Pretty in Pink (Film)
Camera: Rolleiflex 3.5B TLR Zenar 75mm f3.5 1954
Film: Kodak Gold 200 120
Scanned by Walkens House of Film, Melbourne, Australia
The limitations of the square format with the Rolleiflex Twin Lens Reflex camera force you to think about the framing in camera. And to add a little complexity, the waist-level viewfinder through ground glass reverses the image (so left is right and vice versa). Once again the medium format image is crystal clear with minimal grain. The colour from the Kodak Gold 200 is perfect, I think.
Pretty in Pink (Film)
Camera: Rolleiflex 3.5B TLR Zenar 75mm f3.5 1954
Film: Kodak Gold 200 120
Scanned by Walkens House of Film, Melbourne, Australia
The limitations of the square format with the Rolleiflex Twin Lens Reflex camera force you to think about the framing in camera. And to add a little complexity, the waist-level viewfinder through ground glass reverses the image (so left is right and vice versa). Once again the medium format image is crystal clear with minimal grain. The colour from the Kodak Gold 200 is perfect, I think.