Mahasu Devta temple at Hanol (4)
Architecturally Mahasu Devta Temple at Hanol is one of the rarest examples of perfect and harmonious blend of stone and wooden structure to form one composite grand edifice. The sanctum proper is a pure stone shikhara in classical naga style. The whole wooden structure is covered with a high pitched slated pent roof surmounted by a two-tiered conical canopy over it on which a gracefully tapered kalash pinnacle stands. The roof ends and the projection of balcony are ornamented with dangling fringes a pendent corner bells which sway with the slightest movement of breeze.
Plan of Mahasu Devta Temple, Hanol
The stone built classical sanctum sanctorum enshrines many mohras and one bronze image. Those in front row from left to right are Chalda Mahasu (the Mahasu who keeps on moving), Devladli Devi (mother of Mahasu Devta), Kapala Bir (one of the four birs (attendants) of Mahasu Devta), and Shedkuliya (the attendant who emits the whistling sound). Behind them in the preceding order are Pavasi Devta, Kailu (a bir), Natari (polyandrous wife of four Mahasu brothers). All the face images are seated in a middle a small bronze image which is regarded as Botha Mahasu.
Entry to sanctum is restricted strictly for others except the pujari. Even he is required to undergo ritual ablution every time he enters the celestial realms; the tradition pujari of temple is a Brahmin. He is not supposed to eat meat, only eat food once a day, avoid proximity with other persons during the term of his deity as pujari.
Mahasu devta temple
In front of sanctum is a large room which functions as an extension to the sanctum where sacramental objects are stored. This room is called Bhandar. Entry to this room is restricted to Brahmins only. The gilded door of the bhandar is very interesting. It surface is profusely embossed with human and animal figures in a very bold manner depicting the episodes associated with the birth of Mahasu Devta. The door frame is intensively covered with coins nailed over one another through years but non of them are numismatic interest and range from recent past. The lion head is fitted with a gold brass ring that serves as a handle. Such ornamental door are common in temple near east of satluj. In front of the vestibule is a sabha mandap followed by an open frontal portico. All the four apartments of this temple are roofed separately. Vestibule and bhandar have a combined three-tiered pent roof with pyramid canopy. The frontal porch has a gable roof over it supported by two wooden pillars with an intermediate ornamental arch.
Mahasu Devta temple at Hanol (4)
Architecturally Mahasu Devta Temple at Hanol is one of the rarest examples of perfect and harmonious blend of stone and wooden structure to form one composite grand edifice. The sanctum proper is a pure stone shikhara in classical naga style. The whole wooden structure is covered with a high pitched slated pent roof surmounted by a two-tiered conical canopy over it on which a gracefully tapered kalash pinnacle stands. The roof ends and the projection of balcony are ornamented with dangling fringes a pendent corner bells which sway with the slightest movement of breeze.
Plan of Mahasu Devta Temple, Hanol
The stone built classical sanctum sanctorum enshrines many mohras and one bronze image. Those in front row from left to right are Chalda Mahasu (the Mahasu who keeps on moving), Devladli Devi (mother of Mahasu Devta), Kapala Bir (one of the four birs (attendants) of Mahasu Devta), and Shedkuliya (the attendant who emits the whistling sound). Behind them in the preceding order are Pavasi Devta, Kailu (a bir), Natari (polyandrous wife of four Mahasu brothers). All the face images are seated in a middle a small bronze image which is regarded as Botha Mahasu.
Entry to sanctum is restricted strictly for others except the pujari. Even he is required to undergo ritual ablution every time he enters the celestial realms; the tradition pujari of temple is a Brahmin. He is not supposed to eat meat, only eat food once a day, avoid proximity with other persons during the term of his deity as pujari.
Mahasu devta temple
In front of sanctum is a large room which functions as an extension to the sanctum where sacramental objects are stored. This room is called Bhandar. Entry to this room is restricted to Brahmins only. The gilded door of the bhandar is very interesting. It surface is profusely embossed with human and animal figures in a very bold manner depicting the episodes associated with the birth of Mahasu Devta. The door frame is intensively covered with coins nailed over one another through years but non of them are numismatic interest and range from recent past. The lion head is fitted with a gold brass ring that serves as a handle. Such ornamental door are common in temple near east of satluj. In front of the vestibule is a sabha mandap followed by an open frontal portico. All the four apartments of this temple are roofed separately. Vestibule and bhandar have a combined three-tiered pent roof with pyramid canopy. The frontal porch has a gable roof over it supported by two wooden pillars with an intermediate ornamental arch.