Proleshi
///M3: Lot 2
I think I journeyed deeper into the realm of HDR on this one.
I had to fight with this nasty green glow from a street light on the far right of this shot. You can see the glow of green on the front wheel. I guess it has it's place because I like the contribution to the front wheel, however, color correction was needed for Carlos's face.
The original setup employed a single SB-600 (in TTL mode) attached to the D60 by an SC-28 cable and triggered through a white umbrella, camera right and a bit in front of subject. Distance: about 12 ft away and about 6.5 feet high.
Learned a few things on this shoot (unfortunately, the hard way). Now I know a few more things NOT to do that will make post-process work less tedious and time consuming.... ;) I'm sure other "improvements" could be made to this, but I'm done.
///M3: Lot 2
I think I journeyed deeper into the realm of HDR on this one.
I had to fight with this nasty green glow from a street light on the far right of this shot. You can see the glow of green on the front wheel. I guess it has it's place because I like the contribution to the front wheel, however, color correction was needed for Carlos's face.
The original setup employed a single SB-600 (in TTL mode) attached to the D60 by an SC-28 cable and triggered through a white umbrella, camera right and a bit in front of subject. Distance: about 12 ft away and about 6.5 feet high.
Learned a few things on this shoot (unfortunately, the hard way). Now I know a few more things NOT to do that will make post-process work less tedious and time consuming.... ;) I'm sure other "improvements" could be made to this, but I'm done.