Dune Study, Evening
Dune Study, Evening. © Copyright 2022 G Dan Mitchell.
An interpretation of soft dune forms and colors in evening light, Death Valley National Park.
When photographing sand dunes I spend a lot of time looking for just the right combination of shading, texture, line and curve, and color. But in the end, it mostly comes down to the light — the light that colors the sand, creates the shading, and illuminates those lines and curves. It seems like every photograph in the sand dunes is an ephemeral, one-time thing, and the particular combinations of conditions will never be precisely replicated. Unlike some other subjects, where the primary elements of the scene don’t change much, each visit to the dunes takes me to different places and photographs.
On a late-March trip to Death Valley National Park, I revisited a location that I had photographed with great success a couple of months ago. This time Patty accompanied me, and I wanted her to experience the light that I had worked with on the earlier visit. That did not happen. Two months ago the evening sky was clear, and warm-colored sunlight illuminated the western-facing dunes. This time the sky was filled with clouds and the light was soft and the colors far less intense, producing and entirely different experience.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Dune Study, Evening
Dune Study, Evening. © Copyright 2022 G Dan Mitchell.
An interpretation of soft dune forms and colors in evening light, Death Valley National Park.
When photographing sand dunes I spend a lot of time looking for just the right combination of shading, texture, line and curve, and color. But in the end, it mostly comes down to the light — the light that colors the sand, creates the shading, and illuminates those lines and curves. It seems like every photograph in the sand dunes is an ephemeral, one-time thing, and the particular combinations of conditions will never be precisely replicated. Unlike some other subjects, where the primary elements of the scene don’t change much, each visit to the dunes takes me to different places and photographs.
On a late-March trip to Death Valley National Park, I revisited a location that I had photographed with great success a couple of months ago. This time Patty accompanied me, and I wanted her to experience the light that I had worked with on the earlier visit. That did not happen. Two months ago the evening sky was clear, and warm-colored sunlight illuminated the western-facing dunes. This time the sky was filled with clouds and the light was soft and the colors far less intense, producing and entirely different experience.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.