110 E100VS-01
This is not a special image but the way it was shot is. This is Kodak Ektachrome in a 110 cart. I put 120 Ektachrome into my film slitter to cut it to 127 size. The remnant is 16mm wide, perfect for 110 cameras. The camera is my Minolta 110 Zoom SLR. (The one with the bump on top...) This camera doesn't really care if there are sprocket holes. I split open a used 110 cart and loaded the 16mm film remnant onto the backing paper, put it all back together. All of this was done in a changing bag. I did practice in daylight till I got it right. I AM going to make a device to punch the correct sprocket holes so I can load any type film remnant into a 110 cart for all 110 cameras. Can you imagine Fuji Velvia 100 in 110 format..?! You may wonder why bother with 110 at all..? Because I can, and the only place I exhibit is on the web. The Met in New York City is not really interested in 4x6 photos....or any of my others, either. Their loss, my friends are all here. Hugs...Nyms
110 E100VS-01
This is not a special image but the way it was shot is. This is Kodak Ektachrome in a 110 cart. I put 120 Ektachrome into my film slitter to cut it to 127 size. The remnant is 16mm wide, perfect for 110 cameras. The camera is my Minolta 110 Zoom SLR. (The one with the bump on top...) This camera doesn't really care if there are sprocket holes. I split open a used 110 cart and loaded the 16mm film remnant onto the backing paper, put it all back together. All of this was done in a changing bag. I did practice in daylight till I got it right. I AM going to make a device to punch the correct sprocket holes so I can load any type film remnant into a 110 cart for all 110 cameras. Can you imagine Fuji Velvia 100 in 110 format..?! You may wonder why bother with 110 at all..? Because I can, and the only place I exhibit is on the web. The Met in New York City is not really interested in 4x6 photos....or any of my others, either. Their loss, my friends are all here. Hugs...Nyms