recentiorum", 7 volumes, Freiburg, 1870–1890); the "Philosophia lacensis", a collection of learned books on the different branches of philosophy (logic, cosmology, psychology, theodicy, natural law) and published at Freiburg, 1880–1900; and, perhaps best-known, the "Stimmen aus Maria-Laach" ("Voices from Maria Laach"), appearing from 1865, at first as individual pamphlets defending against liberalism within the Roman Catholic church, and from 1871 as a regular periodical. The Jesuits were obliged to leave during the "Kulturkampf" of the 1870s.
The Benedictines of the Beuronese Congregation moved into the monastery in 1892, and it was raised into an abbey the following year. The restoration of the church, at that time still the property of Prussia, was inaugurated by Kaiser Wilhelm II in 1897.
In the first half of the twentieth century Maria Laach played a leading role in the Liturgical Movement.
The abbey structure dates from between 1093 and 1177, with a paradisium added around 1225 and is considered a prime example of Romanesque architecture of the Staufen period. Despite its long construction time the well-preserved basilica with its six towers is considered to be one of the most beautiful Romanesque buildings in Germany.
Due to a considerable reduction of the lake level in the early 19th century, serious and unexpected structural damages to the church vaults and roofs were detected. Three important renovation campaigns took place - the first in the 1830s to repair the structural damages including the removal of the paradisium's upper storey (it had an upper storey at that time for accommodation facilities), the second in the 1880s including repairs after a serious fire in the southern round tower in 1885, and the third in the 1930s. Many former changes to the buildings carried out in Gothic (e. g. steep tower roofs) and Baroque style (e. g. wider windows) have been re-altered to Romanesque style.
The Maria Laach Abbey has been at the center of a controversy over its relations with the Nazi regime between 1933 and 1945. In particular Heinrich Böll, depicting in Billiards at Half-past Nine a Benedictine monastery whose monks actively and voluntarily collaborated with the Nazis, is generally considered to have had Maria Laach in mind (Wikipedia).