Nadeshiko. Horseman Sw612, Rodenstock 45mm
Kodak Ektar 100 f/16 240s
Named for the Nadeshiko pink on the sands, and the clouds which resemble nothing so much as the Dianthus (Nadeshiko) flower.
Light meter still set on PanF ISO50, probably 4 times over ideal exposure once reciprocity failure was factored: still essentially dark at that time of morning, so didn’t twig to the crazy exposure until the third frame of the morning. Awesome film latitude.
Also interesting because of the visible pink sand: would’ve watched perhaps a dozen waves break over the sand during the exposure, which usually translates to the white haze of foam dominating the final image, but no, just the wet sand reflecting the predawn colours. An unexpected delight.
Nadeshiko. Horseman Sw612, Rodenstock 45mm
Kodak Ektar 100 f/16 240s
Named for the Nadeshiko pink on the sands, and the clouds which resemble nothing so much as the Dianthus (Nadeshiko) flower.
Light meter still set on PanF ISO50, probably 4 times over ideal exposure once reciprocity failure was factored: still essentially dark at that time of morning, so didn’t twig to the crazy exposure until the third frame of the morning. Awesome film latitude.
Also interesting because of the visible pink sand: would’ve watched perhaps a dozen waves break over the sand during the exposure, which usually translates to the white haze of foam dominating the final image, but no, just the wet sand reflecting the predawn colours. An unexpected delight.