Wallpaper photographer
Fuji X-Pro1. This is my last take of this series on photography as wallpaper creation. There is nothing wrong with wallpapers as such. In photography, however, it raises fundamental questions of what photography is about. Is it a visual expression of what you already know? Does the image, then, confirm your expectations? If so, the basic structure of wallpaper photography is repetition. What is excluded is otherness, surprises and, perhaps, a subject that refuses to become your "object" and "predictable". If repetition is not your photographic avenue, then something else must come to the fore. For lack of a better term I call it "invasion". You are visually, mentally and often emotionally invaded by something you neither "are" nor "have". And your image would be a response to this.
Wallpaper photographer
Fuji X-Pro1. This is my last take of this series on photography as wallpaper creation. There is nothing wrong with wallpapers as such. In photography, however, it raises fundamental questions of what photography is about. Is it a visual expression of what you already know? Does the image, then, confirm your expectations? If so, the basic structure of wallpaper photography is repetition. What is excluded is otherness, surprises and, perhaps, a subject that refuses to become your "object" and "predictable". If repetition is not your photographic avenue, then something else must come to the fore. For lack of a better term I call it "invasion". You are visually, mentally and often emotionally invaded by something you neither "are" nor "have". And your image would be a response to this.