Cellist in the Parker Quartet
known for scintillating musicianship, vibrant playing, youthful style... and for taking their performances out of the concert hall and into the bars and clubs of East Coast America. Is this an approach that might attract new (and younger) audiences to (less stuffy) classical gigs in non-traditional venues?
Here Kee-Hyun Kim stands for applause for pieces by Bartok, Beethoven & Webern.
Members of the Quartet met at the New England Conservatory in Boston, MA, in 2002
Cellist in the Parker Quartet
known for scintillating musicianship, vibrant playing, youthful style... and for taking their performances out of the concert hall and into the bars and clubs of East Coast America. Is this an approach that might attract new (and younger) audiences to (less stuffy) classical gigs in non-traditional venues?
Here Kee-Hyun Kim stands for applause for pieces by Bartok, Beethoven & Webern.
Members of the Quartet met at the New England Conservatory in Boston, MA, in 2002