Scenes from my imaginary directorial debut

james_whitty says: My opening title sequence... CRESTWOOD. As a title it seemed suitably mysterious, and I loved the photo - absolutely perfect lines... I imagined the letters fading in and then slowly out as the old guy walked across the shot...

C R E S T W O O D by hobvias sudoneighm

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james_whitty says: I love love love this picture. Fantastic grainy shadows, the upside-downness really adds something too... from here the camera swings up and back to see the gathering disperse...

Photofriends by Luc Boonen

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james_whitty says: ...and drift away... to be followed...

shadows by Lukas Vasilikos

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james_whitty says: ...before reaching this fantastically lit walkway...

Machida, Tokyo by Dai

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james_whitty says: ...and a lone figure escapes to...

leisure time. by Martin Teschner

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james_whitty says: ...and now its gets weird... is this a dream, a flashback, a drunken blur?

by Heitor Magno

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james_whitty says: ...is this the same girl... looking down on something... drifting through the field...

Catcher in the Rye by Pawel Maciejewski

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james_whitty says: ...and now its turned... somethings wrong...

Angoulême by ybig

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james_whitty says: ...so if you're going to have an existential drive or a phrenetic chase then you might as well do it in a Aston Martin DB6 Volante (or a Bristol Fighter, but I couldnt find any black and white shots)...

v o la n t e by D I C K S D A I L Y

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james_whitty says: ...and you might as well drive along a road like this...

Atlantic-Road-in-BW by Roger Augdal Olsen

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james_whitty says: then...

Fight by Elvia http://www.elviaphotography.com/

james_whitty says: then... [but who died?]

Collateral Damage by Rhett Redelings

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james_whitty says: and the ending... someone enters the shot to join the drinker [is this the old guy from the opening scenes?]...

Drinking at local bar by Boudewijn Olthof

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james_whitty says: ...and it ends! This really took some finding... I toyed with stuff from godard, kubrick and kurosawa, and a great still from Great Gatsby (1974) but it wasn’t black and white. Dill Pixels' set of movie end frames is absolute gold. So, what is this film all about? I'm not quite sure yet. I'll tell you when I make it...

FIN by T. Djll

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