concrete is porous

act 3: visual and aural.

 

edited by Bill Bissett & Hart Broudy.

 

3rd edition, revised. Windsor, Common Ground Art Gallery, for 28 may - 29 june 2o19. [2oo copies?] of which perhaps half were modified to become act 4.

 

4-1/2 x 6-1/2, 8 sheets white chromecoat stapled twice into white glossy card wrappers, all printed black laser.

 

cover graphic by Bill Bissett over wraparound visual poem by Hart Broudy.

 

29 contributors:

Jim Andrews, Sacha Archer, Gary Barwin, Karl Bekker, Bill Bissett, Daniel F.Bradley, Hart Broudy, Michael E.Casteels, Judith Copithorne, jwcurry, Michael Dean, Brian Dedora, Paul Dutton, Amanda Earl, Kyle Flemmer, Chad Juriansz, Adeena Karasick, Gilles Lacombe, Mark Laliberte, Peggy Lefler, Gustave Morin, David Tin Mouth, bpNichol, Michèle Provost, Eric Schmaltz, Kate Siklosi, Dani Spinosa, W.Mark Sutherland, Grant Wilkins.

 

Nichol inclusions:

i) Horizon # 24 (a concrete poem, embroidered version as pillow by Ellie Nichol, photograph by [Hart Broudy])

ii) coral reef one (concrete poem, black & white, very reduced, photograph by [Hart Broudy])

 

also includes:

iii) an h for beep, by Kate Siklosi (visual poem; photograph by [Hart Broudy])

iv) silence for bpNichol, by Hart Broudy (photograph of book by Barbra Caruso)

v) video (list of recordings on continuous play thougout the exhibition includes

–1. the four horsemen (extract from Ron Mann's Poetry In Motion)

–2. canadian sound poetry in the 6os (audio anthology compiled by & including Nichol)

–3. bp, pushing the boundaries (film by Brian Nash))

____________________________

 

• act 1

• act 2

Done