Half-life: 20-21

First curatorial pages. The book was composed of four simultaneous narratives. From left: an illustrated timeline of the artist's life- and work-course; a critical essay, in English and German, from the Leipzig artist and critic Ute Schneider; illustrations of all the books included in the exhibition; and a selection of advertising cuts from Ms. Tetenbaum's collection, which figure prominently in her work.

Done