joey_joey_joey
Day Three Hundred Four Setup Shot
So if you clicked over from Day 304 you may notice that this is the exact same photo only with all the bits still left in the photo.
The white seamless is just a piece of white fabric gaffer'd to the wall. It's lit by just 1 speedlight camera left (yes it's the 550EX with a FIXED hotshoe). Main lighting comes from a speedlight in a shoot through umbrella high camera left and hair light is provided by a speedlight light in a gridded softbox high above camera right.
From here it's all about editing the photo in Ps and replacing the background with white. After that you can adjust your model's position and angle to get the look you're after.
Day Three Hundred Four Setup Shot
So if you clicked over from Day 304 you may notice that this is the exact same photo only with all the bits still left in the photo.
The white seamless is just a piece of white fabric gaffer'd to the wall. It's lit by just 1 speedlight camera left (yes it's the 550EX with a FIXED hotshoe). Main lighting comes from a speedlight in a shoot through umbrella high camera left and hair light is provided by a speedlight light in a gridded softbox high above camera right.
From here it's all about editing the photo in Ps and replacing the background with white. After that you can adjust your model's position and angle to get the look you're after.