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English
paulu. says: Two pairs of eyes are recognising Suresh Naganathan. The reader, guardedly, and the newspaper, in quick, brilliant mode. What's fun is that if you put the image upside down they exchange roles - the newspaper becomes lazy and the eyes of the reader give us a smile.
S&R #7 by Suresh Naganathan
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paulu. says: No words.
#07 by Muhammad Imam Hasan
483 56
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paulu. says: Ah! I lied when I suggested that I couldn't point out a photo that, with no doubts, and for real, shows a "fleeting moment of recognition" . This one does. We can see it in the face of the man reflected in the mirror. Why am I so sure about it? Because everything in this shot is true.
#7 Cans by Richy B
13 19
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paulu. says: I've been living in a Catholic country for all my life, and that taught me that priests have a particular way to speak when they don't speak to anyone in special. Ah, and they also have a particular way to look when they don't want to look at anybody in special. However, sometimes, they use that way of speaking as a trick to say something to somebody pretending to be talking in general, and that way of looking at to control what's happening in front of them, pretending they are watching an angel at 12 miles distance. So, it's impossible to me to say if this shot fits the brief, or not, but it's precisely this uncertainty in the context of the extraordinary scene that is shown, that makes this image splendid to my eyes.
DSCF8516 by cedrus`
145 43
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paulu. says: Damn. I have just realised now that I had lied twice. This is a real "fleeting moment of recognition" above any doubts
#07/#49 Boundary by Leripix
57 38
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paulu. says: The special one and his glare in just one photo. Everything else, tall guys, and so, is background and vassals. Even if they don't know it yet.
The Fun Fair Gang by Michael May
22 36
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paulu. says: It is all in her eyes, the power of this girl, who, when she passes, makes walls turn into the colour of her skin.
Chicago - S&R 07 by Mike McCawley
20 15
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paulu. says: And now, the impossible reaches the "fleeting moment of recognition". So it is The End.
S&R #7 - “That Fleeting Moment of Recognition” Edinburgh 2016 by Paul Cruickshank
37 24
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