Headlands, Surf, and Fog
Headlands, Surf, and Fog. © Copyright 2023 G Dan Mitchell.
Headlands and coastal mountains obscured by winter fog along the Big Sur Coast.
This is a scene that I have tried to photograph many times. When I stop to make a photograph here, it always seems like it should be easy… but it inevitably ends up being very challenging if not impossible. The subject is quite a distance away, so it requires a very long focal length. However, the long focal length magnifies issues created by air movement across the great distance, and even though the atmospheric softness is what I want, it is hard to get the right level of detail. I tried again this past week, and decided to take the subject in a bit of a different direction.
A challenge is that the hazy conditions that obscure and diffuse the subject in the way I hoped for also tend to be both gray and of quite low contrast. To address that I decided on a brighter, high key rendition of the scene in which the colors are extremely subtle and the darkest tones are, objectively speaking, still at the brighter end of the scale. In a sense, the object here is to “suggest” more than to “record.”
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Headlands, Surf, and Fog
Headlands, Surf, and Fog. © Copyright 2023 G Dan Mitchell.
Headlands and coastal mountains obscured by winter fog along the Big Sur Coast.
This is a scene that I have tried to photograph many times. When I stop to make a photograph here, it always seems like it should be easy… but it inevitably ends up being very challenging if not impossible. The subject is quite a distance away, so it requires a very long focal length. However, the long focal length magnifies issues created by air movement across the great distance, and even though the atmospheric softness is what I want, it is hard to get the right level of detail. I tried again this past week, and decided to take the subject in a bit of a different direction.
A challenge is that the hazy conditions that obscure and diffuse the subject in the way I hoped for also tend to be both gray and of quite low contrast. To address that I decided on a brighter, high key rendition of the scene in which the colors are extremely subtle and the darkest tones are, objectively speaking, still at the brighter end of the scale. In a sense, the object here is to “suggest” more than to “record.”
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.