Thomas Harper says:
Savour this classic night exposure from the Scottish Region in the nineteen-eighties by Bruce Galloway. I think the repeating pattern created by the canopy supports provides important structure for the shot (if you'll excuse the pun), and be sure to check out the ghost figures, especially the driver. Great stuff.
Thomas Harper says:
This is probably my all time favourite from the superb railway archive of David Hayes. I often come back to look at it and wish I had taken it myself. Cop an eyeful of the amber glow, the wet platform, the lone "47" in exactly the right place, and the shining signal, dead in the centre of the photograph. Breathtaking.
Thomas Harper says:
In the late 'seventies and early 'eighties I was a keen "50" basher so this photo was a natural choice for me. All parts of scene are beautifully exposed, and the sheer clarity of the subject jumps out at the viewer. There's a super bit of perspective too as you look down the length of the platform towards the vanishing point.
Thomas Harper says:
This photo showing a couple of humble first generation dmus seems very typical of the British Rail period I knew as a young railway enthusiast. There's a lovely bit of frost on the platforms and track, and I really like the pinkish glow of the night sky. The fact that you can see some of the passengers inside is another great touch.
Thomas Harper says:
This portrait of a Class 50 at Birmingham New Street station by David Rostance resonates powerfully with me: a combination of the locomotive type (a particular favourite of mine) and the location, which I got to know very well when I was a student in the city. I also like the 'brute' in the foreground, and the fact that you can see the well-lit, but claustrophobic platforms beyond, an ambiance that the station's recent refurbishment (2015) has done little to change.
Thomas Harper says:
Here's a fantastically atmospheric shot from Syd Young, showing a Class 43 passing Cave Crossing on Humberside at night. To me, the amount of motion blur is perfect, and when you combine this with the way the subjects are illuminated against the inky blackness beyond, it makes a remarkable photograph. I'd even go as far as saying that it's in the spirit of O. Winston Link's work.
Nothing here yet.
You can save a photo or video to a gallery from its detail page, or choose from your faves here.
Comments