Cinestill 50 at its best and worst
In principle, I really like the colour rendering in this one.
But the colour shift is also there - along the top and the bottom. And the blotches and wiggly wormlets (what the hell are they???) are there too, though here you see tjem only at the second glance.
Camera: Leica R7 (10068), made in 1996
Lens: Leitz Summilux-R 50 mm 2nd model (11776)
Cinestill Daylight 50 colour negative film (expired in April 2019)
Developed and scanned by www.meinfilmlab.de
Cinestill 50 at its best and worst
In principle, I really like the colour rendering in this one.
But the colour shift is also there - along the top and the bottom. And the blotches and wiggly wormlets (what the hell are they???) are there too, though here you see tjem only at the second glance.
Camera: Leica R7 (10068), made in 1996
Lens: Leitz Summilux-R 50 mm 2nd model (11776)
Cinestill Daylight 50 colour negative film (expired in April 2019)
Developed and scanned by www.meinfilmlab.de