Red Light
This isn't my style of processing. I don't really like frequency separation or it's variations. It's just so artificial to my eye and is very overdone. I think it has its place but generally, it hasn't had a place in my workflow and it's no less time consuming than what I ordinarily do.
That said, I know the model was looking for that style so I decided to step out of my zone a bit. That, and I liked the MUA and wanted to showcase her work a bit.
Strobist:
Godox AD600 Key light on light stand high camera right in 34" dish double diffused.
AD200 with red gel, gridded on light stand camera left and slightly behind subject.
R2 Pro II triggered.
Follow on Instagram
_144
Red Light
This isn't my style of processing. I don't really like frequency separation or it's variations. It's just so artificial to my eye and is very overdone. I think it has its place but generally, it hasn't had a place in my workflow and it's no less time consuming than what I ordinarily do.
That said, I know the model was looking for that style so I decided to step out of my zone a bit. That, and I liked the MUA and wanted to showcase her work a bit.
Strobist:
Godox AD600 Key light on light stand high camera right in 34" dish double diffused.
AD200 with red gel, gridded on light stand camera left and slightly behind subject.
R2 Pro II triggered.
Follow on Instagram
_144