The Fixer
Shot in Cains Brewery also known as The Peaky Blinders' Bar in the Baltic triangle, Liverpool.
Model: Mathew McMahon
The key light is behind the bar: an AD200 with the curly tube, inside a 24" pop-up softbox with a fabric grid attached to control the spill. In the back/left I have a bare V860-II with a full cut of CTO gel to give an edge on Matt's left side. Finally, I have a Lencarta Safari II with a half cut of CTO gel, inside a Lencarta collapsible beauty dish with the front diffusion on and a fabric grid. This is lighting the background just enough to give a hint of the industrial features and in this old building. Shutter speed is slow enough to register the light from the chandeliers but not so slow that the scene is unduly lit by this flat light.
I've pumped a bit of fog into the room to simulate the smokey atmosphere of a 1920's bar.
Finally, on the camera, is a Lee Soft-1 filter to give a bit of flare and bloom to the highlights.
The Fixer
Shot in Cains Brewery also known as The Peaky Blinders' Bar in the Baltic triangle, Liverpool.
Model: Mathew McMahon
The key light is behind the bar: an AD200 with the curly tube, inside a 24" pop-up softbox with a fabric grid attached to control the spill. In the back/left I have a bare V860-II with a full cut of CTO gel to give an edge on Matt's left side. Finally, I have a Lencarta Safari II with a half cut of CTO gel, inside a Lencarta collapsible beauty dish with the front diffusion on and a fabric grid. This is lighting the background just enough to give a hint of the industrial features and in this old building. Shutter speed is slow enough to register the light from the chandeliers but not so slow that the scene is unduly lit by this flat light.
I've pumped a bit of fog into the room to simulate the smokey atmosphere of a 1920's bar.
Finally, on the camera, is a Lee Soft-1 filter to give a bit of flare and bloom to the highlights.