otibi1
Architectural Abstraction
The geometry of urban areas is a canvas, for photographic abstractions! I love discovering urban geometry, and Boston, with all of its years of history and architecture, is rich in it.
This is from my first roll of Agfa Aviphot 200, in this case branded as JCH Streetpan 400. Aerial surveillance film has always fascinated me, and so I wanted to give it a shot; my local lab had Streetpan so I brought some. I shot it at 200 but decided not to pull just to see what would happen. A lot of the shots came out harsh, but some were great; I'll continue some more experiments in the future, using the (cheaper) Rollei Superpan 200. :)
======Technical Details======
Camera: LOMO Voskhod (1967)
Lens: f2.8/45 T-48 fixed, triplet style with lanthanum glass.
Film: JCH Streetpan 400 (Agfa Aviphot 200)
Exposure: 200 ISO, developed at 400 ISO.
Weather: Mostly clear, light haze noon.
Scan: Lab scan.
Architectural Abstraction
The geometry of urban areas is a canvas, for photographic abstractions! I love discovering urban geometry, and Boston, with all of its years of history and architecture, is rich in it.
This is from my first roll of Agfa Aviphot 200, in this case branded as JCH Streetpan 400. Aerial surveillance film has always fascinated me, and so I wanted to give it a shot; my local lab had Streetpan so I brought some. I shot it at 200 but decided not to pull just to see what would happen. A lot of the shots came out harsh, but some were great; I'll continue some more experiments in the future, using the (cheaper) Rollei Superpan 200. :)
======Technical Details======
Camera: LOMO Voskhod (1967)
Lens: f2.8/45 T-48 fixed, triplet style with lanthanum glass.
Film: JCH Streetpan 400 (Agfa Aviphot 200)
Exposure: 200 ISO, developed at 400 ISO.
Weather: Mostly clear, light haze noon.
Scan: Lab scan.