The Surreal Aftermath
or
The Pink Reverie of a Post-Apocalyptic Forest
I leave the interpretation of the image to the viewer.
as always the procedure:
1st. lint demon artwork by alicia henderson, november 2012, in the style of aron wiesenfeld, pink and gray, eerie landscapes, etam cru, monumental figures, jan mankes, flowerpunk, unreal engine, hyperealistic, 8K, sony A7II, 50mm lens
2nd. 3 times pan left with the same prompt.
3rd. custom zoom 1.2 reduced prompt: style of aron wiesenfeld, pink and gray, eerie landscapes, etam cru, monumental figures, jan mankes, flowerpunk, unreal engine, hyperealistic, 8K, sony A7II, 50mm lens, --s 800 --weird 1000 --style raw --ar 16:9
While prompting I changed the "s" , "weird" and "ar" parameters.
Keep in mind that it takes a lot of attempts to produce a satisfactory result for me, also a post-processing in Photoshop has happened here.
The Surreal Aftermath
or
The Pink Reverie of a Post-Apocalyptic Forest
I leave the interpretation of the image to the viewer.
as always the procedure:
1st. lint demon artwork by alicia henderson, november 2012, in the style of aron wiesenfeld, pink and gray, eerie landscapes, etam cru, monumental figures, jan mankes, flowerpunk, unreal engine, hyperealistic, 8K, sony A7II, 50mm lens
2nd. 3 times pan left with the same prompt.
3rd. custom zoom 1.2 reduced prompt: style of aron wiesenfeld, pink and gray, eerie landscapes, etam cru, monumental figures, jan mankes, flowerpunk, unreal engine, hyperealistic, 8K, sony A7II, 50mm lens, --s 800 --weird 1000 --style raw --ar 16:9
While prompting I changed the "s" , "weird" and "ar" parameters.
Keep in mind that it takes a lot of attempts to produce a satisfactory result for me, also a post-processing in Photoshop has happened here.