MaxAphotography
Form
This shape, a two-dimensional structure distorted by the gravitational pull of light, is the perfect form to hold my thoughts on form. Two points need to be clarified: it obviously only holds for this particular form (shape?), and, most importantly, as a two-dimensional structure the shape (form?) could only come into being by being distorted by light because we do talk about ‘photo-graphy’ after all, and, equally importantly, as a two-dimensional structure no other forces are visible that could have worked on it to create this shape. To be sure, this is not a representation of one of Einstein's theories of relativity, nor an infinite number of unfolding polyhedra. This form, Katsuhiro Yamaguchi's soon disappearing work ‘Mesh sculpture’ of 1961, can currently still be seen at the Tate Modern. It merges the two distinctions, form and shape. Imagine that you pull the corners of the wire mesh in the four directions of the compass simultaneously and then Ctrl-Z the process once accomplished. Form and shape thus become inseparable, intertemporally united. If you think that this interpretation hangs by the tiniest of threads, that is precisely what this form (shape?) actually does (check the photo).
Form
This shape, a two-dimensional structure distorted by the gravitational pull of light, is the perfect form to hold my thoughts on form. Two points need to be clarified: it obviously only holds for this particular form (shape?), and, most importantly, as a two-dimensional structure the shape (form?) could only come into being by being distorted by light because we do talk about ‘photo-graphy’ after all, and, equally importantly, as a two-dimensional structure no other forces are visible that could have worked on it to create this shape. To be sure, this is not a representation of one of Einstein's theories of relativity, nor an infinite number of unfolding polyhedra. This form, Katsuhiro Yamaguchi's soon disappearing work ‘Mesh sculpture’ of 1961, can currently still be seen at the Tate Modern. It merges the two distinctions, form and shape. Imagine that you pull the corners of the wire mesh in the four directions of the compass simultaneously and then Ctrl-Z the process once accomplished. Form and shape thus become inseparable, intertemporally united. If you think that this interpretation hangs by the tiniest of threads, that is precisely what this form (shape?) actually does (check the photo).