Now That We are at the Point of Possibly Cancelling Picasso
How relived are we to have access to a Painting App, one where these considerations don't hold, one with no 'human fallibilities' at all?
Should one feel exploitable, and therefore exploited, when one feels moved by what they can produce, which is, of course, the product of the universal rape and pillage of all our shared references throughout our own history? Those bots are just doing what bots are best at doing, being the best bots they can possibly be.
I like this new blinding conundrum. It excites, like all 'new' ideas.
'Cold' bots, making 'warm' images, why I never.
I wonder was Mr. Van Dyck misogynistic. Time is constantly at that job of editing, and re-editing.
Now That We are at the Point of Possibly Cancelling Picasso
How relived are we to have access to a Painting App, one where these considerations don't hold, one with no 'human fallibilities' at all?
Should one feel exploitable, and therefore exploited, when one feels moved by what they can produce, which is, of course, the product of the universal rape and pillage of all our shared references throughout our own history? Those bots are just doing what bots are best at doing, being the best bots they can possibly be.
I like this new blinding conundrum. It excites, like all 'new' ideas.
'Cold' bots, making 'warm' images, why I never.
I wonder was Mr. Van Dyck misogynistic. Time is constantly at that job of editing, and re-editing.