.Retrospect I – fragments in stillness
Two figures with cracked, stone-like surfaces stand back to back. Their posture is upright and composed, turned away but not in conflict. The space between them feels suspended – not necessarily separation, but a moment of quiet equilibrium. It could be distance, or a different kind of closeness.
To me, they seem shy, as if they’re still searching for common ground before they can turn toward each other.
Nuvole Bianche drifts softly over them, like something remembered, but never quite named.
Italian composer Ludovico Einaudi is known for minimalist piano pieces that feel more like reflections than performances — quiet, deliberate, deeply human.
His music often moves like breath – minimal, emotional, made to be felt more than explained.
the place: Retrospect
.Retrospect I – fragments in stillness
Two figures with cracked, stone-like surfaces stand back to back. Their posture is upright and composed, turned away but not in conflict. The space between them feels suspended – not necessarily separation, but a moment of quiet equilibrium. It could be distance, or a different kind of closeness.
To me, they seem shy, as if they’re still searching for common ground before they can turn toward each other.
Nuvole Bianche drifts softly over them, like something remembered, but never quite named.
Italian composer Ludovico Einaudi is known for minimalist piano pieces that feel more like reflections than performances — quiet, deliberate, deeply human.
His music often moves like breath – minimal, emotional, made to be felt more than explained.
the place: Retrospect